{"version":"1.0","provider_name":"Swiss Music Newspaper","provider_url":"https:\/\/www.musikzeitung.ch\/en","title":"PENTEC\u00d4TE OUTRE-RHIN \u2013 Beethoven | Mendelssohn - Schweizer Musikzeitung","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZmZNBq9q1r\"><a href=\"https:\/\/www.musikzeitung.ch\/en\/kalender\/pentecote-outre-rhin-beethoven-mendelssohn\">PENTEC\u00d4TE OUTRE-RHIN - Beethoven | Mendelssohn<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.musikzeitung.ch\/en\/kalender\/pentecote-outre-rhin-beethoven-mendelssohn\/embed#?secret=ZmZNBq9q1r\" width=\"600\" height=\"338\" title=\"\u201cPENTEC\u00d4TE OUTRE-RHIN - Beethoven | Mendelssohn\u201d - Schweizer Musikzeitung\" data-secret=\"ZmZNBq9q1r\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.musikzeitung.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/2025-10-09_68e7afb7e0b7b_ESN_vignettes_900x900px_29.03.26.jpg","thumbnail_width":900,"thumbnail_height":900,"description":"PROGRAMME L.V. Beethoven &#8211; Symphonie n\u00b04 en si b\u00e9molmajeur, op.60 F. Mendelssohn &#8211; Symphonie n\u00b04 en la majeur,op.90 \u00ab Italienne \u00bb Au son de Beethoven et de Mendelssohn, figures embl\u00e9matiques de la tradition germanique, se d\u00e9ploie une v\u00e9ritable Pentec\u00f4te musicale o\u00f9 intensit\u00e9 festive et d\u00e9licatesse exquise se conjuguent. L\u2019adagio de la symphonie de Beethoven, qui [&hellip;]"}