{"id":11341,"date":"2022-03-30T00:00:00","date_gmt":"2022-03-29T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/east-meets-west-doppeltagung\/"},"modified":"2023-02-03T12:27:31","modified_gmt":"2023-02-03T11:27:31","slug":"east-meets-west-doppeltagung","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/basis\/2022\/03\/east-meets-west-doppeltagung","title":{"rendered":"East Meets West double conference"},"content":{"rendered":"\"\"\n
\n

Dominik Sackmann, Lukas N\u00e4f -<\/i> Arnold Sch\u00f6nberg, whose biography ran from Vienna to Los Angeles, i.e. from East to West, was famous as a composition teacher. His best-known (and first) private pupils were Alban Berg and Anton Webern in Vienna. From 1925, a large circle of students formed around him at the Prussian Academy of Arts in Berlin. After emigrating, Sch\u00f6nberg was financially dependent on teaching opportunities in New York and especially in Los Angeles. For this reason, he mentored young composers with different backgrounds and goals in life until his death in 1951. Sch\u00f6nberg himself wrote in his Harmonielehre (1911) that he \"learned it from his students\". However, far too little is known about the details of his teaching: how did it take place, how did teacher and pupil communicate with each other, what part did the basic craftsmanship play, what did Sch\u00f6nberg value, how great was the influence of his own aesthetics on his pupils? Did Sch\u00f6nberg treat all his students equally? How did the students experience Sch\u00f6nberg as a teacher and how did they later process what they had learned? Answers to such questions can only be provided by studies of individual composers and their memories and musical works.<\/p>\n<\/div>\n

Zillig, Wellesz, Skalkottas, Schmid, von Hannenheim<\/strong><\/p>\n

Iris Eggenschwiler (Zurich) will provide an insight into what has been researched to date about Sch\u00f6nberg's circle of students and the teaching practice of the \"master\". Completely contrasting composers who experienced Sch\u00f6nberg's teaching at different periods in Vienna or Berlin will be the focus of four portraits: Lukas N\u00e4f (Zurich) on the Swiss composer Erich Schmid (1907-2000), Christian Lemmerich (W\u00fcrzburg) on the German composer Winfried Zillig (1905-1963), Ludwig Holtmeier (Freiburg i. Br.) on Norbert von Hannenheim (1898-1945) from Transylvania and Nina-Maria Wanek (Vienna) on Nikos Skalkottas (1904-1949) from Greece. <\/p>\n

Sch\u00f6nberg undoubtedly came into contact with music from the Aegean region through Nikos Skalkottas. However, his early Viennese student Egon Wellesz (1885-1974), who from 1920 onwards founded the research branch of musical Byzantine studies with epoch-making first decipherments, gave him a view beyond the borders of Europe. In this sense, the circle around Sch\u00f6nberg cultivated relationships from West to East. <\/p>\n<\/div>\n

\"Missa Graeca\" - points of contact between Eastern and Western liturgical singing<\/strong><\/p>\n

At the beginning, Nina-Maria Wanek (Vienna) will give an introduction to the special features and history of Byzantine chant. The Choralschola of the ZHdK under the direction of Stephan Klarer will then make the contrasting sound worlds of Byzantine and Gregorian liturgical chant audible live. The second part of the evening is dedicated to the theoretical and practical examination of the \"Missa Graeca\", a medieval compilation of Gregorian chants with Greek text. <\/p>\n<\/div>\n

Byzantine chants<\/strong><\/p>\n

Zurich, Friday, May 6, 2022, 18:00-21:30, Zurich University of the Arts (Toni-Areal), Pfingstweidstrasse 96, Room 7.K06, Concert Hall 2 (Organ Hall), Level 7<\/p>\n

Byzantine chants - \"Missa Graeca\": Lectures by Nina-Maria Wanek (Vienna) and presentation of Western and Eastern chants with the Choralschola of the ZHdK (cond.: Stephan Klarer)<\/p>\n<\/div>\n

Arnold Sch\u00f6nberg as a teacher<\/strong><\/p>\n

Zurich, Saturday, May 7, 2022, 9.30-16.00, Zurich University of the Arts (Toni-Areal), Pfingstweidstrasse 96, Room 3.K01, Level 3<\/p>\n

Arnold Sch\u00f6nberg as a teacher: presentations by Iris Eggenschwiler (introduction) 9.30, Lukas N\u00e4f (Erich Schmid) 10.15, Ludwig Holtmeier (Norbert von Hannenheim) 11.15, Nina-Maria Wanek (Egon Wellesz and Nikos Skalkottas) 14.00, Christian Lemmerich (Winfried Zillig) 15.00.<\/p>\n

Further information is available at: <\/p>\n

> www.zhdk.ch\/forschung\/imr<\/b><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

On 6 and 7 May 2022, the Zurich section of the Swiss Music Research Society, in collaboration with the Institute for Music Research at the ZHdK, is organizing a double conference on two seemingly incompatible topics in the Toni-Areal: Arnold Sch\u00f6nberg as a teacher and musical Byzantine studies.<\/strong><\/p>","protected":false},"author":43671,"featured_media":10218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,1562],"tags":[],"class_list":["post-11341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-smg"],"acf":[],"yoast_head":"\nEast Meets West Doppeltagung - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/basis\/2022\/03\/east-meets-west-doppeltagung\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"East Meets West Doppeltagung - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Am 6. und 7. Mai 2022 veranstaltet die Sektion Z\u00fcrich der Schweizerischen Musikforschenden Gesellschaft in Zusammenarbeit mit dem Institute for Music Research der ZHdK im Toni-Areal eine Doppeltagung zu zwei anscheinend unvereinbaren Themenbereichen: Arnold Sch\u00f6nberg als Lehrer und musikalische Byzantinistik.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/basis\/2022\/03\/east-meets-west-doppeltagung\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-03-29T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-03T11:27:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/smg_allg_144_quer.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"104\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Helen Gebhart\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Helen Gebhart\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\"},\"author\":{\"name\":\"Helen Gebhart\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/2753acb48478415ecb4757381e17ca51\"},\"headline\":\"East Meets West Doppeltagung\",\"datePublished\":\"2022-03-29T23:00:00+00:00\",\"dateModified\":\"2023-02-03T11:27:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\"},\"wordCount\":562,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/smg_allg_144_quer.jpg\",\"articleSection\":[\"Basis\",\"SMG\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\",\"name\":\"East Meets West Doppeltagung - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/smg_allg_144_quer.jpg\",\"datePublished\":\"2022-03-29T23:00:00+00:00\",\"dateModified\":\"2023-02-03T11:27:31+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/smg_allg_144_quer.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/smg_allg_144_quer.jpg\",\"width\":554,\"height\":104},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"East Meets West Doppeltagung\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/2753acb48478415ecb4757381e17ca51\",\"name\":\"Helen Gebhart\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/033806445291cb97034a1442fb6eda4247f68ded02480e6372f3fe74a6f8c5e0?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/033806445291cb97034a1442fb6eda4247f68ded02480e6372f3fe74a6f8c5e0?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/033806445291cb97034a1442fb6eda4247f68ded02480e6372f3fe74a6f8c5e0?s=96&d=mm&r=g\",\"caption\":\"Helen Gebhart\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/helen-gebhart\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"East Meets West double conference - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/basis\/2022\/03\/east-meets-west-doppeltagung\/","og_locale":"en_US","og_type":"article","og_title":"East Meets West Doppeltagung - Schweizer Musikzeitung","og_description":"Am 6. und 7. Mai 2022 veranstaltet die Sektion Z\u00fcrich der Schweizerischen Musikforschenden Gesellschaft in Zusammenarbeit mit dem Institute for Music Research der ZHdK im Toni-Areal eine Doppeltagung zu zwei anscheinend unvereinbaren Themenbereichen: Arnold Sch\u00f6nberg als Lehrer und musikalische Byzantinistik.","og_url":"https:\/\/www.musikzeitung.ch\/en\/basis\/2022\/03\/east-meets-west-doppeltagung\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2022-03-29T23:00:00+00:00","article_modified_time":"2023-02-03T11:27:31+00:00","og_image":[{"width":554,"height":104,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/smg_allg_144_quer.jpg","type":"image\/jpeg"}],"author":"Helen Gebhart","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Helen Gebhart","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung"},"author":{"name":"Helen Gebhart","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/2753acb48478415ecb4757381e17ca51"},"headline":"East Meets West Doppeltagung","datePublished":"2022-03-29T23:00:00+00:00","dateModified":"2023-02-03T11:27:31+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung"},"wordCount":562,"commentCount":0,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/smg_allg_144_quer.jpg","articleSection":["Basis","SMG"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung","url":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung","name":"East Meets West double conference - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/smg_allg_144_quer.jpg","datePublished":"2022-03-29T23:00:00+00:00","dateModified":"2023-02-03T11:27:31+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/smg_allg_144_quer.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/smg_allg_144_quer.jpg","width":554,"height":104},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/basis\/2022\/03\/east-meets-west-doppeltagung#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"East Meets West Doppeltagung"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/2753acb48478415ecb4757381e17ca51","name":"Helen Gebhart","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/033806445291cb97034a1442fb6eda4247f68ded02480e6372f3fe74a6f8c5e0?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/033806445291cb97034a1442fb6eda4247f68ded02480e6372f3fe74a6f8c5e0?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/033806445291cb97034a1442fb6eda4247f68ded02480e6372f3fe74a6f8c5e0?s=96&d=mm&r=g","caption":"Helen Gebhart"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/helen-gebhart"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/11341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/43671"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=11341"}],"version-history":[{"count":1,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/11341\/revisions"}],"predecessor-version":[{"id":11342,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/11341\/revisions\/11342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/10218"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=11341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=11341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=11341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}