{"id":3111,"date":"2022-08-14T00:00:00","date_gmt":"2022-08-13T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/drama-und-oper\/"},"modified":"2023-02-17T16:34:56","modified_gmt":"2023-02-17T15:34:56","slug":"drama-und-oper","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/service\/2022\/08\/drama-und-oper","title":{"rendered":"Drama and opera"},"content":{"rendered":"

\"\"<\/p>\n

\n

The centerpiece of the festival from September 9 to 11 is the Puppetry performance Oh
\nYou fool! <\/em>from Lutz Grossmann<\/a> in the studio of Othmar Schoeck's birthplace in Brunnen. Read backwards, this title conceals Don Ranudo<\/em>the protagonist of Schoeck's opera of the same name, the libretto of which was written by Armin R\u00fceger. Grossmann's ensemble approaches the man Othmar Schoeck in his play with artifacts and curiosities from the K\u00fcnstlerhaus and music from the Schoeck-R\u00fceger operas.<\/p>\n

Armin R\u00fceger (1886-1957) was much more than a pharmacist and lyricist. He drew, painted, designed posters and flyers, was committed to puppet theater and generally to the cultural scene in Eastern Switzerland in the first half of the 20th century. On the basis of previously unpublished material, the OSF is curating an exhibition together with the Historisches Museum Bischofszell<\/a>which aims to remove him from the shadow of Othmar Schoeck. As the author of several festival plays and marionette pieces, R\u00fceger was able to give Schoeck's sprawling visual and sound fantasies a dramaturgical framework with his libretti, which made them adaptable for the stage in the first place.<\/p>\n

In the Symposium Balzac on the opera stage<\/em><\/a>which will take place at the K\u00fcnstleratelier in cooperation with the Musicology Institute of the University of Zurich, Schoeck\/R\u00fceger's Massimilla Doni<\/em> in the context of other Balzac operas of the 20th and 21st centuries.<\/p>\n

Inga Mai Groote, Erich Keller and Alex Ross, live from Los Angeles, discuss in the Podium Art and politics in the 20th century<\/em> <\/a>the historical and political context of Schoeck's work, a topic that will remain important for the OSF in the future.<\/p>\n

Every year, the OSF presents a World premiere<\/a>. The Mondrian Ensemble<\/a> interprets beside
\nDieter Ammanns Apr\u00e8s le silence<\/em> and Heard form<\/em> a new work by Felix Nussbaumer, who has already presented a string quartet sketch at the OSF 2021 as part of Ammann's Podium futur compos\u00e9. In contrast, Schoeck's song cycle will be performed at the same concert Gaselen<\/em>. Due to the unusual instrumentation, it is rarely heard live. Advanced students of the Lucerne School of Music work on the cycle in a chamber music module until it is ready for concert performance.<\/p>\n

Finally, in the former telephone booths at Brunnen station, travelers will be provided with a Installation by Mali Lazell<\/a> welcomed: Ghosts | Falling upwards <\/em>combines photos from OSF 2016 with a sound collage by Rolf Simmen.<\/p>\n

Like last year, there will also be a Accompanying book to the festival<\/a> appear.<\/p>\n<\/div>\n

<\/div>\n
\n

 <\/p><\/blockquote>\n<\/div>","protected":false},"excerpt":{"rendered":"

This year's Othmar Schoeck Festival (OSF) is all about the librettist Armin R\u00fceger. <\/strong><\/p>","protected":false},"author":1,"featured_media":3112,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[],"class_list":["post-3111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service"],"acf":[],"yoast_head":"\nDrama und Oper - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/service\/2022\/08\/drama-und-oper\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drama und Oper - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Beim diesj\u00e4hrigen Othmar Schoeck Festival (OSF) dreht sich vieles um den Librettisten Armin R\u00fceger.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/service\/2022\/08\/drama-und-oper\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-08-13T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-17T15:34:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/osf22.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"381\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2022\\\/08\\\/drama-und-oper#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2022\\\/08\\\/drama-und-oper\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Drama und Oper\",\"datePublished\":\"2022-08-13T23:00:00+00:00\",\"dateModified\":\"2023-02-17T15:34:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2022\\\/08\\\/drama-und-oper\"},\"wordCount\":394,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2022\\\/08\\\/drama-und-oper#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/osf22.jpg\",\"articleSection\":[\"Service\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2022\\\/08\\\/drama-und-oper\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2022\\\/08\\\/drama-und-oper\",\"name\":\"Drama und Oper - 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