{"id":3252,"date":"2019-10-28T00:00:00","date_gmt":"2019-10-27T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/clara-schumann-die-reizende-die-reisende\/"},"modified":"2019-10-28T00:00:00","modified_gmt":"2019-10-27T23:00:00","slug":"clara-schumann-die-reizende-die-reisende","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/service\/2019\/10\/clara-schumann-die-reizende-die-reisende","title":{"rendered":"\"Clara Schumann - the charming, the traveler\""},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/cs2.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Clara Wieck at the age of 15. Lithograph by Julius Giere (1807-1880),Photo: zVg,SMPV<\/figcaption><\/figure>\n<div class='text-section'>\n<p>\"Fl\u00fcgelschl\u00e4ge\" was launched in 2013 by the Belgian pianist, organist and artistic director at Zurich's B\u00fchlkirche and Predigerkirche and has been directed by her ever since. This year, Els Biesemans and her guests are organizing four \"Soir\u00e9es musicales\" in honour of Clara Schumann (1819-1896): the literary-musical dialogue with actress Mona Petri, the song recital by tenor Julian Pr\u00e9gardien, the chamber music evening with violinist Chouchane Siranossian and the Ensemble Elsewhere and the final soir\u00e9e on two grand pianos together with pianist Dmitry Ablogin.<\/p>\n<p>The movie <em>Spring Symphony<\/em> (Nastassja Kinski as Clara Wieck and Herbert Gr\u00f6nemeyer as Robert Schumann), Jesper Christensen's master class (rare shellac recordings of Clara's piano students) and the exhibition \"Flower Book for Robert\" provide a further insight into Clara Schumann's eventful life as an outstanding pianist and composer and wife of Robert Schumann.<\/p>\n<p>Three fortepianos bring the world of sound from around 1840 to life: a Brodmann grand piano from 1825, an \u00c9rard fortepiano from 1850 and a grand piano by Conrad Graf from around 1840. The special construction of these historical instruments means that the intimate atmosphere of the festival differs from performances on modern grand pianos in large concert halls. <br \/> \u00a0<\/p>\n<\/div>\n<div>\n<blockquote class='text-section'>\n<h4>Information and data<\/h4>\n<p>\u00a0<\/p>\n<p><a href='https:\/\/www.fortepiano-festival.com\/'><strong>https:\/\/www.fortepiano-festival.com<\/strong><\/a><\/p>\n<p>\u00a0<\/p>\n<\/blockquote>\n<\/div>\n<div class='text-section'>\n<dl class='picture media photo large'>\n<dt>          <img class='media photo large' src='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/eb.jpg' alt='Image '><\/dt>\n<dd class='copyright'>Photo: zVg<\/dd>\n<dd class='longdesc'>Festival director Els Biesemans creates an intimate atmosphere at the soir\u00e9es by playing fortepianos.  <\/dd>\n<\/dl>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>The Zurich Fortepiano Festival \"Fl\u00fcgelschl\u00e4ge\" honors Clara Schumann on her 200th birthday. From 3 to 17 November 2019, director Els Biesemans is organizing four \"Soir\u00e9es musicales\" in the B\u00fchlkirche, the Predigerkirche and the Church of St. Peter.<\/strong><\/p>","protected":false},"author":1,"featured_media":3253,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[],"class_list":["post-3252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service"],"acf":{"author":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00abClara Schumann \u2013 die Reizende, die Reisende\u00bb - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/service\/2019\/10\/clara-schumann-die-reizende-die-reisende\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abClara Schumann \u2013 die Reizende, die Reisende\u00bb - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Das Z\u00fcrcher Fortepiano Festival \u00abFl\u00fcgelschl\u00e4ge\u00bb ehrt Clara Schumann zu ihrem 200. Geburtstag. Vom 3. bis 17. November 2019 veranstaltet die Leiterin Els Biesemans in der B\u00fchlkirche, der Predigerkirche und der Kirche St. Peter vier \u00abSoir\u00e9es musicales\u00bb.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/service\/2019\/10\/clara-schumann-die-reizende-die-reisende\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-27T23:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/cs2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"349\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"\u00abClara Schumann \u2013 die Reizende, die Reisende\u00bb\",\"datePublished\":\"2019-10-27T23:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende\"},\"wordCount\":240,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/cs2.jpg\",\"articleSection\":[\"Service\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende\",\"name\":\"\u00abClara Schumann \u2013 die Reizende, die Reisende\u00bb - 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