{"id":3261,"date":"2019-09-16T00:00:00","date_gmt":"2019-09-15T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/geheimnis-chorsingen\/"},"modified":"2019-09-16T00:00:00","modified_gmt":"2019-09-15T23:00:00","slug":"geheimnis-chorsingen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/service\/2019\/09\/geheimnis-chorsingen","title":{"rendered":"The secret of choral singing"},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/kl-5.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">The Lucerne Concert Choir in October 2018 at the KKL. Photo: Patrick H\u00fcrlimann,Photo: zVg,Photo: zVg,Photo: zVg,Photo: zVg,SMPV<\/figcaption><\/figure>\n<div class='text-section'>\n<p>Two singers from the Lucerne Concert Choir talk about what choral singing means to them.<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Singing makes me happy<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<dl class='picture media photo'>\n<dt>          <img class='media photo' src='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/klig.jpg' alt='Image '><\/dt>\n<dd class='copyright'>Photo: zVg<\/dd>\n<dd class='caption'>Isa Glanzmann, kindergarten teacher<\/dd>\n<\/dl>\n<\/div>\n<div class='text-section'>\n<p>I actually sing very often: at home, in the forest, in kindergarten. It was always my dream to sing in a classical choir. I've been singing in the Lucerne Concert Choir for three years now and I have the impression that my voice has become clearer and purer. This has to do with the many rehearsals and the very good choir direction. I also practise a lot at home, because it's important to me that the wonderful works we get to sing are really successful when we perform at the KKL.<\/p>\n<p>Singing makes me totally happy, the rehearsals are always too short for me. I enjoy the community in the choir and appreciate the contact between the generations. Many cheerful, friendly people come together here. I find that very enriching!<\/p>\n<p>The big highlight of the choir year for me is the first rehearsal together with the professional orchestra and the soloists. A great moment - being in the middle of the music and immersing yourself in it. When the first chords ring out, tears flow again and again because it makes me so happy. <br \/> \u00a0<\/p>\n<\/div>\n<div>\n<h3 class=''><span>There are wonderful moments<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<dl class='picture media photo'>\n<dt>          <img class='media photo' src='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/klhu.jpg' alt='Image '><\/dt>\n<dd class='copyright'>Photo: zVg<\/dd>\n<dd class='caption'>Robert Humbel, chemistry teacher<\/dd>\n<\/dl>\n<\/div>\n<div class='text-section'>\n<p>I started my choral career in the Kantichor and later sang in the Academic Choir of the ETH and the University of Zurich. In Lucerne, I ended up in the Lucerne Concert Choir because I felt at home in this large choir from the very first rehearsal. Singing makes me forget my everyday problems. I experience myself as a creative part of a big whole. Each choir member has to pay attention to themselves, their surroundings and the conductor, and only together can something new emerge. I experience wonderful moments in the process.<\/p>\n<p>Over the years, my voice has improved and my musical understanding has deepened. The social contacts in the choir are also important to me. I've found a group that still sits together after rehearsals. I'm in good hands there.<\/p>\n<p>Once a year we give a big concert in the KKL. It's always an experience to perform in this hall. As we've rehearsed intensively for a year, I'm hardly nervous. My family is listening in the audience. The event is simply wonderful.<br \/> \u00a0<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Sometimes I experience wow feelings!<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<dl class='picture media photo'>\n<dt>          <img class='media photo' src='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/klbr.jpg' alt='Image '><\/dt>\n<dd class='copyright'>Photo: zVg<\/dd>\n<dd class='caption'>Simona Brauchli, social education worker<\/dd>\n<\/dl>\n<\/div>\n<div class='text-section'>\n<p>I've been singing since the 2nd primary school class. I liked singing straight away. After a long break, I started looking for a new choir. So I said to myself: why don't you join my mother's choir? It's a wonderful opportunity for us to experience something together.<\/p>\n<p>I like to sing classical music. I already loved these pieces in the children's choir. I often ask myself how it was possible for someone to come up with such great works. I really enjoy being part of a large choir. When we get better at singing a piece over time and the notes sit and rub against each other, I sometimes feel a tingling in my stomach. It's a wonderful feeling. I love being part of this great whole.<\/p>\n<p>The real highlight for me is when the orchestra joins in the week before the big performance. Everything makes sense in one fell swoop. Then I experience a real wow feeling. It's just great! I'm nervous when I perform at the KKL, not because of the singing, but because I'm delivering the flowers. Apart from that, I think it's great that a great project is coming to an end and I'm looking forward to the new work.  <br \/> \u00a0<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Singing, the ideal balance to work<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<dl class='picture media photo'>\n<dt>          <img class='media photo' src='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/klap.jpg' alt='Image '><\/dt>\n<dd class='copyright'>Photo: zVg<\/dd>\n<dd class='caption'>Volker Appel, occupational therapist<\/dd>\n<\/dl>\n<\/div>\n<div class='text-section'>\n<p>I've actually always sung: I used to sing in the youth choir, then in the church choir, in the chamber choir and here in Switzerland for over 25 years in the Lucerne Concert Choir. We practise a whole year on one work. I like getting to know a new classical work every year. Every composer is different. You have to understand each one anew. When it comes to interpretation, I follow the conductor and like to be surprised.<\/p>\n<p>The highlight every year is of course the performance at the KKL. I'm always nervous - even after such a long time in the choir. I love the atmosphere after the performance, that feeling of relaxation and relief when everything has gone well. The choir gives everything and is fully concentrated - it's logical that we're pretty exhausted at the end. It's an incredibly wonderful feeling to have worked together on something great.<br \/> \u00a0<\/p>\n<\/div>\n<div>\n<blockquote class='text-section'>\n<p>The <a href='https:\/\/www.konzertchor-luzern.ch\/' target='_blank'>Lucerne Concert Choir<\/a> has been operated since the end of 2017 by <a href='\/de\/service\/treffpunkte\/2018\/luzerner-konzertchor-klahm.html' target='_blank'>Philipp Klahm<\/a> managed.<br \/> \u00a0<\/p>\n<p><a href='https:\/\/www.konzertchor-luzern.ch\/konzerte\/' target='_blank'>The concert <em>3 times Beethoven<\/em> will take place on Sunday, October 13, 2019, 11 a.m., at the KKL Luzern.<\/a><\/p>\n<p> <strong>Soloists<\/strong><\/p>\n<p>Gudrun Sidonie Otto, soprano<br \/> Diana Haller, alto<br \/> Nino Aurelio Gm\u00fcnder, tenor<br \/> Robert Koller, bass-baritone<\/p>\n<p>Denis Zhdanov, piano<\/p>\n<p>Judith Gamp, mezzo-soprano<br \/> Saloum Diawara, baritone<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p><strong>On Sunday, October 13, 2019 at 11 a.m., the Lucerne Concert Choir will present a performance of three works by Ludwig van Beethoven: Coriolan Overture, Mass in C major and Choral Fantasy. The singers have been rehearsing for a year. What drives them, what do they experience?<br \/><\/strong><\/p>","protected":false},"author":1,"featured_media":3262,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[],"class_list":["post-3261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service"],"acf":{"author":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Geheimnis Chorsingen - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/service\/2019\/09\/geheimnis-chorsingen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Geheimnis Chorsingen - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Am Sonntag, 13. Oktober 2019 11 Uhr, pr\u00e4sentiert der Konzertchor Luzern eine Auff\u00fchrung mit drei Werken von Ludwig van Beethoven: Coriolan-Ouvert\u00fcre, Messe in C-Dur und Chorfantasie. Ein Jahr lang haben die S\u00e4ngerinnen und S\u00e4nger daf\u00fcr geprobt. Was treibt sie an, was erleben sie dabei?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/service\/2019\/09\/geheimnis-chorsingen\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-15T23:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/kl-5.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"338\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Geheimnis Chorsingen\",\"datePublished\":\"2019-09-15T23:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen\"},\"wordCount\":812,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/kl-5.jpg\",\"articleSection\":[\"Service\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen\",\"name\":\"Geheimnis Chorsingen - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/kl-5.jpg\",\"datePublished\":\"2019-09-15T23:00:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/kl-5.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/kl-5.jpg\",\"width\":554,\"height\":338},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/09\\\/geheimnis-chorsingen#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Geheimnis Chorsingen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The secret of choral singing - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/service\/2019\/09\/geheimnis-chorsingen\/","og_locale":"en_US","og_type":"article","og_title":"Geheimnis Chorsingen - Schweizer Musikzeitung","og_description":"Am Sonntag, 13. Oktober 2019 11 Uhr, pr\u00e4sentiert der Konzertchor Luzern eine Auff\u00fchrung mit drei Werken von Ludwig van Beethoven: Coriolan-Ouvert\u00fcre, Messe in C-Dur und Chorfantasie. Ein Jahr lang haben die S\u00e4ngerinnen und S\u00e4nger daf\u00fcr geprobt. Was treibt sie an, was erleben sie dabei?","og_url":"https:\/\/www.musikzeitung.ch\/en\/service\/2019\/09\/geheimnis-chorsingen\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2019-09-15T23:00:00+00:00","og_image":[{"width":554,"height":338,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/kl-5.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Musikzeitung-Redaktion","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Geheimnis Chorsingen","datePublished":"2019-09-15T23:00:00+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen"},"wordCount":812,"commentCount":0,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/kl-5.jpg","articleSection":["Service"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen","url":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen","name":"The secret of choral singing - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/kl-5.jpg","datePublished":"2019-09-15T23:00:00+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/kl-5.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/kl-5.jpg","width":554,"height":338},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/service\/2019\/09\/geheimnis-chorsingen#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Geheimnis Chorsingen"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Music newspaper editorial office","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/3261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=3261"}],"version-history":[{"count":0,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/3261\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/3262"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=3261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=3261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=3261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}