{"id":3352,"date":"2017-05-01T00:00:00","date_gmt":"2017-04-30T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/authentizitaet-versus-improvisation\/"},"modified":"2017-05-01T00:00:00","modified_gmt":"2017-04-30T23:00:00","slug":"authentizitaet-versus-improvisation","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/service\/2017\/05\/authentizitaet-versus-improvisation","title":{"rendered":"Authenticity versus improvisation?"},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/auth.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Street musicians, ca. 1630. Bernardo Strozzi (1581-1644)\/Detroit Institute of Arts,SMPV<\/figcaption><\/figure>\n<div class='text-section'>\n<p>The terms <em>Improvisation<\/em> and<em> Authenticity<\/em> are often used to classify and evaluate musical performances. However, a more precise philosophical reflection brings problems to light. The concept of<em> Improvisation <\/em>the idea of boundless spontaneity and freedom. However, this remains unattainable because in practice, recourse to existing patterns and rules is unavoidable. What the <em>Authenticity <\/em>a distinction can be made between a subjective and an objective form of performance. The former aims to ensure that the performers express themselves authentically. Objective authenticity, on the other hand, strives to return to the true origin or supposed intention of a musical work in order to visualize the \"original version\" and\/or the experience behind it. In both cases, however, the question is to what extent full authenticity is realizable or even conceivable. <\/p>\n<p>The aim of the conference is to understand more precisely what improvisation and authenticity could be and how their interrelationship can be described. In particular, both terms will be used to shed light on the concept of the musical work. The conference is interdisciplinary and brings philosophy and musicology into conversation.<\/p>\n<p>In this regard, the conference papers will address the following questions, among others:<br \/> - How can improvisation be distinguished from other musical practices? <br \/> - What do we mean when we talk about a more or less <em>authentic improvisation<\/em> talk?<br \/> - To what extent can sound recordings also be authentic?<br \/> - What can the concept of the work achieve in the context of improvisation?<br \/> - What concepts of improvisation can we gain from concrete musical practices and various music theories?<br \/> - What does freedom of improvisation mean?<\/p>\n<p>These questions will be examined using both theoretical arguments and concrete examples. The interdisciplinary dialogue will not only bring together knowledge from different disciplines, but also allow different perspectives to stimulate each other. Invited keynote speeches will be given by Julian Dodd (Manchester University), Roger Pouivet (Universit\u00e9 de Lorraine) and Bastien Gallet (HEAR, Strasbourg\/Mulhouse). These questions will be put to the test in a workshop with the HKB improvisation trio Inniger-daSilva-Spitzenstaetter.<br \/> \u00a0<\/p>\n<\/div>\n<div>\n<blockquote class='text-section'>\n<p>Symposium at the University of Bern, 19-20.5.2017<br \/> Bern, University Main Building, Hochschulstr. 4, Room 304 (May 19)<br \/> Bern, UniS, Schanzeneckstr. 1, Room A-119 (May 20)<br \/> Concert workshop: Hallerstrasse 12, Room 002<\/p>\n<p><a href='http:\/\/ philosophie.unibe.ch\/impro2017'><br \/> philosophy.unibe.ch\/impro2017<\/a><\/p>\n<p> <a href='\/fr\/campus\/haute-ecole-de-musique\/2017\/06\/symposium-hkb.html'><strong>Updated on June 30, 2017:<br \/> <\/strong><\/a><a href='\/fr\/campus\/haute-ecole-de-musique\/2017\/06\/symposium-hkb.html'><strong>Link to the symposium report by Nemanja Radivojevic (in French)<\/strong><\/a><br \/> \u00a0<\/p>\n<\/blockquote>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>The interdisciplinary conference \"Authenticity versus Improvisation in the Philosophy of Music?\" explores the nature and interrelationship of improvisation and authenticity.<\/strong><\/p>","protected":false},"author":1,"featured_media":3353,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[],"class_list":["post-3352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Authentizit\u00e4t versus Improvisation? - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/service\/2017\/05\/authentizitaet-versus-improvisation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Authentizit\u00e4t versus Improvisation? - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die interdisziplin\u00e4re Tagung \u00abAuthenticity versus Improvisation in der Philosophie \u00fcber Musik?\u00bb fragt nach dem Wesen und dem Wechselverh\u00e4ltnis von Improvisation und Authentizit\u00e4t.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/service\/2017\/05\/authentizitaet-versus-improvisation\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-04-30T23:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/auth.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"389\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Authentizit\u00e4t versus Improvisation?\",\"datePublished\":\"2017-04-30T23:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation\"},\"wordCount\":392,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/auth.jpg\",\"articleSection\":[\"Service\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation\",\"name\":\"Authentizit\u00e4t versus Improvisation? - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/auth.jpg\",\"datePublished\":\"2017-04-30T23:00:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/auth.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/auth.jpg\",\"width\":554,\"height\":389},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2017\\\/05\\\/authentizitaet-versus-improvisation#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Authentizit\u00e4t versus Improvisation?\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Authenticity versus improvisation? - Swiss Music Newspaper","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/service\/2017\/05\/authentizitaet-versus-improvisation\/","og_locale":"en_US","og_type":"article","og_title":"Authentizit\u00e4t versus Improvisation? - Schweizer Musikzeitung","og_description":"Die interdisziplin\u00e4re Tagung \u00abAuthenticity versus Improvisation in der Philosophie \u00fcber Musik?\u00bb fragt nach dem Wesen und dem Wechselverh\u00e4ltnis von Improvisation und Authentizit\u00e4t.","og_url":"https:\/\/www.musikzeitung.ch\/en\/service\/2017\/05\/authentizitaet-versus-improvisation\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2017-04-30T23:00:00+00:00","og_image":[{"width":554,"height":389,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/auth.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Musikzeitung-Redaktion","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Authentizit\u00e4t versus Improvisation?","datePublished":"2017-04-30T23:00:00+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation"},"wordCount":392,"commentCount":0,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/auth.jpg","articleSection":["Service"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation","url":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation","name":"Authenticity versus improvisation? - Swiss Music Newspaper","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/auth.jpg","datePublished":"2017-04-30T23:00:00+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/auth.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/auth.jpg","width":554,"height":389},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/service\/2017\/05\/authentizitaet-versus-improvisation#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Authentizit\u00e4t versus Improvisation?"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Music newspaper editorial office","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/3352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=3352"}],"version-history":[{"count":0,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/3352\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/3353"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=3352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=3352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=3352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}