{"id":41418,"date":"2023-02-23T10:35:37","date_gmt":"2023-02-23T09:35:37","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=41418"},"modified":"2023-02-22T10:43:32","modified_gmt":"2023-02-22T09:43:32","slug":"fiveonfire","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire","title":{"rendered":"Expressive between classical music and jazz"},"content":{"rendered":"
\"\"
Five on Fire and the Musikkollegium Winterthur. Photo: zvg<\/figcaption><\/figure>\n

On her debut Struggle or play<\/em> (2007), Five on Fire focused on easily digestible jazz with funk interjections. Six years later, however, the formation around Daniel Gubelmann reinvented itself and began collaborating with a string quartet. For the latest album Eternal movement<\/em> this approach was developed further and a large string ensemble from the Musikkollegium Winterthur was used.<\/p>\n

Gubelmann's aim was to combine jazz with classical music and improvisation, searching for powerful melodies and the greatest possible expressiveness. The musician and composer, who trained in Bern, Zurich and Buenos Aires and is known in particular for his lyrical saxophone playing, allows his jazz quartet to play on an equal footing with the string orchestra. The result is an almost symbiotic sound that ignores genre boundaries.<\/p>\n

The title of the record, \"Ewigkeit der Bewegung\" (Eternity of Movement), suggests that the project does not stand for understatement, on the contrary. Accordingly, what is on offer is impressive and full of drama. Whereby the prelude, the delicate Preludio de Buenos Aires<\/em>which is entirely the responsibility of the string orchestra, is surprisingly restrained at first. This is followed by El rio de las estrellas<\/em>which is characterized by a sublime conversation between saxophone and piano and features melancholy timbres. With La flor del amor<\/em> Gubelmann's flair for the tango finally makes itself felt - with great passion and sometimes furious rhythms.<\/p>\n

According to Gubelmann, his eight compositions claim to be able to manage without pictures. Nevertheless Eternal movement<\/em> a cinematic suite that references Astor Piazzolla, Stan Getz and John Coltrane, among others. The result is an album that is as daring as it is eloquent, that goes its own way and knows how to impress.<\/p>\n

\"\"<\/p>\n

Five on Fire feat. Musikkollegium Winterthur: Eternal movement. Solo Musica SM407<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Five on Fire have long since moved on from the easily digestible jazz of the past. The formation around Daniel Gubelmann now has higher aspirations - and is now making common cause with classical music.<\/p>","protected":false},"author":29,"featured_media":41414,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[2035,2034,2038,1957],"class_list":["post-41418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-daniel-gubelmann","tag-five-on-fire","tag-michael-gasser","tag-musikkollegium-winterthur"],"acf":[],"yoast_head":"\nExpressiv zwischen Klassik und Jazz - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Expressiv zwischen Klassik und Jazz - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Five on Fire haben sich l\u00e4ngst vom leicht verdaulichen Jazz fr\u00fcherer Tage verabschiedet. Mittlerweile hegt die Formation um Daniel Gubelmann h\u00f6here Anspr\u00fcche \u2013 und macht jetzt gemeinsame Sache mit der Klassik.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-23T09:35:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1299\" \/>\n\t<meta property=\"og:image:height\" content=\"866\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Expressiv zwischen Klassik und Jazz\",\"datePublished\":\"2023-02-23T09:35:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\"},\"wordCount\":315,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Five_on_Fire_Musikkollegium.jpg\",\"keywords\":[\"Daniel Gubelmann\",\"Five on Fire\",\"Michael Gasser\",\"Musikkollegium Winterthur\"],\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\",\"name\":\"Expressiv zwischen Klassik und Jazz - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Five_on_Fire_Musikkollegium.jpg\",\"datePublished\":\"2023-02-23T09:35:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Five_on_Fire_Musikkollegium.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Five_on_Fire_Musikkollegium.jpg\",\"width\":1299,\"height\":866},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Expressiv zwischen Klassik und Jazz\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Expressive between classical music and jazz - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire\/","og_locale":"en_US","og_type":"article","og_title":"Expressiv zwischen Klassik und Jazz - Schweizer Musikzeitung","og_description":"Five on Fire haben sich l\u00e4ngst vom leicht verdaulichen Jazz fr\u00fcherer Tage verabschiedet. Mittlerweile hegt die Formation um Daniel Gubelmann h\u00f6here Anspr\u00fcche \u2013 und macht jetzt gemeinsame Sache mit der Klassik.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-02-23T09:35:37+00:00","og_image":[{"width":1299,"height":866,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"pia.schwab","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Expressiv zwischen Klassik und Jazz","datePublished":"2023-02-23T09:35:37+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire"},"wordCount":315,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","keywords":["Daniel Gubelmann","Five on Fire","Michael Gasser","Musikkollegium Winterthur"],"articleSection":["Rezensionen","Tontr\u00e4ger"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire","name":"Expressive between classical music and jazz - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","datePublished":"2023-02-23T09:35:37+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","width":1299,"height":866},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Expressiv zwischen Klassik und Jazz"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/41418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=41418"}],"version-history":[{"count":1,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/41418\/revisions"}],"predecessor-version":[{"id":41419,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/41418\/revisions\/41419"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/41414"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=41418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=41418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=41418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}