{"id":42159,"date":"2019-05-01T00:00:00","date_gmt":"2019-04-30T22:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/05\/zupfen"},"modified":"2023-02-28T10:07:49","modified_gmt":"2023-02-28T09:07:49","slug":"zupfen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/smz\/2019\/05\/zupfen","title":{"rendered":"pluck"},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Cover picture: www.neidhart-grafik.ch<\/figcaption><\/figure>\n<div class='main-content article clearfix'>\n<div class='media picture'><img alt='zupfen' src='\/.imaging\/stk\/musikzeitung\/article-image-intro\/website\/de\/smz\/aktuell\/2019\/05\/thema\/imageBinary\/fr.jpg'\/><\/div>\n<p><strong>In the East, the mastery of plucked instruments characterized wise men, here in the West the ukulele is enjoying growing popularity. Our selective foray through the family of plucked instruments also takes a look into the studio of a lute maker.<\/strong><\/p>\n<div class='text-section'>\n<p>All articles marked in blue can be read directly on the website by clicking on them. All other content can only be found in the printed edition or in the <a href='\/de\/smz\/printarchiv.html'>e-paper<\/a>.<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Focus<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p> <strong>Plucking downwards means \"pi\", plucking upwards means \"pa\"<\/strong><br \/> Interview with pipa virtuoso and composer Jing Yang<\/p>\n<p><strong>Privil\u00e9gier la souplesse \u00e0 l'orthodoxie<\/strong><br \/> Maurice Ottiger is one of the rare manufacturers of luth in Switzerland<\/p>\n<p><strong>Discoveries in the peripheral areas<\/strong><br \/> Unusual plucked instruments at music schools<\/p>\n<p><strong>De l'arc \u00e0 l'archiluth<\/strong><br \/> Une br\u00e8ve histoire des cordes pinc\u00e9es\u00a0<\/p>\n<\/div>\n<div>\n<h3 class=''><span>... and also<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<h4>CRITIQUES<\/h4>\n<p><a href='\/de\/rezensionen.html'><br \/> New releases recordings, books, sheet music<\/a><br \/> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>RESONANCE<\/h4>\n<p><strong><br \/> Cultivated at the Bern Jazz Festival<\/strong><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2019\/taktlos.html'><strong>Mixed scenes and generations<\/strong><br \/> Taktlos Festival in Zurich<\/a><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2019\/froehlich-tag-brugg-2019.html'><strong>Cheeky ghost in the wasteland<\/strong><br \/> 3rd Fr\u00f6hlich Day in Brugg<\/a><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2019\/heidelberger-fruehling.html'><strong>Heidelberg Spring as an experimental laboratory<\/strong><\/a><\/p>\n<p><strong>Composing without a net<\/strong><br \/> Obituary for Hans W\u00fcthrich<\/p>\n<p><strong>Jacques Cerf d\u00e9ploie ses ailes vers l'\" Orient c\u00e9leste \"<\/strong><\/p>\n<p><a href='\/de\/resonance\/klassik\/2019\/04\/odessa-classics.html'><strong>The dream of a \"Salzburg\" of Eastern Europe<\/strong><\/a><br \/> The Odessa Classics Festival<\/p>\n<p><strong>A visit from the past<\/strong><br \/> Early Music Festival in Zurich<\/p>\n<p><strong>Carte blanche<\/strong> \u00e0 William Blank<\/p>\n<\/div>\n<div class='text-section'>\n<h4>CAMPUS<\/h4>\n<p> <strong>Studying in the middle of practice<\/strong><br \/> Ensembles emerge from the music academies<\/p>\n<p><strong>The contrebasse en groupe stimulates the neurons - according to a study<\/strong><br \/> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>BASIS<\/h4>\n<p> Articles and news from the music associations<\/p>\n<p><a href='\/de\/basis\/eov.html'>Swiss Federal Orchestra Association (EOV) \/ Soci\u00e9t\u00e9 F\u00e9d\u00e9rale des Orchestres (SFO)<\/a><\/p>\n<p><a href='\/de\/basis\/fmd.html'>ForumMusicalDiversity (FMD) \/ ForumDiversit\u00e9Musicale (FMD)<\/a><\/p>\n<p><a href='\/de\/basis\/kmhs.html'>Konferenz Musikhochschulen Schweiz (KMHS) \/ Conf\u00e9rence des Hautes Ecoles de Musique Suisse (CHEMS)<\/a><\/p>\n<p><a href='\/de\/basis\/kalaidos.html'>Kalaidos University of Music \/ Kalaidos Haute \u00c9cole de Musique<\/a><\/p>\n<p><a href='\/de\/basis\/smr-chorama.html'>Swiss Music Council (SMR) \/ Conseil Suisse de la Musique (CSM) and CHorama<\/a><\/p>\n<p><a href='\/de\/basis\/smm.html'>Swiss Society for Music Medicine (SMM) \/ Association suisse de M\u00e9decine de la Musique (SMM)<\/a><\/p>\n<p><a href='\/de\/basis\/smg.html'>Swiss Musicological Society (SMG) \/ Soci\u00e9t\u00e9 Suisse de Musicologie (SSM)<\/a><\/p>\n<p><a href='\/de\/basis\/smv.html'>Swiss Musicians' Association (SMV) \/ Union Suisse des Artistes Musiciens (USDAM)<\/a><\/p>\n<p><a href='\/de\/basis\/smpv.html'>Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Soci\u00e9t\u00e9 Suisse de P\u00e9dagogie Musicale (SSPM)<\/a><\/p>\n<p><a href='\/de\/basis\/sonart.html'>SONART - Musicians Switzerland<\/a><\/p>\n<p><a href='\/de\/basis\/sjmw-ak.html'>Swiss Youth Music Competition Foundation (SJMW) and Arosa Culture<\/a><\/p>\n<p><a href='\/de\/basis\/suisa.html'>SUISA - Cooperative Society of Authors and Publishers of Music<\/a><\/p>\n<p><a href='\/de\/basis\/vms.html'>Swiss Association of Music Schools (VMS) \/ Association Suisse des \u00c9coles de Musique (ASEM)<\/a><\/p>\n<\/div>\n<div class='text-section'>\n<h4>FINAL<\/h4>\n<p><strong><br \/> Riddle<\/strong> - Pia Schwab is looking for<\/p>\n<\/div>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Row 9<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p>Since January 2017, Michael Kube has always sat down for us on the 9th of the month in row 9 - with serious, thoughtful, but also amusing comments on current developments and the everyday music business.<\/p>\n<p> <a href='\/de\/meinung.html'>Link to series 9<\/a><\/p>\n<\/div>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Download the current print edition<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><a href='\/de\/smz\/printarchiv.html'><strong>Here <\/strong><\/a>you can download the current issue. Please enter the search term \"e-paper\" in the print archive.<br \/> The download is free of charge for subscribers.<\/p>\n<p> All other interested parties will receive the PDF of the current issue (or an earlier issue) by e-mail. Costs: Fr. 8.-.<br \/> <a href='mailto:aboservice@musikzeitung.ch?subject=Bestellung%20PDF%20(e-paper)&#038;body=%0A%0AHiermit%20bestelle%20ich%20die%20Ausgabe%20.....%0Agegen%20Rechnung%20(CHF%208.-)%0A%0A'>Click here to order the e-paper.<\/a><\/p>\n<p>We are also happy to send you the printed version. Costs: Fr. 10.-<br \/> <a href='mailto:aboservice@musikzeitung.ch?subject=Bestellung%20gedruckte%20Ausgabe&#038;body=%0A%0AHiermit%20bestelle%20ich%20die%20gedruckte%20Ausgabe%20Nr.%0Agegen%20Rechnung%20(CHF%2010.-)'>Click here to order the printed edition.<\/a><\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>In the East, the mastery of plucked instruments characterized wise men, here in the West the ukulele is enjoying growing popularity. Our selective foray through the family of plucked instruments also takes a look into the studio of a lute maker.<\/p>","protected":false},"author":1,"featured_media":42113,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[],"class_list":["post-42159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>zupfen - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/allgemein\/2019\/05\/zupfen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"zupfen - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Im Osten zeichnete die Beherrschung von Zupfinstrumenten Weise aus, hier im Westen erfreut sich die Ukulele wachsender Beliebtheit. Unser selektiver Streifzug durch die Familie der Zupfinstrumente schaut auch ins Atelier eines Lautenbauers.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/allgemein\/2019\/05\/zupfen\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-30T22:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-28T09:07:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"403\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/05\\\/zupfen#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/05\\\/zupfen\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"zupfen\",\"datePublished\":\"2019-04-30T22:00:00+00:00\",\"dateModified\":\"2023-02-28T09:07:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/05\\\/zupfen\"},\"wordCount\":485,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/05\\\/zupfen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/fr.jpg\",\"articleSection\":[\"SMZ\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/05\\\/zupfen\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/05\\\/zupfen\",\"name\":\"zupfen - 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