{"id":42161,"date":"2019-03-27T00:00:00","date_gmt":"2019-03-26T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/03\/bearbeiten"},"modified":"2023-02-28T10:07:49","modified_gmt":"2023-02-28T09:07:49","slug":"bearbeiten","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/smz\/2019\/03\/bearbeiten","title":{"rendered":"edit"},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/tweb.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Cover picture: www.neidhart-grafik.ch<\/figcaption><\/figure>\n<div class='main-content article clearfix'>\n<div class='media picture'><img alt='bearbeiten' src='\/.imaging\/stk\/musikzeitung\/article-image-intro\/website\/de\/smz\/aktuell\/2019\/04\/thema\/imageBinary\/tweb.jpg'\/><\/div>\n<p><strong>For centuries, existing musical material has been taken up and changed. How was this done in the past and what questions arise today?<\/strong><\/p>\n<div class='text-section'>\n<p>All articles marked in blue can be read directly on the website by clicking on them. All other content can only be found in the printed edition or in the <a href='\/de\/smz\/printarchiv.html'>e-paper<\/a>.<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Focus<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><strong>Composing is editing<\/strong><br \/> Reshaping musical material over the centuries<\/p>\n<p><strong>Parures orchestrales<\/strong><br \/> Orchestration, r\u00e9orchestration : la pratique est courante depuis toujours<\/p>\n<p><strong>Cossack songs on the pan flute<\/strong><br \/> Arrangements in world music<\/p>\n<p><strong>When rock musicians discover classical music<br \/> <\/strong>Classical arrangements in rock and pop music<strong><br \/> <\/strong><\/p>\n<p><strong>Plus, c'est plus !<\/strong><br \/> In his two recent projects, Stephan Eicher has r\u00e9arrang\u00e9 his propres<br \/> chansons. Il nous explique comment.<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<div>\n<h3 class=''><span>... and also<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<h4>CRITIQUES<\/h4>\n<p><a href='\/de\/rezensionen.html'><br \/> New releases recordings, books, sheet music<\/a><br \/> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>RESONANCE<\/h4>\n<p><strong><br \/> Swiss Jam<\/strong><br \/> Suisse Diagonales Jazz : des concerts dans tout le pays<\/p>\n<p><a href='\/de\/berichte\/treffpunkte\/2019\/ua-diodati.html'><strong>Like in a particle accelerator<\/strong><br \/> Michael Wertm\u00fcller's opera <em>Diodati. Infinity<\/em> in Basel<\/a><\/p>\n<p><a href='\/de\/berichte\/treffpunkte\/2019\/zweite-bcc.html'><strong>Sacher's spirit in the 21st century<\/strong><br \/> Basel Composition Competition 2019<\/a><\/p>\n<p><a href='\/de\/berichte\/treffpunkte\/2019\/avant-premiere.html'><strong>Classical music as a global export<\/strong><br \/> New music films at the Avant Premi\u00e8re Festival in Berlin<\/a><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2019\/close-encounters-2019.html'><strong>Between Tbilisi and Zurich<\/strong><br \/> Festival Close Encounters<\/a><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2019\/m4music_2019.html'><strong>The situation is improving - but not everywhere<\/strong><br \/> Festival m4music in Lausanne and Zurich<\/a><\/p>\n<p><a href='\/de\/berichte\/treffpunkte\/2019\/schloss-duerande-szenisch.html'><strong>Othmar Schoecks <em>D\u00fcrande Castle <\/em>back on stage<\/strong><br \/> Scenic premiere of the Micieli\/Venzago version in Meiningen<\/a><br \/> <strong><br \/> Carte blanche<\/strong> for Max Nyffeler<\/p>\n<\/div>\n<div class='text-section'>\n<p><strong>CAMPUS<\/strong><\/p>\n<p>News in brief from the field of music education <\/p>\n<p>\u00a0<\/p>\n<p><strong>BASIS<\/strong><\/p>\n<p>Articles and news from the music associations<\/p>\n<p><a href='\/de\/basis\/eov.html'>Swiss Federal Orchestra Association (EOV) \/ Soci\u00e9t\u00e9 F\u00e9d\u00e9rale des Orchestres (SFO)<\/a><\/p>\n<p><a href='\/de\/basis\/fmd.html'>ForumMusicalDiversity (FMD) \/ ForumDiversit\u00e9Musicale (FMD)<\/a><\/p>\n<p><a href='\/de\/basis\/kmhs.html'>Konferenz Musikhochschulen Schweiz (KMHS) \/ Conf\u00e9rence des Hautes Ecoles de Musique Suisse (CHEMS)<\/a><\/p>\n<p><a href='\/de\/basis\/kalaidos.html'>Kalaidos University of Music \/ Kalaidos Haute \u00c9cole de Musique<\/a><\/p>\n<p><a href='\/de\/basis\/smr-chorama.html'>Swiss Music Council (SMR) \/ Conseil Suisse de la Musique (CSM) and CHorama<\/a><\/p>\n<p><a href='\/de\/basis\/smm.html'>Swiss Society for Music Medicine (SMM) \/ Association suisse de M\u00e9decine de la Musique (SMM)<\/a><\/p>\n<p><a href='\/de\/basis\/smg.html'>Swiss Musicological Society (SMG) \/ Soci\u00e9t\u00e9 Suisse de Musicologie (SSM)<\/a><\/p>\n<p><a href='\/de\/basis\/smv.html'>Swiss Musicians' Association (SMV) \/ Union Suisse des Artistes Musiciens (USDAM)<\/a><\/p>\n<p><a href='\/de\/basis\/smpv.html'>Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Soci\u00e9t\u00e9 Suisse de P\u00e9dagogie Musicale (SSPM)<\/a><\/p>\n<p><a href='\/de\/basis\/sonart.html'>SONART - Musicians Switzerland<\/a><\/p>\n<p><a href='\/de\/basis\/sjmw-ak.html'>Swiss Youth Music Competition Foundation (SJMW) and Arosa Culture<\/a><\/p>\n<p><a href='\/de\/basis\/suisa.html'>SUISA - Cooperative Society of Authors and Publishers of Music<\/a><\/p>\n<p><a href='\/de\/basis\/vms.html'>Swiss Association of Music Schools (VMS) \/ Association Suisse des \u00c9coles de Musique (ASEM)<\/a><\/p>\n<\/div>\n<div class='text-section'>\n<h4>FINAL<\/h4>\n<p><strong><br \/> Riddle<\/strong> - Dirk Wieschollek is looking for<\/p>\n<\/div>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Row 9<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p>Since January 2017, Michael Kube has always sat down for us on the 9th of the month in row 9 - with serious, thoughtful, but also amusing comments on current developments and the everyday music business.<\/p>\n<p> <a href='\/de\/meinung.html'>Link to series 9<\/a><\/p>\n<\/div>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Download the current print edition<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><a href='\/de\/smz\/printarchiv.html'><strong>Here <\/strong><\/a>you can download the current issue. Please enter the search term \"e-paper\" in the print archive.<br \/> The download is free of charge for subscribers.<\/p>\n<p> All other interested parties will receive the PDF of the current issue (or an earlier issue) by e-mail. Costs: Fr. 8.-.<br \/> <a href='mailto:aboservice@musikzeitung.ch?subject=Bestellung%20PDF%20(e-paper)&#038;body=%0A%0AHiermit%20bestelle%20ich%20die%20Ausgabe%20.....%0Agegen%20Rechnung%20(CHF%208.-)%0A%0A'>Click here to order the e-paper.<\/a><\/p>\n<p>We are also happy to send you the printed version. Costs: Fr. 10.-<br \/> <a href='mailto:aboservice@musikzeitung.ch?subject=Bestellung%20gedruckte%20Ausgabe&#038;body=%0A%0AHiermit%20bestelle%20ich%20die%20gedruckte%20Ausgabe%20Nr.%0Agegen%20Rechnung%20(CHF%2010.-)'>Click here to order the printed edition.<\/a><\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>For centuries, existing musical material has been taken up and changed. How was this done in the past and what questions arise today?<\/p>","protected":false},"author":1,"featured_media":42162,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[],"class_list":["post-42161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>bearbeiten - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/allgemein\/2019\/03\/bearbeiten\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"bearbeiten - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Seit Jahrhunderten wird bestehendes musikalisches Material aufgegriffen und ver\u00e4ndert. 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