{"id":42193,"date":"2018-04-26T00:00:00","date_gmt":"2018-04-25T22:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2018\/04\/blockfloeten"},"modified":"2023-02-28T10:07:53","modified_gmt":"2023-02-28T09:07:53","slug":"blockfloeten","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/smz\/2018\/04\/blockfloeten","title":{"rendered":"recorders"},"content":{"rendered":"<img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr5.jpg\" alt=\"\" \/>\n<div class='main-content article clearfix'>\n<div class='media picture'><img alt='blockfl\u00f6ten' src='\/.imaging\/stk\/musikzeitung\/article-image-intro\/website\/de\/smz\/aktuell\/2018\/05\/thema\/imageBinary\/fr5.jpg'\/><\/div>\n<p><strong>Finds prove that the flute is the oldest instrument; the myth of the satyr Marsyas suggests that it could also be the most human. Today, the recorder is played by virtuoso soloists and ensembles, and is taught and built to the highest standards.<\/strong><\/p>\n<div class='text-section'>\n<p>All articles marked in blue can be read directly on the website by clicking on them. All other content can only be found in the printed edition or in the <a href='\/de\/smz\/printarchiv.html'>e-paper<\/a>.<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Focus<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><strong>Once again: Apollo vs. Marsyas<\/strong><br \/> A few rambling thoughts about playing the recorder<\/p>\n<p> <strong>Courage for depth<\/strong><br \/> Interview with recorder makers Thomas and Stefan K\u00fcng<\/p>\n<p> <strong>Mener la fl\u00fbte \u00e0 bec au sommet<\/strong><br \/> The association Flauto Dolce is dedicated entirely to the flauto \u00e0 bec<\/p>\n<p> <strong>Turnaround almost achieved<\/strong><br \/> The recorder has almost shaken off its reputation as a beginner's instrument<\/p>\n<\/div>\n<div>\n<h3 class=''><span>... and also<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<h4>CRITIQUES<\/h4>\n<p><a href='\/de\/rezensionen.html'><br \/> New releases recordings, books, sheet music<\/a><br \/> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>RESONANCE<\/h4>\n<p><strong><br \/> Pierre Bleuse<\/strong> - un chef inspirateur de sonorit\u00e9s<\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2018\/m4music2018.html'><strong>Pop music and panels<\/strong> - Festival m4music in Lausanne and Zurich<\/a><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2018\/in-paradisum.html'><strong>Educational is also exciting<\/strong> - Early Music Festival in Zurich<\/a><\/p>\n<p><strong>The Swiss Music Council has a new president<\/strong> - Interview with Rosmarie Quadranti<\/p>\n<p><strong>Carte blanche<\/strong> \u00e0 William Blank<\/p>\n<\/div>\n<div class='text-section'>\n<h4>CAMPUS<\/h4>\n<p> <strong>Growing older in the choir<\/strong> - Study proves the potential of older voices<\/p>\n<p><a href='\/de\/berichte\/tagungen\/2018\/symposium-future-sound-pop-music.html'><strong>Symposium \"The Future Sound of Pop Music\" in Bern<\/strong><\/a><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2018\/david-lang-ua-luzern.html'><strong>An \"innovative project\" falls apart<\/strong> - World premiere of<em> harmony and understanding\u00a0<\/em> of the American composer David Lang in Lucerne<\/a><\/p>\n<\/div>\n<div class='text-section'>\n<h4>FINAL<\/h4>\n<p><strong><br \/> Riddle<\/strong> - Thomas Meyer is looking for<\/p>\n<\/div>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Row 9<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p>Since January 2017, Michael Kube has always sat down for us on the 9th of the month in row 9 - with serious, thoughtful, but also amusing comments on current developments and the everyday music business.<\/p>\n<p> <a href='\/de\/meinung.html'>Link to series 9<\/a><\/p>\n<\/div>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Download the current print edition<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><a href='\/de\/smz\/printarchiv.html'><strong>Here <\/strong><\/a>you can download the current issue. Please enter the search term \"e-paper\" in the print archive.<br \/> The download is free of charge for subscribers.<\/p>\n<p> All other interested parties will receive the PDF of the current issue (or an earlier issue) by e-mail. Costs: Fr. 8.-.<br \/> <a href='mailto:aboservice@musikzeitung.ch?subject=Bestellung%20PDF%20(e-paper)&#038;body=%0A%0AHiermit%20bestelle%20ich%20die%20Ausgabe%20.....%0Agegen%20Rechnung%20(CHF%208.-)%0A%0A'>Click here to order the e-paper.<\/a><\/p>\n<p>We are also happy to send you the printed version. Costs: Fr. 10.-<br \/> <a href='mailto:aboservice@musikzeitung.ch?subject=Bestellung%20gedruckte%20Ausgabe&#038;body=%0A%0AHiermit%20bestelle%20ich%20die%20gedruckte%20Ausgabe%20Nr.%0Agegen%20Rechnung%20(CHF%2010.-)'>Click here to order the printed edition.<\/a><\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Finds prove that the flute is the oldest instrument; the myth of the satyr Marsyas suggests that it could also be the most human. Today, the recorder is played by virtuoso soloists and ensembles, and is taught and built to the highest standards.<\/p>","protected":false},"author":1,"featured_media":42194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[],"class_list":["post-42193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>blockfl\u00f6ten - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/allgemein\/2018\/04\/blockfloeten\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"blockfl\u00f6ten - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Funde belegen, dass die Fl\u00f6te das \u00e4lteste Instrument ist; der Mythos des Satyrs Marsyas legt nahe, dass es auch das menschlichste sein k\u00f6nnte. 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