{"id":42250,"date":"2016-11-30T00:00:00","date_gmt":"2016-11-29T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2016\/11\/neue-musik-und-konsum"},"modified":"2025-07-08T16:12:09","modified_gmt":"2025-07-08T14:12:09","slug":"neue-musik-und-konsum","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/smz\/2016\/11\/neue-musik-und-konsum","title":{"rendered":"New music and consumption"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/tf.jpg\" alt=\"\" width=\"554\" height=\"408\" \/><figcaption class=\"wp-caption-text\">Alf Loidl\/pixelio.de<\/figcaption><\/figure>\n<div class=\"main-content article clearfix\">\n<div class=\"media picture\"><\/div>\n<div class=\"text-section\">\n<p>Our current issue contains seven essays on this topic, which may seem somewhat brittle at first glance. They were written for us by graduates of the postgraduate course \"DAS Music Journalism 2015\/16\" at the Hochschule f\u00fcr Musik Basel in cooperation with the International Music Institute Darmstadt. The course was led by Bj\u00f6rn Gottstein and Thomas Meyer as well as Stefan Fricke. The titles of the essays alone (in alphabetical order) shed light on various aspects of a topic in which one might expect major contradictions. Or not?<\/p>\n<p><strong>Boulez at Burger King? <\/strong><br \/>\nNew music for quick consumption<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/smz\/2016\/11\/boulez-bei-burger-king\" target=\"_blank\" rel=\"noopener\"><strong>LINK<\/strong><\/a><\/p>\n<p><strong>New music as a department store<\/strong><br \/>\nWhat you can buy in the supermarket of modern sounds<br \/>\n<strong><a href=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/smz_archive\/2016_Archiv_PDF\/12_2016\/archiv-12-Focus-Reichert.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><br \/>\n<\/strong><\/p>\n<p><strong>Closed, without company<\/strong><br \/>\nWhy and how New Music should rethink its self-imposed access restrictions.<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/smz_archive\/2016_Archiv_PDF\/12_2016\/archiv-12-Focus-Schroeder.pdf\" target=\"_blank\" rel=\"noopener\"><strong>PDF<\/strong><\/a><\/p>\n<p><strong>Image and representation in hybrid space<\/strong><br \/>\nStefan Prin\u201bs Mirror Box Extensions<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/smz\/2016\/11\/bild-und-abbild-im-hybriden-raum\" target=\"_blank\" rel=\"noopener\"><strong>LINK<\/strong><\/a><\/p>\n<p><strong>Sheep on stage and in the media<\/strong><br \/>\nContemporary opera in the USA<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/smz\/2016\/11\/schafe-auf-der-buehne-und-in-den-medien\" target=\"_blank\" rel=\"noopener\"><strong>LINK<\/strong><\/a><\/p>\n<p><strong>Sofa or upholstered chair?<\/strong><br \/>\nLive concert vs. canned music<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/smz\/2016\/11\/sofa-oder-polsterstuhl\" target=\"_blank\" rel=\"noopener\"><strong>LINK<\/strong><\/a><\/p>\n<p><strong>Seepage tendencies<br \/>\n<\/strong>New music and consumption at opposite ends of the cultural spectrum?<strong><br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/smz\/2016\/11\/versickerungstendenzen\" target=\"_blank\" rel=\"noopener\">LINK<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Essays on the subject of consumption by graduates of the postgraduate course \"DAS Music Journalism 2015\/16\" at the Basel University of Music in cooperation with the International Music Institute Darmstadt.<\/p>","protected":false},"author":1,"featured_media":42251,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[5104,5103,3408,2136,1774,1883],"class_list":["post-42250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-kulturbetrieb","tag-livekonzert","tag-musikkritik","tag-neue-musik","tag-oper","tag-zeitgenoessische-musik"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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