{"id":42284,"date":"2016-04-28T00:00:00","date_gmt":"2016-04-27T22:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2016\/04\/roehren"},"modified":"2023-02-28T10:08:05","modified_gmt":"2023-02-28T09:08:05","slug":"roehren","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/smz\/2016\/04\/roehren","title":{"rendered":"tubes"},"content":{"rendered":"<img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr.jpg\" alt=\"\" \/>\n<div class='main-content article clearfix'>\n<div class='media picture'><img alt='r\u00f6hren' src='\/.imaging\/stk\/musikzeitung\/article-image-intro\/website\/de\/smz\/aktuell\/2016\/05\/thema\/imageBinary\/fr.jpg'\/><\/div>\n<p><strong>The electric guitar has been part of the instrumentarium of rock, pop and jazz music since the mid-twentieth century. We portray the Atelier Duvoisin, where such instruments are built, talk to Dr. No, a guru of the distortion scene, find out what role the instrument plays in music schools today and tell you briefly and concisely how it has developed.  <\/strong><\/p>\n<div class='text-section'>\n<p>All articles marked in blue can be read directly on the website by clicking on them. All other content can only be found in the printed edition or in the <a href='\/de\/smz\/printarchiv.html'>e-paper.<\/a> <\/p>\n<\/div>\n<div>\n<h3 class=''><span>Editorial <\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<h4>Rugir sans rougir - Tubes without disturbing  <\/h4>\n<p><a href='\/de\/smz\/aktuell\/2016\/05\/editorial-deutsch.html'>German translation of the editorial by Jean-Damien Humair<\/a><\/p>\n<\/div>\n<div>\n<h3 class=''><span>Focus<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><strong>Affordable and irresistible<\/strong><br \/> A brief history of the electric guitar<\/p>\n<p><strong>Une guitare suisse de A \u00e0 Z<\/strong><br \/> Une visite dans l\u02bcatelier Duvoisin \u00e0 Neuch\u00e2tel<br \/> <a href='\/de\/smz\/aktuell\/2016\/05\/duvoisin.html'>German summary of the article<\/a><\/p>\n<p><strong>First subversive, then shoulder-bearing<\/strong><br \/> The remarkable career of the electric guitar in music schools<\/p>\n<p><strong>L\u02bchumain n\u02bcest pas fait pour le num\u00e9rique<\/strong><br \/> Interview avec le Dr No, fabricant artisanal de p\u00e9dales de distorsion<\/p>\n<p><strong>Hearing with tubes<\/strong><br \/> Fascinated by the old amplifier technology<br \/> \u00a0<\/p>\n<\/div>\n<div>\n<h3 class=''><span>... and also<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<h4>RESONANCE<\/h4>\n<p><strong><br \/> Folk songs reloaded<\/strong>  - SoloVoices with \"Canti popolari Vol. 2\"<\/p>\n<p><strong>A big music festival in Ticino<\/strong>  - 20 years of Ticino Musica<\/p>\n<p><strong>On jazze gratis<\/strong>  - le r\u00f4le des concerts sans ticket d\u02bcentr\u00e9e<\/p>\n<p><strong>Carte blanche<\/strong> for Hanspeter K\u00fcnzler<\/p>\n<p><strong>Classical and jazz reviews<\/strong>  -New releases classical and jazz<br \/> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>CAMPUS<\/h4>\n<p><strong><br \/> Bringing art into the school <\/strong> - A complementary perspective<\/p>\n<p><strong>Young people in Mozart's footsteps<\/strong>  - Meetingpoint Mozart<\/p>\n<p><strong>Joyeuses angoisses et col\u00e8res innocentes<\/strong><\/p>\n<p><a href='\/dms\/archiv\/smz\/2016\/05\/articles\/Klaxon_mai16_web.pdf'><strong>klaxon<\/strong>   - Children's page<\/a><\/p>\n<p><strong>Reviews of study and teaching literature<\/strong>  - New releases<br \/> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>FINAL<\/h4>\n<p> <strong>Riddle<\/strong>  - Dirk Wieschollek is looking for<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Download current issue<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><a href='\/de\/smz\/printarchiv.html'><strong>Here<\/strong><\/a> you can download the current issue. Please enter the search term \"e-paper\" in the print archive.<br \/> The download is free of charge for subscribers.<br \/> All other interested parties will receive the PDF of the current issue (or an earlier issue) by e-mail. Costs: Fr. 8.-. <br \/> <a href='mailto:contact@musikzeitung.ch?subject=Bestellung%20E-Paper%20CHF%208.-'>Click here to order.<\/a><\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The electric guitar has been part of the instrumentarium of rock, pop and jazz music since the mid-twentieth century. We portray the Atelier Duvoisin, where such instruments are built, talk to Dr. No, a guru of the distortion scene, find out what role the instrument plays in music schools today and tell you briefly and concisely how it has developed.<\/p>","protected":false},"author":1,"featured_media":42113,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[],"class_list":["post-42284","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>r\u00f6hren - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/allgemein\/2016\/04\/roehren\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"r\u00f6hren - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Seit Mitte des zwanzigsten Jahrhunderts geh\u00f6rt die E-Gitarre zum Instrumentarium der Rock-, Pop- und Jazzmusik. Wir portraitieren das Atelier Duvoisin, wo solche Instrumente gebaut werden, sprechen mit Dr. No, einem Guru der Verzerrerszene, fragen nach, welche Rolle das Instrument heute in den Musikschulen spielt und erz\u00e4hlen kurz und knapp, wie es sich entwickelt hat.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/allgemein\/2016\/04\/roehren\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-27T22:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-28T09:08:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"403\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2016\\\/04\\\/roehren#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2016\\\/04\\\/roehren\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"r\u00f6hren\",\"datePublished\":\"2016-04-27T22:00:00+00:00\",\"dateModified\":\"2023-02-28T09:08:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2016\\\/04\\\/roehren\"},\"wordCount\":319,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2016\\\/04\\\/roehren#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/fr.jpg\",\"articleSection\":[\"SMZ\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2016\\\/04\\\/roehren\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2016\\\/04\\\/roehren\",\"name\":\"r\u00f6hren - 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