{"id":42358,"date":"2015-01-22T00:00:00","date_gmt":"2015-01-21T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2015\/01\/lachen"},"modified":"2023-02-28T10:08:14","modified_gmt":"2023-02-28T09:08:14","slug":"lachen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/smz\/2015\/01\/lachen","title":{"rendered":"laugh"},"content":{"rendered":"<img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr.jpg\" alt=\"\" \/>\n<div class='main-content article clearfix'>\n<div class='media picture'><img alt='lachen' src='\/.imaging\/stk\/musikzeitung\/article-image-intro\/website\/de\/smz\/aktuell\/2015\/01\/thema\/imageBinary\/fr.jpg'\/><\/div>\n<p><strong>People rarely laugh in the concert hall. This observation leads us to a few questions in our edition for the carnival season. What makes us at least smile in a piece of music? What is Offenbach's laughter all about? How do musicians who accompany comedians work? And how did Franz Hohler use music to make people laugh? <\/strong><\/p>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Focus<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><strong>\"Have you had anything to drink?\"<\/strong><br \/> Reflections on wit, laughter and humor in new music<\/p>\n<p><strong>Les rires d'Offenbach<\/strong><br \/> Un juif allemand marque le th\u00e9\u00e2tre et la soci\u00e9t\u00e9 du Second Empire<\/p>\n<p><strong>En ahahahvant la musique !<\/strong><br \/> Quel r\u00f4le joue la musique dans le monde des humoristes ?<\/p>\n<p><strong>A spoonful from the soup of ideas<\/strong><br \/> Franz Hohler on laughter, his chansons and his cello<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<div>\n<h3 class=''><span>... and also<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<h4>RESONANCE<\/h4>\n<p><strong><br \/> Three years of the Z\u00fcrcher Sing-Akademie<\/strong><br \/> Where does this professional choir under the direction of Tim Brown stand today?<\/p>\n<p><strong>Joshua Weilerstein<\/strong> - un nouveau directeur pour l'OCL<\/p>\n<p><strong>Haydn lute player<\/strong> - News on the copperplate engraving by Michele Benedetti<\/p>\n<p><strong>Pop music market -<\/strong> Higher fees, organizers under pressure<\/p>\n<p><strong>Les musiciens sont Charlie<\/strong> - l'hommage musical a \u00e9t\u00e9 imm\u00e9diat<br \/> <em>Musicians react to the attack at the editorial office of \"Charlie Hebdo\"<\/em><\/p>\n<p><strong>Carte blanche<\/strong>\u00a0- Francesco Biamonte and the survival of opera<\/p>\n<p><strong>Reviews classical music, jazz<\/strong> - New publications<br \/> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>CAMPUS<\/h4>\n<p><strong>Reviews of teaching literature<\/strong>r - New releases<\/p>\n<p><strong>klaxon<\/strong> Children's page <\/p>\n<\/div>\n<div class='text-section'>\n<h4>SERVICE<\/h4>\n<p><strong>Frankfurt Music Fair<\/strong><\/p>\n<\/div>\n<div class='text-section'>\n<h4>FINAL<\/h4>\n<p><strong>Riddle:<\/strong> Rudolf Baumann is looking for<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Download current issue<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><a href='\/de\/smz\/printarchiv.html'><strong>Here<\/strong><\/a> you can download the current issue. Please enter the search term \"e-paper\" in the print archive.<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>People rarely laugh in the concert hall. This observation leads us to a few questions in our edition for the carnival season. What makes us at least smile in a piece of music? What is Offenbach's laughter all about? How do musicians who accompany comedians work? And how did Franz Hohler use music to make people laugh?<\/p>","protected":false},"author":1,"featured_media":42113,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[],"class_list":["post-42358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>lachen - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/allgemein\/2015\/01\/lachen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"lachen - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Im Konzertsaal wird selten gelacht. Diese Feststellung f\u00fchrt uns in unserer Ausgabe zur Fasnachtszeit zu einigen Fragen. Was l\u00e4sst uns in einem Musikst\u00fcck zumindest schmunzeln? Was hat es mit dem Gel\u00e4chter Offenbachs auf sich? Wie arbeiten Musiker, die Kom\u00f6dianten begleiten? 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