{"id":42408,"date":"2014-05-08T00:00:00","date_gmt":"2014-05-07T22:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2014\/05\/das-hackbrett-in-der-schweiz"},"modified":"2024-10-31T11:26:56","modified_gmt":"2024-10-31T10:26:56","slug":"das-hackbrett-in-der-schweiz","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/dossiers\/2014\/05\/das-hackbrett-in-der-schweiz","title":{"rendered":"The hammered dulcimer in Switzerland"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_59973\" aria-describedby=\"caption-attachment-59973\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-59973 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross.jpg\" alt=\"\" width=\"554\" height=\"233\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-300x126.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-18x8.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-375x158.jpg 375w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-59973\" class=\"wp-caption-text\">Appenzell dulcimer built by Johann Fuchs, Appenzell 1990 Photo: Badri Redha \u00a9 Freilichtmuseum Ballenberg<\/figcaption><\/figure>\n<p>The following photo gallery complements the article by Brigitte Bachmann-Geiser <a href=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/archiv_05_Focus_Hackbrett_Schweiz.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dulcimer in Switzerland<\/em><\/a>who is in the <em>Swiss Music Newspaper<\/em> 5\/2014 was published.<\/p>\n<p>The pictures come from Brigitte Bachmann-Geiser's archive, which she has built up over 40 years of research. <strong>The images may not be copied.<\/strong> Anyone interested in individual illustrations should contact the owners of the pictures directly or contact <a href=\"mailto:contact@musikzeitung.ch\">contact@musikzeitung.ch<\/a> turn.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Picture 1<\/strong><\/p>\n<div id='gallery-1' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"226\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-59974\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_-300x122.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_-18x7.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_-375x153.jpg 375w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-59974'>\n\t\t\t\tAccessories for the Appenzell dulcimer, from left to right: small bridge, leather-covered mallets on one side, wire for stringing, tuning tools. Photo: Badri Redha \u00a9 Freilichtmuseum Ballenberg\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<\/div>\n<p><strong>Picture 2<\/strong><\/p>\n<div id='gallery-2' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"296\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-2-59977\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack-300x160.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack-18x10.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack-328x175.jpg 328w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-59977'>\n\t\t\t\tValais dulcimer built by Edelbert Imhof. The stops (bars) on both sides make it possible to raise the fundamental tone of a chorus of strings by a semitone. Photo from: Amad\u00e9 Salzmann, \"The hammered dulcimer in Valais\", Visp 1988\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><img class=\"size-full\" alt=\"\" \/><strong>Picture 3<\/strong><\/p>\n<div id='gallery-3' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"503\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-3-59988\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack-300x272.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack-13x12.jpg 13w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack-193x175.jpg 193w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack-385x350.jpg 385w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-59988'>\n\t\t\t\tMooskirchner Streichmusik, dulcimer music from Styria (Austria). The instrumentation corresponds to the Appenzell string music. Photo: Archive Brigitte Bachmann-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 4<\/strong><\/p>\n<div id='gallery-4' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"721\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-4-59989\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-231x300.jpg 231w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-134x175.jpg 134w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-269x350.jpg 269w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-300x390.jpg 300w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-59989'>\n\t\t\t\tCoat of arms disc of the Junker Sebastian vom Stein (Canton of Bern), 1504. The dulcimer was also a popular amateur instrument for noble ladies in the 16th century. Black solder painting, detail. Image: \u00a9 Swiss National Museum LM-6237\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 5<\/strong><\/p>\n<div id='gallery-5' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"673\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-5-59990\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack.jpg 662w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-295x300.jpg 295w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-172x175.jpg 172w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-344x350.jpg 344w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-300x305.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-48x48.jpg 48w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-5-59990'>\n\t\t\t\tCarnival dance in Schwyz. Minstrels in traditional costume with dulcimer and shawm play for the Schreittanz on the Landmatte in Schwyz. Diebold Schilling, Lucerne Chronicle, 1513, folio 259r. Image: Lucerne Central Library \u00a9 Property of the Lucerne Corporation\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 6<\/strong><\/p>\n<div id='gallery-6' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"370\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-6-59991\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack-262x175.jpg 262w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack-524x350.jpg 524w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-6-59991'>\n\t\t\t\tDulcimer with a bridge and two bells. Woodcut from: Sebastian Virdung, \"Musica getutscht\", Basel 1511\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 7<\/strong><\/p>\n<div id='gallery-7' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"258\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-7-59992\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack-300x140.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack-18x8.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack-375x175.jpg 375w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-7-59992'>\n\t\t\t\tDulcimer from 1644 from the Davos Museum of Local History. Photo: Davos Review 2013\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 8<\/strong><\/p>\n<div id='gallery-8' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"406\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-8-59993\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack-300x220.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack-16x12.jpg 16w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack-239x175.jpg 239w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack-478x350.jpg 478w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-8-59993'>\n\t\t\t\tVignette by Franz Niklaus K\u00f6nig. It illustrates the instrumentation of the first notated and printed Appenzell dance: violin, dulcimer and bass. Image from: \"Sammlung von Schweizer=K\u00fchreihen und Volksliedern\", Bern 1826\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 9<\/strong><\/p>\n<div id='gallery-9' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"448\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-9-59994\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack-300x243.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack-15x12.jpg 15w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack-216x175.jpg 216w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack-433x350.jpg 433w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-9-59994'>\n\t\t\t\tGottlieb Emil Rittmeyer, Stubete auf Alp Sol, 1865, oil on canvas, 114 x 142 cm, location Kunstmuseum St.Gallen, acquired by the Kunstverein St.Gallen in 1865. The parasol protects against the detuning of the dulcimer strings. Image: \u00a9 Kunstmuseum St. Gallen\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 10<\/strong><\/p>\n<div id='gallery-10' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"387\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-10-59995\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack-300x210.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack-251x175.jpg 251w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack-501x350.jpg 501w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-10-59995'>\n\t\t\t\tFour string musicians from Appenzell. The original line-up of violin, dulcimer and bass from the early 19th century developed into a quartet with the addition of a second violin. The founders of Streichmusik Alder. From left to right. Johann Jakob Hug, Ulrich and Johannes Alder, Johann Jakob Keller. Photo around 1880, Adolf M\u00fcller, Herisau. Photo: Center for Appenzell Folk Music\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 11<\/strong><\/p>\n<div id='gallery-11' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"349\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-11-59996\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack-300x189.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack-278x175.jpg 278w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-11-59996'>\n\t\t\t\tOriginal Appenzell string music with two violins, violoncello, bass and hammered dulcimer. Streichmusik Alder, at the Gasthaus Sonne in Urn\u00e4sch (on the S\u00e4ntis), circa 1936: Jakob Weiss jun. (bass), Jakob Alder, Widebach (1888-1956, cello), Johannes Alder (2nd violin), Jakob Alder (1st violin), Emil Zimmermann (dulcimer). Photo: Center for Appenzell Folk Music\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 12<\/strong><\/p>\n<div id='gallery-12' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"250\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-12-59997\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack.jpg 180w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack-126x175.jpg 126w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-12-59997'>\n\t\t\t\tHackbrett-Fraueli (Anna B\u00fchlmann-Schlunegger, 1811-1897) in Grindelwald. Around 1900, women played the dulcimer for money at the entrance to the L\u00fctschinen Gorge and the Upper Grindelwald Glacier. Picture: Archive Brigitte Bachmann-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 13<\/strong><\/p>\n<div id='gallery-13' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"361\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-13-59998\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack-300x195.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack-269x175.jpg 269w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack-537x350.jpg 537w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-13-59998'>\n\t\t\t\tCimbalom World Association in Appenzell, 2001 Photo: Archive Johannes Fuchs\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 14<\/strong><\/p>\n<div id='gallery-14' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"372\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-14-59999\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack-300x201.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack-261x175.jpg 261w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack-521x350.jpg 521w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-14-59999'>\n\t\t\t\tChina meets Appenzell. Concert in Appenzell 2008 with Liu Yuening and Johannes Fuchs. Photo: Archive Johannes Fuchs\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 15<\/strong><\/p>\n<div id='gallery-15' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"169\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-15-60000\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack.jpg 180w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack-13x12.jpg 13w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack-24x24.jpg 24w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-15-60000'>\n\t\t\t\tThe title page of the popular dulcimer booklet shows a solo dulcimer player. Picture: Archive Brigitte Bachman-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 16<\/strong><\/p>\n<div id='gallery-16' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"183\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-16-60001\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack.jpg 180w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack-172x175.jpg 172w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack-48x48.jpg 48w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-16-60001'>\n\t\t\t\tIn the open air, the string music is played by hand harmonica instead of the second violin and cello. Photographer: Emil Grubenmann. Photo: Archive Brigitte Bachmann-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 17<\/strong><\/p>\n<div id='gallery-17' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"584\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-17-60002\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-285x300.jpg 285w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-11x12.jpg 11w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-166x175.jpg 166w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-332x350.jpg 332w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-300x316.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-24x24.jpg 24w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-17-60002'>\n\t\t\t\tWalpen brothers. The brothers Adolph (dulcimer) and Josef (saxophone) Walpen from Grengiols in the canton of Valais also played the dulcimer four-handed. Photo: Walter Studer \u00a9 Peter Studer\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 18<\/strong><\/p>\n<div id='gallery-18' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"395\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-18-60003\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack-300x214.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack-245x175.jpg 245w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack-491x350.jpg 491w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-18-60003'>\n\t\t\t\tB\u00e4rnbieter Spiell\u00fct. The ensemble plays with Christian Schwander on the hammered dulcimer. Photo: Archive Brigitte Bachmann-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Picture 19<\/strong><\/p>\n<div class=\"main-content article clearfix\">\n<div class=\"media\">\n<div id='gallery-19' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"368\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-19-60004\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack-300x199.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack-527x350.jpg 527w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-19-60004'>\n\t\t\t\tAppenzell string band Geschwister K\u00fcng. This family band consists mainly of young women: from left: Clarigna, Roland, Mirena, Madlaina, Laraina K\u00fcng. Photo: Center for Appenzell Folk Music\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<\/div>\n<div><\/div>\n<div class=\"text-section\">\n<p>&nbsp;<\/p>\n<\/div>\n<div>\n<h3 class=\"\">Discography<\/h3>\n<p>Dulcimer and zithers in Switzerland. Historical recordings (MGB 6258)<\/p>\n<p>Upper Valais spillite (MGB 9704\/9602\/9202)<\/p>\n<p>Heinz Holliger, Alb-Chehr. Geischter- und \u00c4lplermusig fer d Oberwalliser Spillit<br \/>\n(ECM New Series 1540)<\/p>\n<p>The new Appenzell Original String Music Project (MGB CD 6174)<\/p>\n<p>Noldi Alder with Klangcombi. Homage to the string band Alder on its 125th anniversary (MGB-NV 12)<\/p>\n<p>T\u00f6bi Tobler, Tell music (MGS-NV 6)<\/p>\n<p>K\u00fcng siblings (MGS-NV 18)<\/p>\n<p>Paul Huber, Concerto for hammered dulcimer and string orchestra (MH CD 1032)<\/p>\n<p>Renato Grisoni, Suite lirica per salterio e organo (LP ZYT 274)<\/p>\n<p>Karl-Heinz Schickhaus, Concerto per salterio (works by Leopold Mozart, Paolo Salunini, Niccol\u00f2 Jommelli), Naxos CD 2205<\/p>\n<h3 class=\"\"><\/h3>\n<\/div>\n<div class=\"text-section\">\n<h3><strong>Bibliography\/literature<\/strong><\/h3>\n<\/div>\n<div class=\"text-section\">\n<p>Brigitte Bachmann-Geiser: <em>Folk music and folk music instruments in the art music of Switzerland with special consideration of the dulcimer<\/em>. In: <em>Folk music in the Alps. Intercultural horizons and crossovers<\/em>edited by Thomas Nussbaumer, Verlag Mueller-Speiser, Anif 2006, pp. 207-223<\/p>\n<p>Antoine-Elis\u00e9e Cherbuliez: <em>Quelques observations sur le \"psalterion\" (tympanon) populaire suisse \"hammered dulcimer\"<\/em>. In: <em>Journal of the International Folk Music Council.<\/em> Vol. 12, 1960, pp. 23-27<\/p>\n<p>Margret Engeler: <em>The relationship between folk music, folk musicians and folk music preservation using the example of Appenzell string music<\/em>Schl\u00e4pfer publishing house, Herisau\/Trogen 1984<\/p>\n<p>Brigitte Geiser: <em>The hammered dulcimer in Switzerland<\/em>, Visp 1973 (Publications of the Stockalper Archive in Brig 25)<\/p>\n<p>Paul M. Gifford: <em>The hammered dulcimer<\/em>, Scarecow Press, Lanham Md., 2001<\/p>\n<p>Christoph Pf\u00e4ndler: <em>The Swiss dulcimer today and tomorrow<\/em>. In: <em>Bulletin. Publication organ of the GVS\/SMPS and the CH-EM<\/em>, 2013, pp. 33-38 (abridged version of the Bachelor thesis by C. P., Lucerne School of Music)<\/p>\n<p>Amad\u00e9 Salzmann: <em>The hammered dulcimer in Valais. Instrument making and playing instructions<\/em>, Visp 1988<\/p>\n<p>Karl-Heinz Schickhaus: <em>The hammered dulcimer. History and stories,<\/em> St. Oswald tympanum, 2001<\/p>\n<p>Yvonne Schmid: <em>A sensational find in the local history museum<\/em>. In: Davos Review 88, 2013, p.8 13<\/p>\n<p>Matthias Weidmann: <em>Dulcimer school. Course for the Appenzell dulcimer<\/em>Center for Appenzell Folk Music, Gonten 2009; 2\/2010<\/p>\n<\/div>\n<div class=\"text-section\">\n<h3><strong>Links\u00a0<\/strong><\/h3>\n<\/div>\n<div><a href=\"https:\/\/vhbs.ch\/\" target=\"_blank\" rel=\"noopener\">https:\/\/vhbs.ch\/<\/a> (Swiss Dulcimer Association)<br \/>\n<a href=\"http:\/\/www.cimbalom.org\">www.cimbalom.org<\/a><br \/>\n<a href=\"http:\/\/www.toebitobler.ch\">www.toebitobler.ch<\/a><br \/>\n<a href=\"http:\/\/www.triobann.ch\">www.triobann.ch<\/a><br \/>\n<a href=\"http:\/\/www.crazy-hackbrett.ch\">www.crazy-hackbrett.ch<\/a><br \/>\n<a href=\"https:\/\/mx3.ch\/hackandnick\" target=\"_blank\" rel=\"noopener\">https:\/\/mx3.ch\/hackandnick<\/a><br \/>\n<a href=\"http:\/\/www.nicolassenn.ch\">www.nicolassenn.ch<\/a><br \/>\n<a href=\"http:\/\/www.walteralder.ch\">www.walteralder.ch<\/a><br \/>\n<a href=\"http:\/\/www.remocrivelli.ch\">www.remocrivelli.ch<\/a><br \/>\n<a href=\"http:\/\/www.boesiger-hackbrett.ch\">www.boesiger-hackbrett.ch<\/a><br \/>\n<a href=\"http:\/\/www.hackbrett.com\">www.hackbrett.com<\/a><br \/>\n<a href=\"https:\/\/olga-mishula.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/olga-mishula.com\/<\/a><br \/>\n<a href=\"http:\/\/www.hackbrett.ch\">www.hackbrett.ch<\/a><br \/>\n<a href=\"http:\/\/www.saitenart.ch\">www.saitenart.ch<\/a><br \/>\n<a href=\"http:\/\/www.hackbrettbau.ch\">www.hackbrettbau.ch<\/a><\/div>\n<\/div>\n<div class=\"text-section\"><\/div>\n<h3><a href=\"https:\/\/www.musikzeitung.ch\/dossiers\/2014\/05\/le-hackbrett-en-suisse\" target=\"_blank\" rel=\"noopener\">R\u00e9sum\u00e9 fran\u00e7ais<\/a><\/h3>","protected":false},"excerpt":{"rendered":"<p>Pictures, discography, literature and links <\/p>","protected":false},"author":1,"featured_media":59973,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1623],"tags":[4516],"class_list":["post-42408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers","tag-hackbrett"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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