{"id":42410,"date":"2014-05-08T00:00:00","date_gmt":"2014-05-07T22:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2014\/05\/le-hackbrett-en-suisse"},"modified":"2024-10-31T11:31:25","modified_gmt":"2024-10-31T10:31:25","slug":"le-hackbrett-en-suisse","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/dossiers\/2014\/05\/le-hackbrett-en-suisse","title":{"rendered":"Le hackbrett en Suisse"},"content":{"rendered":"<figure id=\"attachment_59973\" aria-describedby=\"caption-attachment-59973\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-59973 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross.jpg\" alt=\"\" width=\"554\" height=\"233\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-300x126.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-18x8.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-375x158.jpg 375w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-59973\" class=\"wp-caption-text\">Dulcimer appenzellois construit par Johann Fuchs, Appenzell, 1990 Photo : Badri Redha \u00a9 Freilichtmuseum Ballenberg<\/figcaption><\/figure>\n<p>Les cordes longues produisent un son plus grave que les courtes: ce principe physique explique la forme trap\u00e9zo\u00efdale de la caisse de r\u00e9sonnance du dulcimer. In order to be able to produce more than one note per chord, chevalets are placed on the instrument which divide the chords into segments. Since the 19th century, the dulcimer has been equipped with at least two of these chevalets. The cords are frappe with small marteaux, very fine in the cantons around S\u00e4ntis, more massive and in the shape of an S in Valais.<\/p>\n<div class=\"main-content article clearfix\">\n<div class=\"text-section\">\n<p>The Appenzell dulcimer of today has 125 chords, grouped into 25 choruses of 5 chords at the same pitch. In Valais, a barre is used to produce a chorus of one demitone, although the instrument is smaller and has fewer chords.<\/p>\n<p>Repandu dans de nombreux pays du monde entier, le hackbrett est appr\u00e9ci\u00e9 surtout en Asie et en Europe de l'est. We don't know where the Swiss dulcimer comes from, but it was probably imported by musicians from the Italian-speaking part of France. In 1447, its name was mentioned for the first time in a police report from the city of Zurich, where an individual playing the dulcimer was punished for nocturnal tapping. The first illustration of the instrument appears in a manuscript from 1494 preserved by the monastery of Einsiedeln. Other images also appear in various documents and treatises on music from the beginning of the 16th century. In 2012, a dulcimer dating from 1644 was discovered in Davos. The instrument also appears in several tableaux and, from the end of the 19th century, in photographs. Some of them represent the musicians of the streets who played this instrument in Grindelwald, including the legendary dulcimer Anna B\u00fchlmann-Schlunegger (1811-1897).<\/p>\n<p>If the dulcimer players from Switzerland Orientale were amazed to discover their Valaisan homologues at a tournament in Brigue in 1973, they were truly fascinated in 2001 when Johannes Fuchs came to Appenzell to present the <em>Cimbalom World Association<\/em>, avec une centaine d'hackbrettistes du monde entier.<\/p>\n<p>The dulcimer is played alone, as is often the case in Appenzell, or as part of groups generally consisting of two violons, a contrebasse and sometimes a violoncello, an accordion or a piano. In Valais, it is played as an instrument accompagnateur and sometimes on four hands.<\/p>\n<p>Le mouvement folk des ann\u00e9es 1970 a popularis\u00e9 le hackbrett dans les villes. Since 1989, he has been teaching at the Conservatoire de Berne.<\/p>\n<p>Le hackbrett est demand\u00e9 comme instrument de concert dans des compositions par Heinz Holliger, J\u00fcrg Wyttenbach, Urs Fl\u00fcck, Urs Graf, Renato Grisoni, Robert Wenger, Paul Huber and Rolf Liebermann.<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/dossiers\/2014\/05\/das-hackbrett-in-der-schweiz\" target=\"_blank\" rel=\"noopener\"><strong>Article in German<\/strong><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>R\u00e9sum\u00e9 fran\u00e7ais de l'article \" The dulcimer in Switzerland \".<\/p>","protected":false},"author":1,"featured_media":59973,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1623],"tags":[],"class_list":["post-42410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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