{"id":44355,"date":"2023-05-02T10:38:05","date_gmt":"2023-05-02T08:38:05","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=44355"},"modified":"2023-05-01T12:48:28","modified_gmt":"2023-05-01T10:48:28","slug":"schoecks-freund-und-librettist-rueeger","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2023\/05\/schoecks-freund-und-librettist-rueeger","title":{"rendered":"Schoeck's friend and librettist R\u00fceger"},"content":{"rendered":"<figure id=\"attachment_44358\" aria-describedby=\"caption-attachment-44358\" style=\"width: 1923px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-44358 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922.jpg\" alt=\"\" width=\"1923\" height=\"1330\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922-300x207.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922-1024x708.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922-768x531.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922-1536x1062.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922-253x175.jpg 253w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922-506x350.jpg 506w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922-1157x800.jpg 1157w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/Schoeck_Armin_Rueeger_1922-920x636.jpg 920w\" sizes=\"auto, (max-width: 1923px) 100vw, 1923px\" \/><figcaption id=\"caption-attachment-44358\" class=\"wp-caption-text\">Othmar Schoeck (left) and Armin R\u00fceger 1922 Photo: Estate of Armin R\u00fceger\/Othmar Schoeck Festival, Brunnen<\/figcaption><\/figure>\n<p>The revival of Othmar Schoeck's last opera <em>D\u00fcrande Castle<\/em> at the Stadttheater Bern by conductor Mario Venzago and musicologist Thomas Gartmann has once again reminded us that the Swiss music scene could - or should - pay more attention to its most important opera composer of the first half of the 20th century. Unfortunately, however, it was not Armin R\u00fceger who turned the Eichendorff text into a libretto, but, after his refusal, the Nazi German Hermann Burte. R\u00fceger's three libretti for Schoeck, <em>Don Ranudo, Venus<\/em> and <em>Massimilla Doni<\/em>provided a reliable basis for the setting, even if the composer already had some passages from the concept \"in the pot\" and had to ask for the text to be supplied as quickly as possible.<\/p>\n<p>Excerpts from letters written by R\u00fceger and Schoeck, as well as contributions from authors of the following generation, provide a clearer picture of the contours of the pharmacist from Bischofszell, who was also active as a graphic artist, and his friendship with the composer, which lasted over fifty years, and complement Chris Walton's major biography of Schoeck (Atlantis 1994) in a sympathetic way. Attractively illustrated with sketches, paintings and photos, this, together with the book accompanying the 2021 festival, could be the start of a meaningful series of publications on the subject of Othmar Schoeck.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-44359 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-199x300.png\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-199x300.png 199w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-679x1024.png 679w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-768x1158.png 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-116x175.png 116w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-232x350.png 232w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-531x800.png 531w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-920x1387.png 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger-300x452.png 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/05\/05_crit_buch_Knaus_Rueger.png 663w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/>Drama and Opera. Armin R\u00fceger - Librettist and Friend of Othmar Schoeck, book accompanying the Othmar Schoeck Festival 2022, edited by Alvaro Schoeck and Chris Walton, 156 p., Fr. 15.00, M\u00fcsigricht, Steinen 2022, ISBN 978-3-9525658-0-3<\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Armin R\u00fceger wrote three opera libretti for Othmar Schoeck. Despite this, the pharmacist, poet and graphic artist has remained largely unknown. <\/p>","protected":false},"author":29,"featured_media":44358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[1769,2392,1770,1776,2393,1771],"class_list":["post-44355","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-alvaro-schoeck","tag-armin-rueeger","tag-chris-walton","tag-jakob-knaus","tag-libretto","tag-othmar-schoeck"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Schoecks Freund und Librettist R\u00fceger - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2023\/05\/schoecks-freund-und-librettist-rueeger\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Schoecks Freund und Librettist R\u00fceger - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Drei Opernlibretti hat Armin R\u00fceger f\u00fcr Othmar Schoeck geschrieben. 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