{"id":45924,"date":"2025-12-22T09:33:39","date_gmt":"2025-12-22T08:33:39","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=45924"},"modified":"2026-04-16T19:14:19","modified_gmt":"2026-04-16T17:14:19","slug":"neuerscheinungen-buecher-1-halbjahr-2023","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023","title":{"rendered":"Books submitted"},"content":{"rendered":"<figure id=\"attachment_46553\" aria-describedby=\"caption-attachment-46553\" style=\"width: 1991px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-46553 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher.jpg\" alt=\"\" width=\"1991\" height=\"1450\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher.jpg 1373w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-300x218.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-1024x746.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-768x559.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-1536x1119.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-240x175.jpg 240w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-481x350.jpg 481w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-1098x800.jpg 1098w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-920x670.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher-1400x1020.jpg 1400w\" sizes=\"auto, (max-width: 1991px) 100vw, 1991px\" \/><figcaption id=\"caption-attachment-46553\" class=\"wp-caption-text\">Graphic: VisualGeneration\/depositphotos.com<\/figcaption><\/figure>\n<figure id=\"attachment_46559\" class=\"wp-caption alignnone\" aria-describedby=\"caption-attachment-46559\"><figcaption id=\"caption-attachment-46559\" class=\"wp-caption-text\"><\/figcaption><\/figure>\n<p><strong>Music books received July\u2013December 2025<\/strong><\/p>\n<ul style=\"list-style-type: square;\">\n<li><strong>Paul Suits: Score Reading: Time-honored Principles and New Approaches, <\/strong>124 p., \u20ac 37.00, Tredition, Hamburg 2025, ISBN 978-3-384-57748-1<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/02\/partiturlesen-lernen\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Lukas Langlotz<\/strong><\/a><\/li>\n<li><strong>Michael Schwalb: Paul Sacher. Progress through reflection<\/strong>, 129 pages, approx. \u20ac20.00, Edition Text + Kritik, Munich 2025, ISBN 978-3-96707-923-4<\/li>\n<li><strong>Erik Hug: The History of Progressive Music<\/strong>. An experiment in 39 steps, 111 pages, $33.00 (plus shipping\/handling), self-published, <a href=\"mailto:erikh@bluewin.ch\">erikh@bluewin.ch<\/a><\/li>\n<li><strong>Roman Brotbeck: Heinz Holliger.<\/strong> Conversations, comments, and texts, 350 pages, \u20ac36.99, Schott, Mainz, ISBN 978-3-7957-3399-5<\/li>\n<li><strong>Home is Where the Heart Strives,<\/strong> Edited by Philipp Rhensius, Janina Neustupny, Thomas Burkhalter, Hannes Liechti, and Vinzent Maria Preuss, 312 pages, \u20ac29.00 (print), Norient Books, Bern 2025, ISBN 9783952544464<\/li>\n<li><strong>History of musical interpretation<\/strong><strong> in the 19th and 20th centuries.<\/strong> Volume 4: People \u2013 Styles \u2013 Concepts, edited by Heinz von Loesch, Rebecca Wolf, and Thomas Ertelt, 712 pages, \u20ac79.99, B\u00e4renreiter \/ J.B. Metzler, Kassel \/ Stuttgart 2025, ISBN 978-3-7618-2081-1<\/li>\n<li><strong>Markus Meier: Ostracized, loved, and tolerated. The organ in post-Reformation Toggenburg.,<\/strong> 400 pages, CHF 48.00, Chronos, Zurich 2025, ISBN 978-3-0340-1796-1<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/12\/toggenburger-orgelgeschichte\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Tobias Willi<\/strong><\/a><\/li>\n<li><strong>Ferruccio Busoni, Arnold Schoenberg: Dialogue on Modern Music.<\/strong> Carteggio \u2013 Scritti di Busoni con annotazioni inedite di Sch\u00f6nberg, 520 p., $36.00, Giometti &amp; Antonello, Macerata 2025<\/li>\n<li><strong>Iso Camartin: \u00abNessun dorma \u2013 Let no one sleep!\"<\/strong> Arias, duets, ensembles \u2013 48 oases of melodious sound, 288 pages, CHF 32.00, R\u00fcffer &amp; Rub, Zurich 2025, ISBN 978-3-907351-38-3<\/li>\n<li><strong>Reinhard Strohm: Opera in motion.<\/strong> European Music Theater from Baroque to Romanticism, 319 p., \u20ac 49.99, B\u00e4renreiter\/J. B. Metzler, Kassel\/Stuttgart 2025, ISBN 978-3-7618-2676-8<\/li>\n<li><strong>Malte Zill: STAGMA in the \u00abThird Reich\u00bb.<\/strong> Instrumentalization of musical copyright in the European context, (=Musik und Diktatur, Band 5), 468 p., br., \u20ac 64.90,Waxmann, M\u00fcnster 2025, ISBN 978-3-8188-0093-2<\/li>\n<li><strong>Event and History. The International Summer Courses for New Music, Darmstadt 1962\u20131994, <\/strong>Edited by Susanne Heiter and D\u00f6rte Schmid, 560 pages, \u20ac48.00, Edition text+kritik, Munich 2025, ISBN 978-3-96707-010-1<\/li>\n<li><strong>Heike Plitt: The guitar in the psychotherapy room,<\/strong> 140 pages, \u20ac22.00, Reichert, Wiesbaden 2025, ISBN 9783752008869<\/li>\n<li><strong>Mateusz Borkowski: Wizard of the Violin. Henryk Wieniawski \u2013 Life and Times,<\/strong> Translated from Polish by Peter Oliver Loew, 146 pages, \u20ac19.80. Harrassowitz, Wiesbaden, 2025, ISBN 978-3-447-12300-6<\/li>\n<li><strong>Klaus Wloemer: Josef Reinhart and Music.<\/strong> The role of music in his literary work, with a list of settings of his poems from 1897 to the present day, 954 pages, CHF 128.00, Schwabe, Basel 2025, ISBN 978-3-7965-5351-6<\/li>\n<li><strong>Giuliano Musio: There's a crack,<\/strong> Accompanying text to Beethoven's \u00abEgmont,\u00bb 118 pages, CHF 17.00, Edition Taberna Kritika, Bern 2025, ISBN 978-3-905846-79-9<\/li>\n<li><strong>Kai Marius Schabram: Claudio Arrau,<\/strong> Universalist of the Piano, 214 pages, \u20ac26.00, Solo Portrait, Edition Text + Kritik, Munich 2025, ISBN 978-3-96707-788-9<\/li>\n<li><strong>Rebekka Susanne Br\u00e4m: Theater with director's theater\u2014opera needs its dignity back!<\/strong> Thoughts from the Hotpot, 175 pages, CHF 39.90, published by BoD Books on Demand, Hamburg 2025, ISBN 978-3-7583-3640-9<\/li>\n<li><strong>The Techniques of Electric Guitar Playing<\/strong>, edited by Seth F. Josel and Michelle Lou, 303 pages, \u20ac69.00, B\u00e4renreiter, Kassel 2025, ISBN 978-3-7618-2424-5<\/li>\n<li><strong>Norbert Schl\u00e4bitz: \u00bbForm follows content\u00ab or: Against mainstream research \u2013 for research pluralism in music education<\/strong>, (= Studies in Music Culture, Volume 12), 236 pages, \u20ac39.90, Waxmann, M\u00fcnster 2025, ISBN 978-3-8188-0058-1, <a href=\"https:\/\/doi.org\/10.31244\/9783818850586\" target=\"_blank\" rel=\"noopener\">Open Access<\/a><\/li>\n<li><strong>Andreas H\u00e4berlin: A Music Transcription Method. Notating Recorded Music by Ear<\/strong>, 178 p., approx. \u20ac39.00, Routledge, New York 2025, ISBN 9781032842547,\u00a0<a href=\"https:\/\/doi.org\/10.4324\/9781003511946\" target=\"_blank\" rel=\"noopener\">Open Access<\/a><\/li>\n<li><strong>Academization of the arts.<\/strong> Situierung, Episteme, Kodifizierung (Situating, Episteme, Codification), edited by David Hagen, Jan Lazardzig, Thekla Neuss, Angela Nikolai, and D\u00f6rte Schmidt, approx. 340 pages, approx. \u20ac34.00, Edition Text+ Kritik, Munich, ISBN 978-3-68930-000-5<\/li>\n<li><strong>Herbert Blomstedt: Mission Music - Conversations with Julia Spinola<\/strong>, 199 p., \u20ac 26.00, third, expanded edition, Henschel\/B\u00e4renreiter, Leipzig\/Kassel 2025<strong>, <\/strong>ISBN 978-3-7618-2417-7 (B\u00e4renreiter)<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/02\/mehr-gespraeche-mit-blomstedt\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Jakob Knaus<\/strong><\/a><\/li>\n<li><strong>Reverberations of Empire? Opera in the Contexts of (De)Colonial and Postcolonial Thought<\/strong>, edited by Lena van der Hoven and JBOM, (= <em>Journal of Black Opera and Music Theater, <\/em>No. 1 Nov. 2025), 208 p., <a href=\"https:\/\/bop.unibe.ch\/index.php\/J-Bom\/issue\/view\/1290\" target=\"_blank\" rel=\"noopener\">Bern Open Publishing<\/a><\/li>\n<li><strong>Robert Oboussier. Contributions to a silenced opus \/ Contributions \u00e0 propos d\u2019un opus r\u00e9duit au silence<\/strong>, edited by Ramon Bischoff, 208 pages, German\/French, CHF 45.00, Edition Clandestin, Biel 2025, ISBN 978-3-907262-72-6<\/li>\n<li><strong>Res Marty: Lines &amp; Sound. Documents &amp; Stories from the Joachim Raff Archive,<\/strong> 234 pages, CHF 30.00, Joachim Raff Society, Lachen 2025, ISBN 978-3-033-11783-9, available from: <a href=\"mailto:res.marty@bluewin.ch\">res.marty@bluewin.ch<\/a><\/li>\n<\/ul>\n<p><strong>Incoming music books January-June 2025<\/strong><\/p>\n<ul style=\"list-style-type: square;\">\n<li><strong>Jan Tamaru: Subject recognition<\/strong>. Voice subject diagnosis in singing lessons, with an evaluation of C. G. Jung's theory of types for vocal pedagogy, 192 p., \u20ac 39.90, Breitkopf &amp; H\u00e4rtel, Wiesbaden 2023 ISBN 978-3-7651-0488-6<\/li>\n<li><strong>I am a theater person. Udo Zimmermann - memories and documents, <\/strong>edited by Saskia Zimmermann and Matthias Herrmann<strong>, <\/strong>408 p., \u20ac 49.00, Breitkopf &amp; H\u00e4rtel, Wiesbaden 2024 ISBN 978-3-7651-0513-5<\/li>\n<li><strong>Michael Wertm\u00fcller,<\/strong> Special volume Musik-Konzepte XI\/2024, edited by Ulrich Tadday, 248 p., Edition Text + Kritik, Munich 2024, ISBN 978-3-96707-969-2<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/03\/wertmueller\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Torsten M\u00f6ller<\/strong><\/a><\/li>\n<li><strong>Kristin Thielemann: Fully relaxed<\/strong>. Peace and concentration for your music lessons, 104 p., online material, \u20ac 24.50, Schott, Mainz 2025, ISBN 978-3-7957-3315-5<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/06\/runterkommen\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Torsten M\u00f6ller<\/strong><\/a><\/li>\n<li><strong>Philip Herschkowitz: About music. Biographical. The music-theoretical work. The compositional work<\/strong>edited by Heidemarie T. Ambros, Alexei Lubimov, Elisabeth Leonskaja, Alexei Grots, 444 p., \u20ac 48.00, Hollizer, Vienna 2024, ISBN 978-3-99094-139-3<\/li>\n<li><strong>Michaela Fridrich: Music unmediated.<\/strong> A Utopia, 127 p., \u20ac 22.00, Edition Text + Kritik, Munich 2025, ISBN 978-3-96707-738-4<\/li>\n<li><strong>Jessie Cox: Sounds of Black Switzerland. Blackness<\/strong>, Music and Unthought Voices, 250 p., Duke University Press, Durham and London 2025, ISBN 978-1-4780-3143-7<\/li>\n<li><strong>Artificial intelligence of sounds. Ethics and aesthetics of digital music culture<\/strong>edited by Michael Schmidt, 120 p., Edition Text + Kritik, Munich 2025, ISBN 978-3-68930-030-2<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/12\/musikkultur-und-ki\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Wolfgang B\u00f6hler<\/strong><\/a><\/li>\n<li><strong>Sigfried Schibli: Musical life in the Basel region, <\/strong>Bild-Geschichten BL Volume 12, 121 p., Fr. 23.00, Verlag Baselland, Liestal 2025, ISBN 978-3-85673-706-1<\/li>\n<li><strong>Music therapeutic impulses for music education.<\/strong> Expanded Perspectives, edited by Karin Holzwarth, Dorothee von Moreau, Jonas Dietrich, Hans B\u00e4\u00dfler, 186 pages, br., \u20ac 29.90, Waxmann, M\u00fcnster 2024, ISBN 978-3-8309-4946-6<\/li>\n<li><strong>Leonard Bernstein's poetics,<\/strong> edited by Andreas Eichhorn and Paul R. Laird, 300 p., \u20ac 34.00, Edition Text + Kritik, Munich 2025, ISBN 978-3-96707-683-7<\/li>\n<li><strong>Melanie Unseld: Music and memory.<\/strong> A study book, ca. 250 p., Rombach, ISBN 978-3-96821-886-8<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/11\/erinnerungsforschung\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Torsten M\u00f6ller<\/strong><\/a><\/li>\n<li><strong>Senses \/ Sense.<\/strong> Zeitgen\u00f6ssische Musik dies- und jenseits von Hermeneutik und Analyse, ed. by Kathrin Kirschand Joe Reinke, 230 p., \u20ac 29.00, Georg Olms, Baden-Baden 2025, ISBN 978-3-487-17063-3<\/li>\n<li><strong>Swiss choral life since 1800<\/strong> - Music, practice and contexts; <strong>Vie chorale n Suisse depuis<\/strong> 1800 - Musique, pratiques et contextes, ed. by Caiti Hauck and Cristina Urchuegu\u00eda. Bern Open Publishing, ISBN 978-3-03917-080-7, <a href=\"https:\/\/doi.org\/10.36950\/edv-chm-2024\" target=\"_blank\" rel=\"noopener\">open access<\/a><\/li>\n<li><strong>Julien Cachemaille and Caiti Hauck: Three Swiss choral singers in the 19th century,<\/strong> based on the research project CLEFNI - Choir life in the cities of Bern and Fribourg in the long 19th century, comic, available in German or French, Editions de la Chaussette, Yvonand 2025, ISBN 978-2-940564-34-7, <a href=\"https:\/\/clefni.unibe.ch\/index.php\/de\/2025\/03\/05\/comic-buch\/\" target=\"_blank\" rel=\"noopener\">open access<\/a><\/li>\n<li><strong>Sean Prieske: Music and flight.<\/strong> Musikalische Praktiken gefl\u00fcchteter Menschen in Berlin, (= Musikethnologie im 21. Jahrhundert, Band 2), 395 p., \u20ac 99.00, Rombach, Baden-Baden 2025, ISBN 978-3-98858-096-2<\/li>\n<li><strong>Alfons Huber: Clavichord building 1400-1800<\/strong>, 845 p., \u20ac 115.80, Praesens Verlag, Vienna 2025, ISBN 9783706912518<\/li>\n<li><strong>Bruno Matti: The polar bears in the land of snow cliffs,<\/strong> Fantasy novel with music that can be played via QR codes, Fr. 35.00, self-published, matelier.ch, ISBN 978-3-033-10915-5<\/li>\n<li><strong>Sounds for the soul, music in St. Gallen manuscripts,<\/strong> St. Gallen Abbey Library, 104 p., Fr. 25.00, Schwabe, Basel 2025, ISBN 978-3-7965-5344-8<\/li>\n<li><strong>Handbook of music analysis.<\/strong> Plurality and Method, ed. by Ariane Jessulat, Oliver Schwab-Felisch, Jan Philipp Sprick and Christian Thorau, 766 p., \u20ac 129.99, B\u00e4renreiter-Verlag \/ J.B. Metzler Kassel\/Stuttgart 2025, ISBN 978-3-7618-2065-0<\/li>\n<li><strong>Musical Talent and its Promotion in Chinese and Western Worlds<\/strong>ed. by Marc-Antoine Camp, Xavier Bouvier, Suse Petersen, Annatina Kull, 174 p., e-book, free of charge, Chronos, Zurich 2025, <a href=\"https:\/\/www.chronos-verlag.ch\/node\/28851\" target=\"_blank\" rel=\"noopener\">open access<\/a><\/li>\n<li><strong>Marina Schieke-Gordienko: Ferruccio Busoni, pianist and cosmopolitan<\/strong>, Solo series, 171 p., \u20ac 24.00, Edition Text + Kritik, Munich 2025, ISBN 978-3-96707-909-8<\/li>\n<li><strong>Rollen und Funktionen von Musik in der digitalen \u00c4ra \/ Music's Roles and Functions in the Digital Era<\/strong>ed. by Corinna Herr, Wolfgang Fuhrmann, Veronika Keller, 402 p., \u20ac 99.00, Rombach, Baden-Baden 2025, ISBN 978-3-98858-007-8<\/li>\n<li><strong>Christiane Wiesenfeldt: Music and home<\/strong>, 286 p., \u20ac 39.99, B\u00e4renreiter, Kassel 2025, ISBN 978-3-7618-2658-4<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Music books received July-December 2024<\/strong><\/p>\n<ul style=\"list-style-type: square;\">\n<li><strong>Anton Voigt: Alfred Cortot. Keyboard poet - teacher - cultural actor<\/strong>, Solo Portraits and Profiles, 285 p., \u20ac 28.00, Edition Text+Kritik, Munich 2024, ISBN 978-3-96707-708-7<\/li>\n<li><strong>K\u00f6chel-Verzeichnis, Thematisches Verzeichnis der musikalischen Werke von Wolfgang Amad\u00e9 Mozart,<\/strong> New edition 2024, edited by Neal Zaslaw, presented by Ulrich Leisinger with the assistance of Miriam Pfadt and Ioana Geanta, BV 300, CXXV + 1263 p., \u20ac 499.00, Breitkopf &amp; H\u00e4rtel, Wiesbaden 2024<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/mozarts-werke-thematisch-geordnet\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Dominik Sackmann<\/strong><\/a><\/li>\n<li><strong>Corinne Holtz: World in the work. Klaus Huber (1924-2017),<\/strong> Biography, 309 p., Fr. 54.00, Schwabe, Basel 2024, ISBN 978-3-7965-5148-2<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/03\/eigenwillige-biografie\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Max Nyffeler<\/strong><\/a><\/li>\n<li><strong>Hanspeter Sp\u00f6rri: Steff Signer. The musical biography<\/strong>, A piece of Swiss rock, pop and highmatt history, 400 p., Appenzeller Verlag, Schwellbrunn 2024, ISBN 978-3-85882-888-0<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/highmatt-geschichte\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Hanspeter K\u00fcnzler<\/strong><\/a><\/li>\n<li><strong>Ernst Kurth \/ Guido Adler: Correspondence 1908-1936<\/strong>edited by Luitgard Schader, 205 p., \u20ac 22.80, K\u00f6nigshausen &amp; Neumann, W\u00fcrzburg 2024, ISBN 978-3-8260-7969-6<\/li>\n<li><strong>Barbara Busch and Barbara Metzger: 44 warm-ups for instrumental lessons<\/strong>(=\u00fcben &amp; musizieren Praxis), 80 p., \u20ac 24.50, Schott, Mainz 2024, ISBN 978-3-7957-3172-4<\/li>\n<li><strong>Joachim K\u00fchn and Michael Br\u00fcning: The bold factor.<\/strong> Free + independent: no limits in jazz, 320 p., \u20ac 24.95, Alfred Music, Cologne 2024, ISBN 978-3-947998-59-3<\/li>\n<li><strong>Correspondence Arnold Sch\u00f6nberg - Heinrich Jalowetz<\/strong>ed. by Simon Obert, (=Publications of the Paul Sacher Foundation, Volume 13; Briefwechsel der Wiener Schule, Volume 7), 408 p., Schott, Mainz 2024, ISBN 978-3-7957-3341-4<\/li>\n<li><strong>Howard Griffiths: Barboza and the sounding tree<\/strong> - a musical journey through Switzerland, music by Fabian K\u00fcnzli, played by the Mozarteum Orchestra Salzburg; narrator Fernando Tiberini illustrations by Andrea Peter, 52 p., audio download, Fr. 29.80, GH 11817, Hug Musikverlage, Zurich 2024, ISBN 978-3-03807-145-7<\/li>\n<li><strong>Building authority in music,<\/strong> ed. by Bernd Brabec, Marc-Antoine Camp, Dorit Klebe, 280 p., Fr. 38.00, Chronos, Zurich 2024, ISBN 978-3-0340-1734-3<\/li>\n<li><strong>Astrid Kn\u00f6chlein: Ornamentation - like Telemann!<\/strong> Georg Philipp Telemann's Methodical Sonatas and Trietti methodichi, ed. by Claire Genewein, Dorit F\u00fchrer-Pawikovsky and Peter Schmid, 2 vol., 57+145 p., Fr. 65.00, Schmid &amp; Genewein, Zurich 2024, ISBN 978-3-033-05348-9<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/06\/telemann-knoechlein\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Lukas Nussbaumer<\/strong><\/a><\/li>\n<li><strong>Marko Simsa: Waltz step and polkahit.<\/strong> Johann Strauss for children, picture book with music (CD or download), illustrations by Silke Brix, 32 p., \u20ac 24.00, Jumbo, Hamburg, ISBN 978-3-8337-4800-4<\/li>\n<li><strong>Peter Benary. Composer, musicologist, publicist and lecturer, <\/strong>edited by Niccol\u00f2 Raselli and Hans Niklas Kuhn, ca. 229 pages, ca. Fr. 46.00, Schwabe, Basel 2024, ISBN 978-3-7965-5109-3<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/01\/benary\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt; Review by Torsten M\u00f6ller<\/strong><\/a><\/li>\n<li><strong>Bernhard Suter: Guiding creative processes in music lessons.<\/strong> A design-based research study on the reflection-based competence development of primary school teachers entering the profession, 334 p., Potsdamer Schriftenreihe zur Musikp\u00e4dagogik, vol. 10, Universit\u00e4tsverlag Potsdam, 2024, ISBN 978-3-86956-567-5, <a href=\"https:\/\/publishup.uni-potsdam.de\/opus4-ubp\/frontdoor\/deliver\/index\/docId\/60052\/file\/psm10.pdf\" target=\"_blank\" rel=\"noopener\">open access<\/a><\/li>\n<li><strong>Luigi Nono. On the question of the turning point,<\/strong> Music Concepts No. 206, edited by Ulrich Tadday, 121 pages, \u20ac 28.00, Edition Text+Kritik, Munich 2024, ISBN 978-3-96707-966-1<\/li>\n<li><strong>Friedrich Chrysander. Musicologist of the first hour,<\/strong> edited by Ivana Rentsch, Hamburg Yearbook of Musicology Volume 4, 266 p., \u20ac 39.90, Waxmann, M\u00fcnster 2024, ISBN 978-3-8309-4884-1<\/li>\n<li><strong>Wolfgang W. M\u00fcller: Music of the angels.<\/strong> A cultural history, 264 p., ca. Fr. 28.00, Schwabe, Basel 2024, ISBN 978-3-7965-5128-4<\/li>\n<li><strong>Joseph Joachim. Identities \/ Identities<\/strong>(= Studien und Materialien zur Musikwissenschaft, vol. 128), ed. by Katharina Uhde and Michael Uhde, 477 p., \u20ac 58.00, Georg Olms, Baden-Baden, ISBN 978-3-487-16425-0<\/li>\n<li><strong>Michel Roth: At stake.<\/strong> Eine spielheoretische Untersuchung indeterminierter Musik, 524 p., Wolke, Hofheim 2024, ISBN 978-3-95593-152-0, <a href=\"https:\/\/www.wolke-verlag.de\/wp-content\/uploads\/2024\/08\/Roth_Aufs_Spiel_gesetzt_Ebook_2024.pdf\" target=\"_blank\" rel=\"noopener\">open access<\/a><\/li>\n<li><strong>Julius Otto Grimm - a composer and conductor of the Brahms circle<\/strong>edited by Anna Maria Plischka and Peter Schmitz, 704 p., \u20ac 69.90, Waxmann, M\u00fcnster 2024, ISBN 978-3-8309-4759-2<\/li>\n<li><strong>Tania Salvador, aka La Rata: Give it to me!<\/strong> Essay illustrated in graphic novel style, counter-history of popular music that puts female artists at the center, translation Petra Sparrer, 256 p., \u20ac 36.00, Laurence-King-Verlag, Berlin 2024, ISBN 978-3-96244-435-8<\/li>\n<li><strong>Daniel Martin Feige: Philosophy of music<\/strong>. Musik\u00e4sthetik im Ausgang von Adorno, 216 p., \u20ac 24.00, Edition Text+Kritik, Munich 2024, ISBN 978-3-689-30028-9<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/musikphilosophie-feige\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Lukas Nussbaumer<\/strong><\/a><\/li>\n<li><strong>Music, Performance, Architecture. Sacred Spaces as Sound Spaces in the Early Modern Period<\/strong>ed. by Tobias C. Weissmann and Klaus Pietschmann, 312 p., \u20ac 69.00, Georg Olms, Baden-Baden 2024, ISBN 978-3-487-16724-4<\/li>\n<li><strong>Meinolf Br\u00fcser: \"It's all a breeze\",<\/strong> Bach and the secret of the \"Art of Fugue\", 177 p., \u20ac 39.99, B\u00e4renreiter\/J.B Metzler, Kassel\/Stuttgart 2024, ISBN 978-3-7618-2654-6<\/li>\n<li><strong>Radio Cologne Sound. The WDR studio for electronic music<\/strong>edited by Harry Vogt and Martina Seeber, 287 p., German\/English, ill., with 5 CDs, \u20ac 39.00, Wolke, Hofheim 2024, ISBN 978-3-95593-259-6<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/02\/wdr-studio\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Thomas Meyer<\/strong><\/a><\/li>\n<li><strong>Luiz Alves da Silva: Between Zurich and Rio de Janeiro,<\/strong> Hausmusik in der ersten H\u00e4lfte des 19. Jahrhunderts, translated from the Portuguese by Daniel Schnurrenberger,(=Schweizer Beitr\u00e4ge zur Musikforschung, Vol. 28), 326 p., \u20ac 49.95, B\u00e4renreiter, Kassel 2024, ISBN 978-3-7618-2616-4<\/li>\n<li><strong>A new start together. Prospects for music clubs after the pandemic!<\/strong> edited by Verena Bons, Johanna Borchert, Thade Buchborn, Wolfgang Lessing, (Schriften der Hochschule f\u00fcr Musik Freiburg), 160 p., \u20ac 44.00, Georg Olms, Baden-Baden, ISBN 978-3-487-17048-0<\/li>\n<li><strong>Nicole Joh\u00e4nntgen and Raffaella Ligi: Schmuseb\u00e4r's sonorous journey with the flying chair<\/strong>, 28 S., <a href=\"https:\/\/www.nicolejohaenntgen.com\/\" target=\"_blank\" rel=\"noopener\">nicolejohaenntgen.com\/<\/a><\/li>\n<li><strong>Michael von Hintzenstern: Sounds of the moment - 44 years of the Ensemble for Intuitive Music Weimar 1980-2024<\/strong>, 256 p., over 300 illustrations, \u20ac 44.00, Weimar 2024, ISBN 978-3-00-078834-5, <a href=\"http:\/\/www.hintzenstern.eu\/Michael_von\/Publikationen.html\" target=\"_blank\" rel=\"noopener\">hintzenstern.eu<\/a><br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Torsten M\u00f6ller<\/strong><\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Music books received January-June 2024<\/strong><\/p>\n<ul style=\"list-style-type: square;\">\n<li><strong>Jannis Mallouchos: Adolf Reichel (1816-1896).<\/strong> Political, cultural-historical, music-theoretical and compositional aspects of a musician's life, (=Wiener Ver\u00f6ffentlichungen zur Musikwissenschaft, Vol. 56), 650 p., Hollitzer, Vienna 2023, ISBN 978-3-99094-084-6<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2024\/05\/reichel\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Max Sommerhalder<\/strong><\/a><\/li>\n<li><strong>Studies in the Arts II,<\/strong> Arts, Design and Science in Exchange, ed. by Thomas Gartmann, Cristina Urchueguia, Hannah Amb\u00fchl-Baur, 313 p., Transcript, Bielefeld 2024, ISBN 978-3-8376-6954-1, Open Access: <a href=\"https:\/\/www.transcript-verlag.de\/media\/pdf\/0a\/08\/1d\/oa9783839469545F0C12HKE22L98.pdf\" target=\"_blank\" rel=\"noopener\">transcript-verlag.de\/media\/pdf<\/a><\/li>\n<li><strong>Revue musicale de Suisse romande<\/strong>, Num\u00e9ro sp\u00e9cial 75 ans, La musique \u00e0 Gen\u00e8ve au XV<sup>e<\/sup> si\u00e8cle, D\u00e9cembre 2023, avec CD: <strong>La contenance angloise.<\/strong> La chapelle des Ducs de Savoie, dir. Vincent Arlettaz, Revue musicale de Suisse romande RMSR 20232<\/li>\n<li><strong>Robert Craft et Igor Stravvinsy: Conversations avec Igor Stravinsky<\/strong>, 192 p., \u20ac 16.00, Editions Allia, Paris 2024, ISBN 979-10-304-1836-1<\/li>\n<li><strong>Mathias Gredig: Grand hotels, risotto and bombs,<\/strong> History of Futurist Noise Art, Fr\u00f6hliche Wissenschaft 232, 173 p., \u20ac 15.00, Matthes &amp; Seitz, Berlin 2024, ISBN 978-3-7518-3012-6<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2024\/06\/bomben-und-kursaele\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Thomas Meyer<\/strong><\/a><\/li>\n<li><strong>Rien de Reede: The School of Blavet,<\/strong> Flutist in Paris in the Second Half of the Eighteenth Century, 144 p., Linos Edition, Amsterdam 2022, ISBN 978-90-9036371-4<\/li>\n<li><strong>Walter F\u00e4hndrich: Why do we improvise?<\/strong> 80 p., \u20ac 18.00, Wolke, Hofheim 2024, ISBN 978-3-95593-270-1<\/li>\n<li><strong>Text as Source and Material in Contemporary Music Theatre<\/strong>, ed. by Christa Br\u00fcstle, (=Studien zur Wertungsforschung 65), 304 p., \u20ac 33.50, Universal Edition, Vienna 2023, ISBN 978-37024-7793-6<\/li>\n<li><strong>Peter Petersen: Arnold Sch\u00f6nberg's String Quartet op. 7<\/strong>, Three ways to understand the work, 211 p., numerous musical examples, Georg Olms, Baden-Baden 2024 ISBN 978-3-487-16700-8<\/li>\n<li><strong>Creative misunderstandings or universal musical principles?<\/strong> Hugo Riemann and the international transfer of knowledge, ed. by Stefan Keym in conjunction with Christoph Hust, (Studien und Materialien zur Musikwissenschaft, vol. 131), 377 p., hardcover, \u20ac 99.00, Georg Olms, Baden-Baden 2024, ISBN 978-3-487-16680-3<\/li>\n<li><strong>Salon orchestra in the Alps<\/strong>ed. by Mathias Gredig, Matthias Schmidt, Cordula Seger, 232 p., Fr. 38.00, Chronos, Zurich 2024, ISBN 978-3-0340-1733-6<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2024\/06\/alpine-kur-und-hotelmusik\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Lukas Nussbaumer<\/strong><\/a><\/li>\n<li><strong>Stefan Braese: Cool. Jazz as a counterculture in post-war western Germany. <\/strong>442 p., \u20ac 42.00, Edition Text + Kritik, Munich 2024, ISBN 978-3-96707-915-9<\/li>\n<li><strong>Lothar Freiburg: Wonders of music.<\/strong> The music of Europe over 2000 years, 354 p., \u20ac 44.80, Wissner, Augsburg 2024, ISBN 978-3-95786-3287-7<\/li>\n<li><strong>Ingo Bredenbach: Johann Sebastian Bach's piano lessons.<\/strong> Bach as learner and teacher, 519 p., \u20ac 59.00, B\u00e4renreiter, Kassel 2024, ISBN 978- 3-7618- 2617-1<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/10\/vom-lernen-zum-lehren\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Dominik Sackmann<\/strong><\/a><\/li>\n<li><strong>Handbook of Opera.<\/strong> 16th updated and expanded edition, edited by Rudolf Kloiber, Wulf Konold and Robert Maschka 1021 p., \u20ac 49.99, B\u00e4renreiter\/J.B. Metzler, Kassel\/Heidelberg 2024, ISBN 978-3-7618-2644-7<\/li>\n<li><strong>Wolfgang Jansen: Musical - the musical theater of the present,<\/strong> (= Gesammelte Schriften zum Popul\u00e4ren Musiktheater, Vol. 3), 286 p., \u20ac 39.90, Waxmann, M\u00fcnster 2024, ISBN 978-3-8309-4757-8<\/li>\n<li><strong>Jutta Toelle: Mission through music, <\/strong>Stimmen zu Musik und Kl\u00e4ngen in der europ\u00e4ischen Missionierung Hispanoamerikas, Musik und Migration, Vol. 4, 172 pages, \u20ac 34.90, Waxmann, M\u00fcnster 204, ISBN 978-3-8309-4728-8<\/li>\n<li><strong>Composers in the Stalinist gulag,<\/strong> edited by Inna Klause, Andreas Waczkat, Stefan Weiss, 468 p., \u20ac 89.00, Georg Olms, Baden-Baden 2024, ISBN 978-3-487-16694-0<\/li>\n<li><strong>Lied und popul\u00e4re Kultur \/ Song and Popular Culture,<\/strong> Weltmusik und ihre Kritik: Postkoloniale Zug\u00e4nge zu globaler Musik, (= Jahrbuch des Zentrums f\u00fcr Popul\u00e4re Kultur und Musik, 68. Jahrgang - 2023), ed. by Maria Fuchs, Johannes M\u00fcske, Knut Holtstr\u00e4ter, 258 p., \u20ac 39.90, Waxmann, M\u00fcnster 2024, ISBN 978-3-8309-4889-6<\/li>\n<li><strong>Music in the monotheistic religions,<\/strong> Reflections on the aesthetic function of sacred music, ed. by Wolfgang M\u00fcller, Franc Wagner (=TeNOR. Text und Normativit\u00e4t 11), 240 p., Fr. 48.00, Schwabe, Basel 2024, ISBN 978-3-7965-5045-4<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Music books received July-December 2023<\/strong><\/p>\n<ul style=\"list-style-type: square;\">\n<li><strong>Sigfried Schibli: The Organ Experience.<\/strong> The most beautiful instruments in and around Basel, 160 p., Fr. 44.80, Reinhardt, Basel 2023, ISBN 978-3-7245-2660-5<\/li>\n<li><strong>Early music today,<\/strong> History and Perspectives of Historical Performance Practice, edited by Richard Lorber, 414 p., \u20ac 39.99, B\u00e4renreiter\/Metzler, Kassel\/Stuttgart 2023, ISBN 978-3-7618-2520-4<\/li>\n<li><strong>Le plus beau pays du monde ?<\/strong> Othmar Schoeck's environment in Central Switzerland, book accompanying the Othmar Schoeck Festival 202, edited by Alvaro Schoeck and Chris Walton, 180 p., Fr. 20.00, M\u00fcsigricht, Steinen 2023, ISBN 978-3-9525658-2-7<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2024\/06\/othmar-schoecks-heimat\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Daniel Willi<\/strong><\/a><\/li>\n<li><strong>Corina Nastoll: Practicing is a must!<\/strong> Efficient and enjoyable practicing, (= \u00fcbern &amp; musizieren spezial), 44 p., \u20ac 18.50, Schott, Mainz, ISBN 978-3-7957-3094-9<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2024\/06\/nastoll\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Torsten M\u00f6ller<\/strong><\/a><\/li>\n<li><strong>\"You are art to me\". The correspondence between Alma Mahler and Walter Gropius from 1910 to 1914<\/strong>edited by Annemarie Jaeggi and J\u00f6rg Rothkamm, 784 p., \u20ac 49.00, Residenz, Vienna 2023, ISBN 9783701735945<\/li>\n<li><strong>Ethel Smyth: Drumbeats from paradise.<\/strong> Memories, translated from the English by Heddi Feilhauer, 256 p., \u20ac 24.00, ebersbach &amp; simon, Cologne 2023, ISBN 978-3-86915-286-8<\/li>\n<li><strong>Rainer Schmusch: Sense of hearing and \"sound\".\u00a0<\/strong>\u00c4sthetische Anthropologie der Musik, nach Herder und H\u00e4ndel, (= Myosotis Bd. 8), 452 p., \u20ac 62.00, Universit\u00e4tsverlag Winter, Heidelberg 2023, ISBN 978-3-8253-4867-0<\/li>\n<li><strong>Music and migration.<\/strong> Ein Theorie- und Methodenhandbuch, ed. by Wolfgang Gratzer, Nils Grosch, Ulrike Pr\u00e4ger, Susanne Scheiblhofer, (= Musik und Migration, Vol. 3), 746 p., br., \u20ac 69.90, Waxmann, M\u00fcnster 2023, ISBN 978-3-8309-4630-4, Open Access, <a href=\"https:\/\/doi.org\/10.31244\/9783830996309\" target=\"_blank\" rel=\"noopener\">doi.org\/10.31244\/9783830996309<\/a><br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/03\/migration\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Torsten M\u00f6ller<\/strong><\/a><\/li>\n<li><strong>Silke Kruse-Weber: Reflect! An observation and reflection tool for instrumental and vocal teachers,<\/strong> (= Grazer Schriften zur Instrumental- und Gesangsp\u00e4dagogik, Vol. 4), 88 pages, br., with card game, \u20ac34.90, Waxmann, M\u00fcnster 2023, ISBN 978-3-8309-4658-8<\/li>\n<li><strong>Silja Reidemeister: Between contemporary design and historical interest - the composer Rudolf Moser.<\/strong> A search for clues in original documents, 227 p., Fr. 38.00, Schwabe, Basel 2023, ISBN 978-3-7965-4849-9<\/li>\n<li><strong>Markus Cslovjecsek: School music for all? On the legitimization of music as a subject,<\/strong> 313 p., \u20ac 48.00, Transcript, Bielefeld 2023, ISBN 978-3-8376-6884-1, Open Access: <a href=\"https:\/\/www.transcript-verlag.de\/shopMedia\/openaccess\/pdf\/oa9783839468845.pdf\" target=\"_blank\" rel=\"noopener\">transcript-verlag.de\/shopMedia\/openaccess\/pdf\/oa9783839468845.pdf<\/a><\/li>\n<li><strong>Eike Fess: Arnold Sch\u00f6nberg and the composition with twelve notes<\/strong>, 224 p., \u20ac 27.00, Edition Text+Kritik, Munich 2023, ISBN 978-3-96707-862-6<\/li>\n<li><strong>Milena Amann-Rauter: \"Avec mon arme, la musique\".<\/strong> Political engagement of exiled musicians in the context of the Front Populaire, 504 p., \u20ac 48.00, Edition Text + Kritik, Munich 2023, ISBN 978-3-96707-887-9<\/li>\n<li><strong>Julia Wilke: Music and movement in individual pedagogical work.<\/strong> Video-based analyses of music- and movement-related coordination processes, 2023, (= Internationale Hochschulschriften, Vol. 707), 228 p. \u20ac 39.90, Waxmann, M\u00fcnster 2023, ISBN 978-3-8309-4720-2<\/li>\n<li><strong>Robert Gervasi: A borderland fate,<\/strong> Life and work of the Alsatian composer Leo Justinus Kauffmann (1901-1944), 588 p., \u20ac 119.00, Tectum, Baden-Baden 2023, ISBN 978-3-8288-4916-7<\/li>\n<li><strong>Nicole Jost-R\u00f6sch: Alban Berg - narrating composer, composing narrator<\/strong>, 540 p., \u20ac 49.00, Edition Text + Kritik, Munich 2023, ISBN 978-3-96707-834-3<\/li>\n<li><strong>Werner Reinhart, patron of modernism,<\/strong> Music Concepts, Special Volume XI\/2023, edited by Ulrich Tadday, 228 p., \u20ac 42.00, Edition Text+Kritik, Munich 2023, ISBN 978-3-96707-843-5<\/li>\n<li><strong>Dominik Susteck: Bone pipes and noiselatte.<\/strong> Hand-Joachim Hespos und die Orgelmusik ab 1962, Schriften zur Neuen Musik vol. 3, 230 p., Are, Cologne 2023, ISBN 978-3-3924522-90-2<\/li>\n<li><strong>Tobias Heyl: 75 years of G. Henle Verlag,<\/strong> 208 p.,\u20ac 28.00, Hanser, Munich, ISBN 978-3-446-7847-9<\/li>\n<li><strong>Ute Elena Hamm: \"Music to read\",<\/strong> Musical-literary hybrids, works by Erik Satie, John Cage, Dieter Schnebel and Ingeborg Bachmann, 649 p., hardcover, \u20ac 129.00, Rombach, Baden-Baden 2023, ISBN 978-3-96821-993-6<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Music books received January-June 2023<br \/>\n<\/strong><\/p>\n<ul style=\"list-style-type: square;\">\n<li><strong>Klaus Steffes-Holl\u00e4nder: Not just on keys.<\/strong> New playing techniques for piano, 136 p., \u20ac 49.90, Breitkopf &amp; H\u00e4rtel, Wiesbaden 2022, ISBN 978-3-7651-0486-2<\/li>\n<li><strong>Ulrich Menke: The method navigator.<\/strong> Route planner to successful instrumental and ensemble teaching, \u00fcben &amp; musizieren, 192 p., \u20ac 22.95 Schott, Mainz, ISBN 978-3-7957-3092-5<br \/>\n<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2023\/09\/methodennavi\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt;&gt; Review by Walter Amadeus Ammann<\/strong><\/a><\/li>\n<li><strong>Tobias Bleek: In the frenzy of the twenties. 1923: Music in a year of extremes,<\/strong> 316 p., \u20ac 29.99, B\u00e4renreiter\/Metzler, Kassel\/Berlin 2023, ISBN 978-3-7618-7245-1<\/li>\n<li><strong>Ga\u00ebl Liardon (1973-2018): Anthologie d'un passionn\u00e9,<\/strong> Organ works, basso continuo, chansons, Biblioth\u00e8que cantonale et universitaire, Lausanne 2023, ISBN 978-2-88888.152-0<\/li>\n<li><strong>Goldberg! Variations on Bach,<\/strong> edited by Violeta Dinescu and Michael Heinemann, (= Bach nach Bach, Vol. 4), 384 p., \u20ac 69.80, Dohr, Cologne 2022, ISBN 978-3-86846-171-8<\/li>\n<li><strong>Roberto Reale: Elements of lamentation in George Enescu's opera \u0152dipe,<\/strong> Archive for Eastern European Music, 7, BIS-Verlag, Oldenburg 2022, ISBN 978-3-8142-2404-6<\/li>\n<li><strong>Myriam Marbe,<\/strong> edited by Violeta Dinescu, Michael Heinemann, Roberto Reale, Archiv f\u00fcr osteurop\u00e4ische Musik, 6, BIS-Verlag, Oldenburg 2022, ISBN 978-3-8142-2393-3<\/li>\n<li><strong>Reto Weber: Drummin'. In the beginning was the drum - memories<\/strong>, 280 p., Fr. 49.00, editione clandestin, Biel\/Bienne 2023, ISBN 978-3-907262-41-2<\/li>\n<li><strong>Politics of Curatorship - Collective and Affective Interventions,<\/strong> edited by Monia Acciari &amp; Philipp Rhensius, 288 p., \u20ac 34.00, Norient Books, Bern 2023, ISBN 978-3-9525444-4-0<\/li>\n<li><strong>Music and movement with older people. Insight into rhythmic pedagogy<\/strong>edited by Monika Mayr, 220 p., \u20ac 24.95, Reichert, Wiesbaden, ISBN 9783752007145<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>The music books in the lists below have been received by the editorial office or have been reported to us as new publications.  <\/p>","protected":false},"author":23,"featured_media":46553,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[2698,1619],"tags":[],"class_list":["post-45924","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-neuerscheinungen","category-neuerscheinungen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Eingesandte B\u00fccher - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eingesandte B\u00fccher - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die Musikb\u00fccher in den untenstehenden Listen sind auf der Redaktion eingegangen oder uns als Neuerscheinungen angezeigt worden.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-22T08:33:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-16T17:14:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1373\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Katrin Spelinova\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@testredaktor\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Katrin Spelinova\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"20 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023\"},\"author\":{\"name\":\"Katrin Spelinova\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/dce7e5b820812d9af4db2f787d1bec92\"},\"headline\":\"Eingesandte B\u00fccher\",\"datePublished\":\"2025-12-22T08:33:39+00:00\",\"dateModified\":\"2026-04-16T17:14:19+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023\"},\"wordCount\":3551,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/Neuerscheinungen-Buecher.jpg\",\"articleSection\":[\"B\u00fccher\",\"Neuerscheinungen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023\",\"name\":\"Eingesandte B\u00fccher - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/Neuerscheinungen-Buecher.jpg\",\"datePublished\":\"2025-12-22T08:33:39+00:00\",\"dateModified\":\"2026-04-16T17:14:19+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/Neuerscheinungen-Buecher.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/Neuerscheinungen-Buecher.jpg\",\"width\":1373,\"height\":1000,\"caption\":\"Open book hand drawn in chalk on a blackboard vector white icon isolated on a black background.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/2025\\\/12\\\/neuerscheinungen-buecher-1-halbjahr-2023#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Eingesandte B\u00fccher\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/dce7e5b820812d9af4db2f787d1bec92\",\"name\":\"Katrin Spelinova\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g\",\"caption\":\"Katrin Spelinova\"},\"sameAs\":[\"https:\\\/\\\/x.com\\\/testredaktor\"],\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/spelkat\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Books sent in - Swiss Music Journal","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023\/","og_locale":"en_US","og_type":"article","og_title":"Eingesandte B\u00fccher - Schweizer Musikzeitung","og_description":"Die Musikb\u00fccher in den untenstehenden Listen sind auf der Redaktion eingegangen oder uns als Neuerscheinungen angezeigt worden.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-12-22T08:33:39+00:00","article_modified_time":"2026-04-16T17:14:19+00:00","og_image":[{"width":1373,"height":1000,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher.jpg","type":"image\/jpeg"}],"author":"Katrin Spelinova","twitter_card":"summary_large_image","twitter_creator":"@testredaktor","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Katrin Spelinova","Est. reading time":"20 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023"},"author":{"name":"Katrin Spelinova","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/dce7e5b820812d9af4db2f787d1bec92"},"headline":"Eingesandte B\u00fccher","datePublished":"2025-12-22T08:33:39+00:00","dateModified":"2026-04-16T17:14:19+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023"},"wordCount":3551,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher.jpg","articleSection":["B\u00fccher","Neuerscheinungen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023","name":"Books sent in - Swiss Music Journal","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher.jpg","datePublished":"2025-12-22T08:33:39+00:00","dateModified":"2026-04-16T17:14:19+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/07\/Neuerscheinungen-Buecher.jpg","width":1373,"height":1000,"caption":"Open book hand drawn in chalk on a blackboard vector white icon isolated on a black background."},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/2025\/12\/neuerscheinungen-buecher-1-halbjahr-2023#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Eingesandte B\u00fccher"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/dce7e5b820812d9af4db2f787d1bec92","name":"Katrin Spelinova","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g","caption":"Katrin Spelinova"},"sameAs":["https:\/\/x.com\/testredaktor"],"url":"https:\/\/www.musikzeitung.ch\/en\/author\/spelkat"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/45924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=45924"}],"version-history":[{"count":45,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/45924\/revisions"}],"predecessor-version":[{"id":72687,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/45924\/revisions\/72687"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/46553"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=45924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=45924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=45924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}