{"id":47331,"date":"2023-09-07T17:54:32","date_gmt":"2023-09-07T15:54:32","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=47331"},"modified":"2023-09-07T17:57:09","modified_gmt":"2023-09-07T15:57:09","slug":"vom-zauber-der-chormusik","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/service\/2023\/09\/vom-zauber-der-chormusik","title":{"rendered":"The magic of choral music"},"content":{"rendered":"<figure id=\"attachment_47332\" aria-describedby=\"caption-attachment-47332\" style=\"width: 2990px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-47332\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie.jpg\" alt=\"\" width=\"2990\" height=\"1781\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-300x179.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-1024x610.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-768x457.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-1536x915.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-2048x1220.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-294x175.jpg 294w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-588x350.jpg 588w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-1343x800.jpg 1343w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie-920x548.jpg 920w\" sizes=\"auto, (max-width: 2990px) 100vw, 2990px\" \/><figcaption id=\"caption-attachment-47332\" class=\"wp-caption-text\">The Z\u00fcrcher Sing-Akademie, a professional, flexible choir, will perform the Brahms Requiem together with the Orchestra La Scintilla in October. Photo: Priska Ketterer<\/figcaption><\/figure>\n<p>Without in any way detracting from the magic that surrounds choral singing: The fact that the shared singing experience has extremely positive effects on performers and listeners has now been proven by numerous scientific studies. A look behind the scenes of the Z\u00fcrcher Sing-Akademie, a professional Swiss choir, reveals countless examples of what makes this musical genre and its cultivation so valuable to us.<\/p>\n<h3>Choral singing is community<\/h3>\n<p>Anne-Kristin Zschunke, a classically trained singer, has been part of the core of the Zurich ensemble and the board for several years. For her, choral singing is first and foremost about community: \"It means experiencing emotions together, being able to share an experience with others. As a singer on stage during a concert, recognizing the reactions in the audience, seeing and feeling what our singing does to people is simply wonderful!\" The moments in which she can build up a tangible closeness to the audience are particularly valuable for her as an artist.<\/p>\n<figure id=\"attachment_47333\" aria-describedby=\"caption-attachment-47333\" style=\"width: 1400px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-47333 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath.jpg\" alt=\"\" width=\"1400\" height=\"933\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-1024x683.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-600x400.jpg 600w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-768x512.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-1536x1024.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-2048x1365.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-262x175.jpg 262w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-525x350.jpg 525w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-1200x800.jpg 1200w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie_Helgath-920x613.jpg 920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-47333\" class=\"wp-caption-text\">Florian Helgath, artistic director, attaches great importance to a good working atmosphere. Photo: Christian Palm<\/figcaption><\/figure>\n<p>But the choir members also have to get along with each other. For Florian Helgath - artistic director of the Z\u00fcrcher Sing-Akademie - a good working atmosphere is essential in order to achieve an exceptional result. \"Empathy and sensitivity are needed so that the singers feel free.\" After all, no instrument is as direct as the human voice, if only because singers always work with text.<\/p>\n<p>The Z\u00fcrcher Sing-Akademie is an extremely flexible ensemble that brings a wide variety of repertoire to the stage. For Yves Br\u00fchwiler, bass, one of the choir's great advantages: \"There is so much good music! Sometimes we sing a cappella in an intimate, almost family setting, other times with a large orchestra, well-known soloists and conductors. Every project is new and unique. So not only does the work remain exciting, but the result is always fresh and lively.\"<\/p>\n<p>In cooperation with various orchestras, the singers of the Z\u00fcrcher Sing-Akademie are not only on tour within Switzerland, the Swiss ensemble has also earned an excellent reputation abroad. \"Of course, it is primarily important for us to cultivate choral music within Switzerland,\" says Franziska Brandenberger, the ensemble's PR manager. However, the international concert activities, CD recordings on renowned labels and collaboration with major conductors and orchestras are also a way of showing the local audience: \"What you hear in our concerts is of distinction and quality.\"<\/p>\n<h3>Fall season 2023<\/h3>\n<p>The ensemble has two major projects planned for the fall season. A program of romantic works entitled \"Herzgedanken\", which also focuses on some lesser-known composers from Switzerland, will be performed in September. The choir can be heard sometimes a cappella, sometimes with piano accompaniment, some pieces are only sung by a delicate female choir, some by a powerful male choir. Such a program is an opportunity for conductor Florian Helgath to challenge his choir, but of course also to let it shine with pieces of music that suit his singers best.<\/p>\n<p>In October, one of the great choral symphonic works is on the program: <em>A German Requiem<\/em> by Johannes Brahms. The special thing about this performance is that it will take place in cooperation with the Orchestra La Scintilla from Zurich Opera House. A romantic composition interpreted by a historically informed orchestra? \"I'm really looking forward to the transparency of the instruments and the creative possibilities that the orchestra brings with it,\" says Helgath. For Anne-Kristin Zschunke, the Brahms Requiem will be a very special project for other reasons. \"You go through grief and its various emotions very directly, but ultimately experience a metamorphosis towards so much hope and consolation. This work makes it tangible that death is nothing terrible or bad, but is part of life - grief, on the other hand, can be resolved or transformed!\"<\/p>\n<h3>Concert dates<\/h3>\n<p>THOUGHTS OF THE HEART<br \/>\nSeptember 14, 7:30 p.m. - Lenzburg Castle<br \/>\nSeptember 15, 7:30 p.m. - Florhof Zurich<br \/>\nSeptember 16, 7.30 p.m. - Rudolf Steiner School Wetzikon<\/p>\n<p>A CHORAL CELEBRATION<br \/>\nOctober 19, 7:30 p.m.-Tonhalle Zurich<\/p>\n<p>BRAHMS REQUIEM<br \/>\nOctober 20, 7:30 p.m. - Tonhalle Zurich<br \/>\nOctober 21, 7:30 p.m. - Stadtcasino Basel<br \/>\nOctober 22, 11:00 a.m. - French Church Bern<\/p>\n<p><a href=\"http:\/\/www.sing-akademie.ch\" target=\"_blank\" rel=\"noopener\">sing-akademie.ch<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>A portrait of the Z\u00fcrcher Sing-Akademie (public report)<\/p>","protected":false},"author":23,"featured_media":47332,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[2967,2968,2969,2966],"class_list":["post-47331","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service","tag-brahms-requiem","tag-chorgesang","tag-florian-helgath","tag-zuercher-sing-akademie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vom Zauber der Chormusik - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Die Z\u00fcrcher Sing-Akademie im Portr\u00e4t (Publireportage)\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/service\/2023\/09\/vom-zauber-der-chormusik\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vom Zauber der Chormusik - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die Z\u00fcrcher Sing-Akademie im Portr\u00e4t (Publireportage)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/service\/2023\/09\/vom-zauber-der-chormusik\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-09-07T15:54:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-07T15:57:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"834\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Katrin Spelinova\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@testredaktor\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Katrin Spelinova\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik\"},\"author\":{\"name\":\"Katrin Spelinova\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/dce7e5b820812d9af4db2f787d1bec92\"},\"headline\":\"Vom Zauber der Chormusik\",\"datePublished\":\"2023-09-07T15:54:32+00:00\",\"dateModified\":\"2023-09-07T15:57:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik\"},\"wordCount\":761,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/09_10_Echo_PR_Sing-Akademie.jpg\",\"keywords\":[\"Brahms-Requiem\",\"Chorgesang\",\"Florian Helgath\",\"Z\u00fcrcher Sing-Akademie\"],\"articleSection\":[\"Service\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik\",\"name\":\"Vom Zauber der Chormusik - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/09_10_Echo_PR_Sing-Akademie.jpg\",\"datePublished\":\"2023-09-07T15:54:32+00:00\",\"dateModified\":\"2023-09-07T15:57:09+00:00\",\"description\":\"Die Z\u00fcrcher Sing-Akademie im Portr\u00e4t (Publireportage)\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/09_10_Echo_PR_Sing-Akademie.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/09_10_Echo_PR_Sing-Akademie.jpg\",\"width\":1400,\"height\":834,\"caption\":\"Z\u00fcrcher Sing-Akademie Foto: Priska Ketterer\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2023\\\/09\\\/vom-zauber-der-chormusik#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vom Zauber der Chormusik\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/dce7e5b820812d9af4db2f787d1bec92\",\"name\":\"Katrin Spelinova\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g\",\"caption\":\"Katrin Spelinova\"},\"sameAs\":[\"https:\\\/\\\/x.com\\\/testredaktor\"],\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/spelkat\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The magic of choral music - Schweizer Musikzeitung","description":"A portrait of the Z\u00fcrcher Sing-Akademie (public report)","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/service\/2023\/09\/vom-zauber-der-chormusik\/","og_locale":"en_US","og_type":"article","og_title":"Vom Zauber der Chormusik - Schweizer Musikzeitung","og_description":"Die Z\u00fcrcher Sing-Akademie im Portr\u00e4t (Publireportage)","og_url":"https:\/\/www.musikzeitung.ch\/en\/service\/2023\/09\/vom-zauber-der-chormusik\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-09-07T15:54:32+00:00","article_modified_time":"2023-09-07T15:57:09+00:00","og_image":[{"width":1400,"height":834,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie.jpg","type":"image\/jpeg"}],"author":"Katrin Spelinova","twitter_card":"summary_large_image","twitter_creator":"@testredaktor","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Katrin Spelinova","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik"},"author":{"name":"Katrin Spelinova","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/dce7e5b820812d9af4db2f787d1bec92"},"headline":"Vom Zauber der Chormusik","datePublished":"2023-09-07T15:54:32+00:00","dateModified":"2023-09-07T15:57:09+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik"},"wordCount":761,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie.jpg","keywords":["Brahms-Requiem","Chorgesang","Florian Helgath","Z\u00fcrcher Sing-Akademie"],"articleSection":["Service"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik","url":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik","name":"The magic of choral music - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie.jpg","datePublished":"2023-09-07T15:54:32+00:00","dateModified":"2023-09-07T15:57:09+00:00","description":"A portrait of the Z\u00fcrcher Sing-Akademie (public report)","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/09\/09_10_Echo_PR_Sing-Akademie.jpg","width":1400,"height":834,"caption":"Z\u00fcrcher Sing-Akademie Foto: Priska Ketterer"},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/service\/2023\/09\/vom-zauber-der-chormusik#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Vom Zauber der Chormusik"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/dce7e5b820812d9af4db2f787d1bec92","name":"Katrin Spelinova","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2a2c2956e074ebca9bf65620496cd2e317d90b8c76450e9dd04d7cebf95eeada?s=96&d=mm&r=g","caption":"Katrin Spelinova"},"sameAs":["https:\/\/x.com\/testredaktor"],"url":"https:\/\/www.musikzeitung.ch\/en\/author\/spelkat"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/47331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=47331"}],"version-history":[{"count":3,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/47331\/revisions"}],"predecessor-version":[{"id":47336,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/47331\/revisions\/47336"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/47332"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=47331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=47331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=47331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}