{"id":47914,"date":"2016-03-24T11:22:16","date_gmt":"2016-03-24T10:22:16","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=47914"},"modified":"2023-09-29T12:01:44","modified_gmt":"2023-09-29T10:01:44","slug":"jean-nyder-pianist-komponist-und-poet","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/dossiers\/2016\/03\/jean-nyder-pianist-komponist-und-poet","title":{"rendered":"Jean Nyder: pianist, composer and poet"},"content":{"rendered":"
\"\"
Two poems from this poetry collection are quoted at the end of this article. Photo: zVg<\/figcaption><\/figure>\n

His three printed volumes of poetry are available from the R\u00e9seau Romand des biblioth\u00e8ques de Suisse occidentale (RERO) and the Swiss National Library. His compositions are waiting to be performed again. For information, please contact the library of the Conservatoire de musique neuch\u00e2telois<\/a> can be contacted. Nyder also wrote for special instrumentations with organ, harpsichord, oboe, clarinet, flute, guitar, voice etc.<\/p>\n

Characterization<\/h3>\n
\n

\"De la mort l'amour est pr\u00e9lude\" is a characterizing quote by Jean Nyder from Neuch\u00e2tel, who passed away in February 1982.<\/p>\n

For the restless piano performer, composer, poet and teacher, life was a quest for love and suffering. Born in Neuch\u00e2tel in 1923, Jean Nyder (originally Ernest Jean Niederhauser) showed astonishing pianistic abilities at an early age. After secondary school, he obtained the Dipl\u00f4me de capacit\u00e9 in Geneva and the Prix de virtuosit\u00e9 in Paris.<\/p>\n

In an interview on French television in 1968, he said of his training: \"I had the good fortune to be taught by two teachers who were clearly opposites. Johnny Aubert was strictly classical, constructive, extremely objective; and Alfred Cortot reviewed this very classical work with his extraordinarily transcendent overview - he was an irreplaceable poet.\" When asked about his opinion on today's interpretation of romantic music, he said: \"The human being is in an extraordinary dilemma. By nature, it has unlimited possibilities, but not immediately and at every moment. Such perfect precision, a large repertoire and enormous availability are demanded of a performer that sometimes, fatally, no inner development, no unfolding of the music and the musician can take place; for there are no beings who possess all gifts in the extreme. I am not talking about musicality, but about the thought that lies behind the music, about the silence that precedes the music.\"<\/p>\n

Jean Nyder was able to conjure up a thousand colors from the piano and delight the listener by making them aware of what was behind the scenes. He has given concerts in Switzerland, France, Portugal and Brazil.<\/p>\n

Back from these travels, he turned to a large circle of pupils. He gave home tuition in Bern, Biel, Neuch\u00e2tel, Lausanne, Yverdon and Geneva and used the railroad to travel, as he did the metro in Paris. With friendly love and empathy, he knew how to help even the most modest talents find artistic expression. A former pupil wrote: \"Every person presented Jean Nyder with a riddle that he wanted to get to the bottom of. The mathematically and psychologically gifted artist tried to solve human equations. He radiated great kindness and had a concentrated power that attracted almost everyone. Jean Nyder refused to categorize people according to external social criteria; for him, they all formed an organism to which he simply belonged. He saw people as part of the cosmos, which he interpreted as an artist. He was a magician who exemplified art and delighted us with it.\"<\/p>\n

He composed on the train and after midnight. In 1968, he explained: \"For four years now, I have been in the habit of sleeping only three hours. I love composing. I have written 128 piano pieces so far. To underpin and clarify everything and to remain classical, I had the excellent teacher Charles Chaix, who was very strict. That allowed me to sift out what was too spontaneous.\"<\/p>\n

In 1964, Jean Nyder wrote music for an Expo film, and in 1966 for a film about the Knie Circus, where he was fascinated by both the precision of seconds with which the music had to match the film sequences and the circus atmosphere. He said of the latter: \"It is an extraordinary lesson in moral and physical balance.\"
\nHis chamber music works have unconventional instrumentations, such as the 1977 quintet called Sph\u00e8re cubique <\/em>is for flute, oboe, violin, cello and harpsichord. The harmonies with which he exposes the basically tonal melodic fabric are colorful and dense.
\nAfter long hours of composing and teaching, the poet also stirred in Nimmerm\u00fcden. In the sixties, he published three volumes of poetry and prose: Silence et carrousel, Clavier de couleur<\/em> and Kaleidoscope.<\/em> The latter states: \"I searched in vain for a collection of poems after my heart, so I decided to write them. Silence et carrousel fell on me like a multicolored shower of rain.\" In the interview, he continues: \"I said to myself from a very young age that happiness on earth should consist of being strong enough to create something irreplaceable. This possibility would be within everyone's reach if only they were aware of it. I don't believe that musicians or poets are extraordinary people.\"<\/p>\n

Jean Nyder felt a strong affinity with versatile contemporaries such as Picasso, Cocteau, Stravinsky and suffering predecessors such as van Gogh, Rimbaud and Baudelaire and knew their works very well. His poetry speaks in strong colors of suffering, of circuses and clowns, of the tragic merry-go-round of life; of the dance of put-on masks and of the brave smile that, despite everything, appears here and there behind them.
\nThe Journal de Bord <\/em>for piano and violin, written in 1977-79, contains autobiographical features. In his dedication to Walter Amadeus Ammann, he writes: \"I offer you this 'Stormy Diary'. No need to throw it into the fire! It would come out again and again. It was only two years ago that I decided to dig it out hot, to light my pipe on it, to revive my friendships, black fears and white joys. By the way - you know it well - my work is an indirect confession, a 'masked cry' that can nevertheless be uttered at close range. The five cards or standards that you have under your eyes, I have chiseled, engraved thinking of your subtle ear and your diabolical-magical bow stroke ... may our blindnesses from birth allow us to walk a little bit of eternity along the warm sun of free serenities and all possible secrets.<\/p>\n

written on June 6, 1982 by Amad\u00e9 and Iniga Ammann
\n<\/em><\/p>\n<\/div>\n

\n

Notice biographique <\/strong><\/h3>\n

Ernest Jean NIEDERHAUSER, fils de Alfred Ernest Niederhauser et de Marie Suzanne, n\u00e9e Richter, est n\u00e9 le 18 octobre 1923.<\/p>\n

Originaire de Neuch\u00e2tel, il a v\u00e9cu toute sa vie dans cette ville, dans le m\u00eame immeuble, chez ses parents, \u00e0 la rue de la C\u00f4te 107. Originaire de Neuch\u00e2tel et Wyssachen BE.<\/p>\n

Etudes primaires \u00e0 Neuch\u00e2tel (Coll\u00e8ge des Parcs) et secondaires (Coll\u00e8ge latin).<\/p>\n

A commenc\u00e9 ses \u00e9tudes de piano \u00e0 l'\u00e2ge de 4 ans. His first teacher was Mr. Pierre Jacot in Neuch\u00e2tel. Poursuivit sa formation au Conservatoire de Gen\u00e8ve avec le pianist Johny Aubert et Charles Chaix pour la composition.<\/p>\n

Il se rendite ensuite \u00e0 l'Ecole normale de musique \u00e0 Paris, o\u00f9 il fut inter autres, l'\u00e9l\u00e8ve du grand pianiste Alfred Cortot.<\/p>\n

Revenant en Suisse, Jean NYDER (his name \"de guerre\") began a career as a professor and later as a composer. He liked chamber music and gave more than 300 concerts in duo with the violonist Paul Druey from Geneva.<\/p>\n

Il publia \u00e9galement des recueils de po\u00e8mes.<\/p>\n

Pour le surplus, consulter sa liste des \u0153uvres.<\/p>\n

He died in Neuch\u00e2tel on 12 February 1982.<\/p>\n

Yann Richter<\/em><\/p>\n<\/div>\n

 <\/p>\n

Catalog raisonn\u00e9 (PDF)<\/a><\/strong><\/p>\n

\"Journal de Bord\" by Jean Nyder, performed in 2015, Alexandre Dubach, violin, and Felix Koller, piano (redirect to Youtube)<\/a><\/p>\n

World premiere of the five-part \"Journal de Bord\" from 1982 (redirect to Youtube)<\/a><\/p>\n

 <\/p>\n

Deux po\u00eames, extrait de
\nJEAN NYDER, LE CLAVIER DE COULEUR<\/h3>\n

Un c\u0153ur sous la neige<\/strong><\/p>\n

La cath\u00e9drale en sucre o\u00f9 l'orgue fra\u00eeche joue
\nSes gammes de glace, ses violets accords ;
\nUn c\u0153ur tr\u00e8s \u00e9tonn\u00e9 dans la gorge s'enroue,
\nSe cogne \u00e0 l'infini dans un chaud corps \u00e0 corps.<\/p>\n

Cosmos bien d\u00e9guis\u00e9; j'aime son nouveau masque,
\nSon bruit de silence... plus loin que tout lointain;
\nUn th\u00e9\u00e2tre d'amour se neige dans le risque,
\nMe dit son verbe rouge au plus glac\u00e9 matin.<\/p>\n

Je savoure mon luxe et mon costume mauve.
\nMa guitare est cass\u00e9e et pourtant chante mieux!
\nJe recolle mon c\u0153ur qui par le toit se sauve...
\n... Son soleil est en f\u00eate et flambe \u00e0 qui mieux mieux.<\/p>\n

Neige ! Sous toi tressaille un lourd \" Jadis \" en miette...
\n... Me hurle l'oiseau mort un presque bleu-futur.
\nDans le port un navire attend; il fait la sieste;
\nEt si le banjo there... Il r\u00eave. I'm sure of it.<\/p>\n

Il me reste ma peau pour sculpter une danse...
\nEt mon c\u0153ur qui d'amour se conjugue au pr\u00e9sent.
\nMa maison rit sous neige et j'ai bien de la chance
\nD'\u00eatre enterr\u00e9 tout vif et pourtant... si vivant!!!<\/p>\n

Tout compte fait...<\/strong><\/p>\n

Clavier de couleur est la nature
\nEt virtuose l'homme apprenti;
\nMais chef-d'\u0153uvre sera la rature
\nQui donne vie au d\u00e9cor abruti.<\/p>\n

Clavier de sons: Musique du vide
\nEt virtuose l'homme ignorant
\nQui tisse un arp\u00e8ge et le d\u00e9vide
\nEn jouant sa gamme \u00e0 contre-courant.<\/p>\n

Clavier d'Aujourd'hui: nos ris, nos larmes
\nEt virtuose l'homme inconnu
\nQui sur la sc\u00e8ne croise les armes
\nPour mieux rertanspercer le d\u00e9cor nu.<\/p>\n

Clavier de Toujours: la mort, la vie
\nEt virtuose l'homme hasardeux
\nQui pressent qu'au festin le convie
\nSon court po\u00e8me qui danse entre deux.<\/p>\n

Clavier aux mille feux: Toi ! folle po\u00e9sie...
\nEt lentes \u00e0 tes yeux nos virtuosit\u00e9s ;
\nMais sans fin, sans repos: Ton r\u00e8gne de magie
\nQui redonne \u00e0 l'instant couleur d'Eternit\u00e9.<\/p>","protected":false},"excerpt":{"rendered":"

The Neuch\u00e2tel native left behind a considerable oeuvre of piano and chamber music, as well as poetry.<\/p>","protected":false},"author":23,"featured_media":47920,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1623,1624],"tags":[3115,1871],"class_list":["post-47914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers","category-personen","tag-jean-nyder","tag-neuenburg"],"acf":[],"yoast_head":"\nJean Nyder: 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