{"id":49282,"date":"2023-11-13T15:00:58","date_gmt":"2023-11-13T14:00:58","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=49282"},"modified":"2024-10-21T11:10:40","modified_gmt":"2024-10-21T09:10:40","slug":"volksmusik-in-graubuenden","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/berichte\/2023\/11\/volksmusik-in-graubuenden","title":{"rendered":"Folk music in Graub\u00fcnden"},"content":{"rendered":"
\"\"
\"Grenzenlos l\u00fcpfig\" is not staged in a fashionable way, but looks like a Grisons parlor with listening stations with specially carpentered crates, boxes, tables and tables. Photos: Corina Hochholdinger, R\u00e4tisches Museum Chur<\/figcaption><\/figure>\n

Silvia Conzett and her team have brought together around forty musical instruments from the museum's own collection, several local museums in Graub\u00fcnden and the recently opened Haus f\u00fcr Instrumente in Kriens and supplemented them with numerous photos and sound samples. For in-depth study, small reference libraries with songbooks, playbooks and secondary literature are also available in each exhibition room.<\/p>\n

The important vocal tradition in Graub\u00fcnden - it is sung in five Romansh idioms, German, Italian and Rumantsch grischun - is presented in pictures, sheet music, audio stations and publications, including editions of the important folk song collection by Alfons Maissen. The life-size silhouettes of a group of seven singers invite visitors to sing along to one of the seven melodies. Instead of a catalog, the exhibition texts are freely available as handouts.<\/p>\n

From the Tiba to the Sch\u00fcbl\u00f6t da marmel<\/strong><\/h3>\n

Just like the traditional music of the whole of Switzerland, the folk music of Graub\u00fcnden corresponds to a locally shaped alpine folk music, which however reflects the influences of the neighboring countries. The southern valleys have the bandella,<\/em> a small wind band, with Ticino, Lombardy and Piedmont. In the Lower Engadine, the Tyrolean raffele, a Salzburger-shaped scraper zither, was still being plucked in the early 20th century.<\/p>\n

\"\"
Salzburg-style zithers in the Lower Engadine are reminiscent of the Tyrolean Raffele, while the violins on display are reminiscent of the violin schools in the Safien Valley.<\/figcaption><\/figure>\n

The exhibition at the Rhaetian Museum also highlights sounding specialties from Graub\u00fcnden. While the tiba, a conical natural tone instrument made of wood or tinplate, was almost forgotten fifty years ago, this alphorn is making a comeback in the Surselva. It is being built, played as an amateur instrument and has led to a new use, the tibadas. The players line up in the landscape and respond in turn to a central tibada player.<\/p>\n

In addition to cattle bells and goat horns, shepherd's music in the M\u00fcnstertal included a signaling instrument that is unique in Switzerland, the Sch\u00fcbl\u00f6t da marmel. It is cut from gypsum stones that fall into the Rambach in Santa Maria M\u00fcstair. The little vessel flute, which lies completely on the tongue for playing, would have died out if a bright vacation boy from Alsace had not copied the way it was made and played from an old shepherd.<\/p>\n

The Graub\u00fcnden style reaches the whole of Switzerland<\/h3>\n

The violin schools in the Safiental can be counted among the special features of Graub\u00fcnden's musical tradition. As early as the 19th century, several teachers taught schoolchildren how to make and play string instruments and brought together young people living far apart in scattered settlements to form music-making groups. Recently, the dance manuscripts from the Safiental have been edited and published.<\/p>\n

Before the standardization of the L\u00e4ndler band, dance ensembles made up of local string and wind players were formed in the villages of German-speaking Switzerland and named after the first name of the respective band leader. The Fr\u00e4nzlimusik, named after the legendary blind violinist Franz Waser, gave rise to the typical Engadin line-up of the Fr\u00e4nzlis da Tschlin<\/em> (Red. see SMZ 11\/2022, p. 19 f.<\/a>).<\/p>\n

\"\"
Today, the folk music scene is diverse and vibrant. The exhibition shows its roots, its history and its diverse connections.<\/figcaption><\/figure>\n

It was not until the 1930s that the instrumentation of the L\u00e4ndlerkapelle was consolidated, in the so-called Bernese style (several Schwyzer\u00f6rgeli and bass), the Central Swiss style (clarinet, Schwyzer\u00f6rgeli, double bass and piano) and the Grisons style, depending on the major folk music regions,<\/em> with two clarinets, two Schwyzer\u00f6rgeli or accordion and bass. This \"L\u00e4ndler\" style, first played by musicians from the Grisons in guest performances at Grisons clubs in the cities, later as members of Swiss-German bands, but above all through Radio Berom\u00fcnster and records, became Swiss national music during the National Exhibition in 1939 and thus a spiritual national defense. This explains why the B\u00fcndner style is known and loved throughout Switzerland.<\/p>\n

 <\/p>\n

Boundlessly l\u00fcpfig. On the folk music of Graub\u00fcnden.<\/a> Special exhibition at the Rhaetian Museum (near St. Martin's Church) Chur, until March 3, 2024, Tue-Sun 10 a.m.-5 p.m.<\/em><\/p>","protected":false},"excerpt":{"rendered":"

In the special exhibition \"Grenzenlos l\u00fcpfig\", the Rhaetian Museum in Chur reveals the diversity of traditional music in this canton and shows how it absorbed influences from other regions and in turn influenced music from abroad. <\/p>","protected":false},"author":29,"featured_media":49293,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1550,28],"tags":[3344,3341,3342,3335,2932,3336,3345,3338,3337,3339,3343,2131],"class_list":["post-49282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellungen","category-berichte","tag-bandella","tag-buendner-stil","tag-fraenzlimusik","tag-graubuenden","tag-laendler","tag-raetisches-museum","tag-safientaler-geigenschulen","tag-schuebloet-da-marmel","tag-tiba","tag-tiroler-raffele","tag-vokaltradition","tag-volksmusik"],"acf":[],"yoast_head":"\nVolksmusik in Graub\u00fcnden - 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