{"id":50889,"date":"2024-01-25T16:32:56","date_gmt":"2024-01-25T15:32:56","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=50889"},"modified":"2024-01-22T17:27:07","modified_gmt":"2024-01-22T16:27:07","slug":"stuessi","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2024\/01\/stuessi","title":{"rendered":"A late-coming romantic"},"content":{"rendered":"<figure id=\"attachment_50890\" aria-describedby=\"caption-attachment-50890\" style=\"width: 2342px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50890 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi.jpg\" alt=\"\" width=\"2342\" height=\"1744\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi.jpg 1343w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-300x223.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-1024x763.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-768x572.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-1536x1144.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-2048x1525.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-235x175.jpg 235w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-470x350.jpg 470w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-1074x800.jpg 1074w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-920x685.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Fritz_Stuessi-1400x1043.jpg 1400w\" sizes=\"auto, (max-width: 2342px) 100vw, 2342px\" \/><figcaption id=\"caption-attachment-50890\" class=\"wp-caption-text\">Fritz St\u00fcssi, undated photo. <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fritz_St%C3%BCssi.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia commons<\/a><\/figcaption><\/figure>\n<p>Fritz St\u00fcssi (1874-1923), like so many Swiss composers of this generation, would have been long forgotten were it not for the enthusiasm and dedication of his grandson Ulrich St\u00fcssi. St\u00fcssi was a \"Zurich native\" and attended music school there; Lothar Kempter and Fritz Hegar were his teachers. He was later joined in Berlin by Max Bruch. From his home in W\u00e4denswil, St\u00fcssi dominated the musical landscape on Lake Zurich for a long time.<\/p>\n<p>He left behind an extensive oeuvre that is strongly rooted in the Romantic tradition. His main focus was on sacred works such as cantatas and motets. The sheet music is kept in the Zentralbibliothek Z\u00fcrich.<\/p>\n<p>His most important work is the oratorio, which premiered in W\u00e4denswil in 1914 and lasts around thirty minutes <em>Decay and resurrection, <\/em>which is now available at Claves together with the <em>Psalm 28<\/em> as well as other short pieces. St\u00fcssi was not a dramatist, but rather a composer strongly rooted in Protestant religiosity who courageously confronted his role models. He begins his oratorio with \"All flesh is like grass\", which Brahms wrote in the <em>German Requiem<\/em> into one of the most touching movements. In St\u00fcssi's work, it is the bass who begins with a moving recitative after a few bars of orchestral introduction. The model of Mendelssohn with the <em>Elias<\/em> is unmistakable, the striding ductus is also strongly reminiscent of Wagner's <em>Parsifal<\/em>. However, St\u00fcssi is only able to build on the promising beginning in fragments.<\/p>\n<p>For long stretches, the soloists dominate the action recitatively, which at times seems somewhat uniform, even though the lower voices in particular are formidably cast with Ingeborg Danz (alto) and Kre\u0161imir Stra\u017eanac (bass). The way in which the Z\u00fcrcher Sing-Akademie under Florian Helgath celebrates the choral passages with outstanding vocal culture is also magnificent.<\/p>\n<p>It is a pity that the CD is supplemented by other short choral pieces in a similar style, which makes listening to it somewhat tiring. St\u00fcssi certainly has other works to offer, such as a C minor suite, which the Avalon Quartet has already played.<\/p>\n<p><em>Red.<\/em> The documentary short film offers an insight into his life and work <em>Fritz St\u00fcssi -<\/em> <em>Where you are going<\/em> by Esther Kempf and Julia Ann St\u00fcssi, to be seen on YouTube. Over 30 of the 134 works have been digitized and are available from the music publisher Musica Mundana. <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-50891 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-300x298.png\" alt=\"\" width=\"300\" height=\"298\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-300x298.png 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-176x175.png 176w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-352x350.png 352w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-150x150.png 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-100x100.png 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-24x24.png 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-48x48.png 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi-96x96.png 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/01_02_crit_cd_Naegele_Stuessi.png 568w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Fritz St\u00fcssi: A Swiss Romantic. Z\u00fcrcher Sing-Akademie, Z\u00fcrcher Kammerphilharmonie, conductor Florian Helgath. Claves 50-3085<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Deletion at the instigation of Verena (Mail 12.1.24)<\/p>","protected":false},"excerpt":{"rendered":"<p>The oratorio \"Vergehen und Auferstehen\" by Fritz St\u00fcssi has been released on CD together with other choral works. - A documentary film about the composer is available on YouTube. <\/p>","protected":false},"author":29,"featured_media":50890,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[2969,3564,3565,3568,3566,2966],"class_list":["post-50889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-florian-helgath","tag-fritz-stuessi","tag-oratorium","tag-vergehen-und-auferstehen","tag-zuercher-kammerphilharmonie","tag-zuercher-sing-akademie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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