{"id":50897,"date":"2024-01-26T17:27:11","date_gmt":"2024-01-26T16:27:11","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=50897"},"modified":"2024-02-05T14:25:23","modified_gmt":"2024-02-05T13:25:23","slug":"slavonic","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic","title":{"rendered":"Classics and curiosities"},"content":{"rendered":"
\"\"
The flautist Sarah Rumer. Photo: zVg<\/figcaption><\/figure>\n

Anyone who first thinks of Czech chamber music for string instruments should not overlook the fact that one of the most frequently performed flute sonatas is by a Czech composer. Together with the sonatas by Poulenc and Prokofiev, Bohuslav Martin\u016f's sonata, written in 1945 in exile in America, is one of the most popular pieces in the repertoire. The long chain of recordings has now been extended by a Swiss production that makes you sit up and take notice. With the Zurich-born solo flutist of the Orchestre de la Suisse Romande, Sarah Rumer, and the pianist Ulrich Koella, who teaches at the Zurich University of the Arts, the Zurich label Prospero is releasing a new recording under the motto Slavonic Journey<\/em> CD, which offers not only standard works but also little-known curiosities.<\/p>\n

Martin\u016f's masterpiece already receives an admirable interpretation. In addition to wide-ranging breath bows in nimble semiquaver passages, the pianissimo transitions from vertical sections to horizontal-linear ones, played with the finest rubato, stand out. The flutist and pianist owe nothing in terms of brilliance to the musical corner movements of Jind\u0159ich Feld's sonata. In Feld's Quatre pi\u00e8ces<\/em> for solo flute quotes the \"Hommage \u00e0 Bart\u00f3k\" from his Concerto for orchestra.<\/em> The duo charges Erwin Schulhoff's frequently encountered sonata with the necessary joy of playing the many ostinati and harmonic frictions.<\/p>\n

Through her marriage to the writer Ji\u0159\u00ed Mucha, the son of the Art Nouveau painter Alfons Mucha, the London composer Geraldine Thomson became a Czech citizen and was therefore included in this production. Her Na\u0161e cesta<\/em> (Our Journey) is characterized by elegance and folksong-like melodies. The imaginatively designed booklet features various photos of Prague's main railway station to reflect the travel theme.<\/p>\n

The wind sextet Ml\u00e1d\u00ed <\/em>(youth) integrated, shrill repeating March of the bluethroats<\/em> by Leo\u0161 Jan\u00e1\u010dek for piccolo and piano derives its supposedly ornithological title from blue choirboy uniforms. With Sarah Rumer's curious transcription of the Slavic fantasy<\/em> by Fritz Kreisler is a transcription of a transcription, the latter consisting of Kreisler's arrangement of two themes by Dvo\u0159\u00e1k.\"\"<\/p>\n

Slavonic Journey (Martin\u016f, Feld, Schulhoff, Mucha, Jan\u00e1\u010dek, Dvo\u0159\u00e1k\/Kreisler). Sarah Rumer, flute; Ulrich Koella, piano. Prospero PROSP0049<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Sarah Rumer and Ulrich Koella embark on a journey with Czech music for flute and piano.<\/p>","protected":false},"author":29,"featured_media":50898,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[2198,2063,3573,3576,3574,3572,3575,3570,3569,3571],"class_list":["post-50897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-antonin-dvorak","tag-bohuslav-martinu","tag-erwin-schulhoff","tag-fritz-kreisler","tag-geraldine-mucha","tag-jindrich-feld","tag-leos-janacek","tag-sarah-rumer","tag-tschechische-kammermusik","tag-ulrich-koella"],"acf":[],"yoast_head":"\nKlassiker und Kuriosa - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Sarah Rumer und Ulrich Koella begeben sich auf die Reise mit tschechischer Musik f\u00fcr Fl\u00f6te und Klavier.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Klassiker und Kuriosa - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Sarah Rumer und Ulrich Koella begeben sich auf die Reise mit tschechischer Musik f\u00fcr Fl\u00f6te und Klavier.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-26T16:27:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-05T13:25:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1197\" \/>\n\t<meta property=\"og:image:height\" content=\"798\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Klassiker und Kuriosa\",\"datePublished\":\"2024-01-26T16:27:11+00:00\",\"dateModified\":\"2024-02-05T13:25:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic\"},\"wordCount\":369,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/Sarah-Rumer.jpg\",\"keywords\":[\"Anton\u00edn Dvo\u0159\u00e1k\",\"Bohuslav Martin\u016f\",\"Erwin Schulhoff\",\"Fritz Kreisler\",\"Geraldine Mucha\",\"Jind\u0159ich Feld\",\"Leo\u0161 Jan\u00e1\u010dek\",\"Sarah Rumer\",\"Tschechische Kammermusik\",\"Ulrich Koella\"],\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic\",\"name\":\"Klassiker und Kuriosa - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/Sarah-Rumer.jpg\",\"datePublished\":\"2024-01-26T16:27:11+00:00\",\"dateModified\":\"2024-02-05T13:25:23+00:00\",\"description\":\"Sarah Rumer und Ulrich Koella begeben sich auf die Reise mit tschechischer Musik f\u00fcr Fl\u00f6te und Klavier.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/Sarah-Rumer.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/Sarah-Rumer.jpg\",\"width\":1197,\"height\":798},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2024\\\/01\\\/slavonic#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Klassiker und Kuriosa\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Klassiker und Kuriosa - Schweizer Musikzeitung","description":"Sarah Rumer and Ulrich Koella embark on a journey with Czech music for flute and piano.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic\/","og_locale":"en_US","og_type":"article","og_title":"Klassiker und Kuriosa - Schweizer Musikzeitung","og_description":"Sarah Rumer und Ulrich Koella begeben sich auf die Reise mit tschechischer Musik f\u00fcr Fl\u00f6te und Klavier.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2024-01-26T16:27:11+00:00","article_modified_time":"2024-02-05T13:25:23+00:00","og_image":[{"width":1197,"height":798,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"pia.schwab","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Klassiker und Kuriosa","datePublished":"2024-01-26T16:27:11+00:00","dateModified":"2024-02-05T13:25:23+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic"},"wordCount":369,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer.jpg","keywords":["Anton\u00edn Dvo\u0159\u00e1k","Bohuslav Martin\u016f","Erwin Schulhoff","Fritz Kreisler","Geraldine Mucha","Jind\u0159ich Feld","Leo\u0161 Jan\u00e1\u010dek","Sarah Rumer","Tschechische Kammermusik","Ulrich Koella"],"articleSection":["Rezensionen","Tontr\u00e4ger"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic","name":"Klassiker und Kuriosa - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer.jpg","datePublished":"2024-01-26T16:27:11+00:00","dateModified":"2024-02-05T13:25:23+00:00","description":"Sarah Rumer and Ulrich Koella embark on a journey with Czech music for flute and piano.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/01\/Sarah-Rumer.jpg","width":1197,"height":798},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2024\/01\/slavonic#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Klassiker und Kuriosa"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/50897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=50897"}],"version-history":[{"count":3,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/50897\/revisions"}],"predecessor-version":[{"id":50902,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/50897\/revisions\/50902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/50898"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=50897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=50897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=50897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}