{"id":53488,"date":"2024-03-29T11:58:33","date_gmt":"2024-03-29T10:58:33","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=53488"},"modified":"2024-04-03T08:22:10","modified_gmt":"2024-04-03T06:22:10","slug":"chaksad","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2024\/03\/chaksad","title":{"rendered":"Across all borders"},"content":{"rendered":"<figure id=\"attachment_53489\" aria-describedby=\"caption-attachment-53489\" style=\"width: 1392px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-53489 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad.jpg\" alt=\"\" width=\"1392\" height=\"929\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad.jpg 1392w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad-1024x683.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad-600x400.jpg 600w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad-768x513.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad-262x175.jpg 262w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad-524x350.jpg 524w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad-1199x800.jpg 1199w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/Sarah-Chaksad-920x614.jpg 920w\" sizes=\"auto, (max-width: 1392px) 100vw, 1392px\" \/><figcaption id=\"caption-attachment-53489\" class=\"wp-caption-text\">Sarah Chaksad. Photo: zVg<\/figcaption><\/figure>\n<p>For more than ten years, the name Sarah Chaksad has been synonymous with jazz full of concise motifs, subdued sounds and complex rhythms. Until the coronavirus pandemic, the saxophonist, composer and bandleader was primarily on the road with her \"Orchestra\", with which she also released two albums. For her latest work, <em>Together<\/em>She has not expanded her ensemble, but reduced it to 13 musicians. According to the 40-year-old, the current formation is therefore more flexible and enjoys additional space for improvisation.<\/p>\n<h3>Rare instruments, odd meters<\/h3>\n<p>In an interview with the author of these lines in 2022, Chaksad explained that her aim is to continue to develop and that music serves as a place of strength for her. Both are reflected in her ten new pieces. The majority of the compositions were triggered by the death of her father, who came from Iran. This prompted her to delve deeper into traditional Persian music. As a result, she has expanded her dynamic sound with instruments such as the eufonium, valve trombone and Persian violin, which are little known in jazz.<\/p>\n<p>In addition, almost all the songs on <em>Together<\/em> are based on odd meters. While the playful <em>Imagine Peace<\/em> features a 13\/8 time signature, the atmospheric title track uses a 5\/8 time signature and is particularly appealing thanks to Misagh Joolaee's soulful solo on the kamanche, a spike fiddle. Numbers such as the elegiac <em>Love Letters<\/em> or the cheeky <em>Lost<\/em>which was inspired by parental life in Berlin, are imaginative, inspired and stick with you.<\/p>\n<p>Ultimately, the album is characterized by depth of focus, diverse timbres and careful solo contributions. Sarah Chaksad would like to <em>Together <\/em>The band's music is full of curiosity and moves from genre to genre, which is easy to understand.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-53491 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-1024x1024.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-768x768.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-800x800.jpg 800w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-920x920.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/03\/04_crit_cd_Gasser.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Sarah Chaksad Large Ensemble: Together. Clap Your Hands CYH<\/em><\/p>\n<p class=\"font_8 wixui-rich-text__text\"><em><span class=\"wixui-rich-text__text\"><span class=\"color_14 wixui-rich-text__text\">Line up: Yumi Ito (voc), Hildegunn \u00d8iseth (tp, goat horn), Paco Andreo (vtb), Lukas Wyss (tb), Sophia Nidec<\/span><\/span><span class=\"wixui-rich-text__text\"><span class=\"color_14 wixui-rich-text__text\">ker (tuba), Catherine Delaunay (basset horn), Christoph B\u00f6sch (fl), Fabian Willmann (ts), Julia H\u00fclsmann (p), Fabio Gouvea (g), Dominique Girod (b), Eva Klesse (dr), Misagh Joolaee (kamancheh), Sarah Chaksad (ss, as, comp)<\/span><\/span><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Sarah Chaksad has reduced her orchestra to a 13-piece ensemble and her new album proves that her decision was the right one. The new formation knows how to be both bolder and more agile.<\/p>","protected":false},"author":29,"featured_media":53489,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[3859,3858],"class_list":["post-53488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-large-ensemble","tag-sarah-chaksad"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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