{"id":58966,"date":"2018-06-27T10:50:00","date_gmt":"2018-06-27T08:50:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=58966"},"modified":"2024-10-04T10:59:40","modified_gmt":"2024-10-04T08:59:40","slug":"praechtig-leicht-humorvoll","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2018\/06\/praechtig-leicht-humorvoll","title":{"rendered":"Magnificent, light, humorous"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_58967\" aria-describedby=\"caption-attachment-58967\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-58967 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/Musikkollegium_out_by-Paolo-Dutto_klein.jpg\" alt=\"\" width=\"554\" height=\"369\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/Musikkollegium_out_by-Paolo-Dutto_klein.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/Musikkollegium_out_by-Paolo-Dutto_klein-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/Musikkollegium_out_by-Paolo-Dutto_klein-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/Musikkollegium_out_by-Paolo-Dutto_klein-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/Musikkollegium_out_by-Paolo-Dutto_klein-525x350.jpg 525w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-58967\" class=\"wp-caption-text\">Musikkollegium Winterthur. Photo: Paolo Dutto<\/figcaption><\/figure>\n<p>He is the comet in Winterthur's classical music sky: Roberto Gonz\u00e1lez-Monjas, concertmaster of the local Musikkollegium since the 2013\/2014 season, who also performs as a conductor. He also works in the same capacity in Rome with the Orchestra dell'Accademia Nazionale di Santa Cecilia and as a professor of violin at the Guildhall School of Music and Drama in London. A jack-of-all-trades who has been shaking up concert life in the all-too-often overshadowed city of Zurich since taking up his post.<\/p>\n<p>Now, with the Musikkollegium on the Swiss label Claves, he presents a CD that sparkles with verve and lightness. Recorded are the famous <em>Haffner Serenade <\/em>KV 250 by Mozart and the <em>Serenade <\/em>op. 1 by Othmar Schoeck, with Gonz\u00e1lez-Monjas acting both as conductor and solo violinist. It is astonishing how easily and accentuated the orchestra, which at times seemed rather ponderous under the former chief conductor Douglas Boyd, is now able to play.<\/p>\n<p>The eight-movement <em>Haffner Serenade<\/em> is both a masterpiece and the conclusion of Mozart's serenade oeuvre. Magnificently scored (with the entire wind section) and thus colorful, it combines symphonic ambition with the entertaining lightness of this genre. As an ingenious special feature, Mozart designed movements two to four as a veritable violin concerto full of song-like quality and virtuosity, a \"found food\" for the violinist Gonz\u00e1lez-Monjas. With his filigree style and wonderfully singing violin sound, he dominates the serenade for long stretches, with sound engineer Andreas Werner emphasizing his art even more. This is a bit of a shame, because the orchestra has a lot to offer, as the witty Schoeck Serenade shows. Once composed as a final thesis in Zurich and reworked in Leipzig, the work pleases with its craftsmanship, humor and sensuality of sound: from the dance-like opening to the magnificent middle section, this eight-minute gem makes a convincing case.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2018\/07_08\/serenaden\/content\/04\/imageBinary\/07_crit_cd_Serenade.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Mozart &amp; Schoeck: Serenades. Musikkollegium Winterthur, conductor Roberto Gonz\u00e1lez-Monjas. Claves 50-1710<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The Musikkollegium Winterthur under the direction of Roberto Gonz\u00e1lez-Monjas plays Mozart's Haffner Serenade with light-footedness. In Othmar Schoeck's Opus 1, there are flashes of mischief. <\/p>","protected":false},"author":29,"featured_media":58967,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-58966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pr\u00e4chtig, leicht, humorvoll - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2018\/06\/praechtig-leicht-humorvoll\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pr\u00e4chtig, leicht, humorvoll - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Leichtf\u00fcssig spielt das Musikkollegium Winterthur unter der Leitung von Roberto Gonz\u00e1lez-Monjas Mozarts Haffner-Serenade. In Othmar Schoecks Opus 1 l\u00e4sst es Schalk aufblitzen.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2018\/06\/praechtig-leicht-humorvoll\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-06-27T08:50:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-04T08:59:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/Musikkollegium_out_by-Paolo-Dutto_klein.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"369\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2018\\\/06\\\/praechtig-leicht-humorvoll#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2018\\\/06\\\/praechtig-leicht-humorvoll\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Pr\u00e4chtig, leicht, humorvoll\",\"datePublished\":\"2018-06-27T08:50:00+00:00\",\"dateModified\":\"2024-10-04T08:59:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2018\\\/06\\\/praechtig-leicht-humorvoll\"},\"wordCount\":333,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2018\\\/06\\\/praechtig-leicht-humorvoll#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2024\\\/10\\\/Musikkollegium_out_by-Paolo-Dutto_klein.jpg\",\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2018\\\/06\\\/praechtig-leicht-humorvoll\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2018\\\/06\\\/praechtig-leicht-humorvoll\",\"name\":\"Pr\u00e4chtig, leicht, humorvoll - 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