{"id":59048,"date":"2017-01-26T12:41:04","date_gmt":"2017-01-26T11:41:04","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=59048"},"modified":"2024-10-04T12:45:35","modified_gmt":"2024-10-04T10:45:35","slug":"juedisches-sonatenneuland","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2017\/01\/juedisches-sonatenneuland","title":{"rendered":"Jewish Sonata New Land"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_59049\" aria-describedby=\"caption-attachment-59049\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-59049 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/hanagubenko_P3.jpg\" alt=\"\" width=\"554\" height=\"369\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/hanagubenko_P3.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/hanagubenko_P3-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/hanagubenko_P3-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/hanagubenko_P3-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/hanagubenko_P3-525x350.jpg 525w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-59049\" class=\"wp-caption-text\">Hana Gubenko. Photo: zvg<\/figcaption><\/figure>\n<p>The Swiss pianist Timon Altwegg and the Moscow-born violist Hana Gubenko, who are known for their love of discovery, have a new publication to their credit, which surprises exclusively with unknown works by Jewish composers. From the undated <em>Sephardic Poem <\/em>Apart from Aaron Yalom (1918-2002), they were all composed in the short period from 1972 to 2012 and are committed to sonata form in very different ways.<\/p>\n<p>The two most recent compositions, the 2nd Sonata by Frank Ezra Levy (born 1930) and the <em>Sonata ebraica<\/em> by Graham Waterhouse (born 1962), bear dedications to the two performers, who are to be praised for their commitment to all the pieces with the same dedication and conviction.<\/p>\n<p>The opening track of the CD, released this year by Edition Kunzelmann, is already a great success, <em>Sephardic Poem<\/em> by Yalom, has great potential to surprise. The composer, who was born near Geneva as the son of Polish-Jewish immigrants and died in New York, created a bravura piece of strong individuality based on a lyrical theme and enriched with a great deal of pianistic brilliance. The sonorously austere 1st viola sonata by the Basel-born composer, pianist and teacher Ernst Levy also exhibits this, as there are no verbal tempo indications or performance markings in any of the four movements.<\/p>\n<p>In the <em>Sonata ebraica<\/em> by Waterhouse, which gives the CD its name, presents the Yiddish folk song quoted in the kaddish-like middle movement <em>Oyfn Pripetshik<\/em> the most clearly audible Jewish reference to the title of the work.<\/p>\n<p>The two compositions by Ernst Levy's son Frank Ezra prove to be particularly rewarding additions to the repertoire. From the one-movement <em>Sonata Ricercare<\/em> with its frequent changes of meter, the 2nd Sonata differs in its French-like elegance, the smooth flow of the catchier melody and greater contrasts: sonorous organ dots and relentless martellato attacks alternate effectively with wonderfully delicate repetitions of notes in the viola and wittily interspersed jazz rhythms.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2017\/01_02\/sonata-ebraica\/content\/01\/imageBinary\/Ebraica.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Sonata ebraica (compositions by Aaron Yalom, Ernst Levy, Frank Levy, Graham Waterhouse). Hana Gubenko, viola; Timon Altwegg, piano. Guild GMCD 7419<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The repertoire of viola literature has grown significantly thanks to the first recordings of works by Jewish composers.<\/p>","protected":false},"author":29,"featured_media":59049,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-59048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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