{"id":6014,"date":"2019-11-26T00:00:00","date_gmt":"2019-11-25T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/neues-verstaendnis-fuer-konzertbearbeitungen\/"},"modified":"2024-08-13T12:10:36","modified_gmt":"2024-08-13T10:10:36","slug":"neues-verstaendnis-fuer-konzertbearbeitungen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen","title":{"rendered":"New understanding of concert arrangements"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Andrea-3.jpg\" alt=\"\" width=\"554\" height=\"312\" \/><figcaption class=\"wp-caption-text\">Pianist and author Andrea Wiesli. Photo: Sir Robin Photography<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>With her dissertation on Franz Liszt's Schubert transcriptions, Swiss pianist and musicologist Andrea Wiesli has made a long-overdue plea for virtuoso song arrangements. In eleven chapters ranging from \"Liszt's paths to Schubert\" to \"The song transcription as a new genre\" and \"Schubert's song cycles newly composed\" to \"'More dreamed than emphasized' - Aesthetics and dramaturgy of the Schubert image in Liszt\", the author mainly deals with the pianistic transformation of Schubert's songs into groundbreaking transcriptions in order to also include the problem of additionally composed additions.<\/p>\n<p>The \"highlights of Schubert's early reception\", published in 1838 with deviations in Vienna and Paris, are at the center of the numerous work reviews. <em>12 songs by Franz Schubert<\/em>. In addition to the melodies, they contain <em>Singing on the water<\/em> and <em>Restless love<\/em> even such popular ones as the <em>Erlk\u00f6nig<\/em> or <em>Gretchen at the spinning wheel.<\/em> She explains the form, harmony and aesthetics of the Viennese model's formative influence on the co-founder of the New German School in detailed, linguistically brilliant analyses of these frequently published transcriptions. The excursus on the song arrangements by Stephen Heller, which were written at almost the same time, or the presentation of the orchestrated <em>Wanderer fantasy <\/em>as a piano concerto provide great reading pleasure over and above the scientific findings.<\/p>\n<p>With comparative quotations of notes, Andrea Wiesli also deals with Liszt as an idiosyncratic editor of Schubert's piano music, with the orchestrated songs and the Hungarian tone of both composers. Her fundamental publication is the first comprehensive demonstration that Liszt's multifaceted engagement with Schubert runs like a common thread through his life and work. As the author writes, Liszt \"succeeded in striking a balance between fidelity to the text and independence, placing the arrangement alongside the original as an equal work of art\".<\/p>\n<p>Carefully researched data on Liszt's Schubert reception during the Viennese concert tours from 1838 to 1846, a music index with printing plate numbers and an extensive bibliography round off the publication, which is subtly designed with many examples of sheet music.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/12_crit_buch_Labhart.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Andrea Wiesli: \"I was always drawn away to him in joy and sorrow\". The Schubert transcriptions of Franz Liszt, 328 p., numerous sheet music, \u20ac 60.00, Franz-Steiner-Verlag, Stuttgart 2019, ISBN 978-3-515-12137-8 <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>In her dissertation, Andrea Wiesli has carefully analyzed Franz Liszt's Schubert transcriptions. <\/strong><\/p>","protected":false},"author":1,"featured_media":6015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-6014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":{"author":"Walter Labhart"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Neues Verst\u00e4ndnis f\u00fcr Konzertbearbeitungen - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Neues Verst\u00e4ndnis f\u00fcr Konzertbearbeitungen - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Andrea Wiesli hat in ihrer Dissertation die Schubert-Transkriptionen Franz Liszts einer umsichtigen Analyse unterzogen.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-11-25T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-13T10:10:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Andrea-3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"312\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Neues Verst\u00e4ndnis f\u00fcr Konzertbearbeitungen\",\"datePublished\":\"2019-11-25T23:00:00+00:00\",\"dateModified\":\"2024-08-13T10:10:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen\"},\"wordCount\":358,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Andrea-3.jpg\",\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen\",\"name\":\"Neues Verst\u00e4ndnis f\u00fcr Konzertbearbeitungen - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Andrea-3.jpg\",\"datePublished\":\"2019-11-25T23:00:00+00:00\",\"dateModified\":\"2024-08-13T10:10:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Andrea-3.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Andrea-3.jpg\",\"width\":554,\"height\":312},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/11\\\/neues-verstaendnis-fuer-konzertbearbeitungen#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Neues Verst\u00e4ndnis f\u00fcr Konzertbearbeitungen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"New understanding of concert arrangements - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen\/","og_locale":"en_US","og_type":"article","og_title":"Neues Verst\u00e4ndnis f\u00fcr Konzertbearbeitungen - Schweizer Musikzeitung","og_description":"Andrea Wiesli hat in ihrer Dissertation die Schubert-Transkriptionen Franz Liszts einer umsichtigen Analyse unterzogen.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2019-11-25T23:00:00+00:00","article_modified_time":"2024-08-13T10:10:36+00:00","og_image":[{"width":554,"height":312,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Andrea-3.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Musikzeitung-Redaktion","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Neues Verst\u00e4ndnis f\u00fcr Konzertbearbeitungen","datePublished":"2019-11-25T23:00:00+00:00","dateModified":"2024-08-13T10:10:36+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen"},"wordCount":358,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Andrea-3.jpg","articleSection":["B\u00fccher","Rezensionen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen","name":"New understanding of concert arrangements - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Andrea-3.jpg","datePublished":"2019-11-25T23:00:00+00:00","dateModified":"2024-08-13T10:10:36+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Andrea-3.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Andrea-3.jpg","width":554,"height":312},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2019\/11\/neues-verstaendnis-fuer-konzertbearbeitungen#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Neues Verst\u00e4ndnis f\u00fcr Konzertbearbeitungen"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Music newspaper editorial office","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=6014"}],"version-history":[{"count":2,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6014\/revisions"}],"predecessor-version":[{"id":56635,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6014\/revisions\/56635"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/6015"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=6014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=6014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=6014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}