{"id":6025,"date":"2019-10-31T00:00:00","date_gmt":"2019-10-30T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/biografische-skizze\/"},"modified":"2024-08-13T14:23:59","modified_gmt":"2024-08-13T12:23:59","slug":"biografische-skizze","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2019\/10\/biografische-skizze","title":{"rendered":"Biographical sketch"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Furrer_angesetzt.jpg\" alt=\"\" width=\"554\" height=\"414\" \/><figcaption class=\"wp-caption-text\">Photo: zVg<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>\"One of my compositional principles is to always write for the instruments, for the voices, even for the conductor. It is important to me that my performers enjoy the music and are not overtaxed in an absurd way. This also allows me to reach the listener.\" This is what Walter Furrer (1902-1978) said about his work in September 1970. At that time, he had already written his major musico-dramatic works: two operas (<em>The faun<\/em> and <em>Dwarf nose<\/em>), two large-scale compositions for radio: <em>The mold rider<\/em> and <em>Quatember night <\/em>and two ballets. In addition, numerous choruses, songs and song cycles as well as instrumental works such as <em>Three diary sketches<\/em> for large orchestra, chamber music for flute, oboe and string quartet, music for strings as well as sacred music. In 1957, Furrer founded the chamber choir of Radiostudio Bern, which existed under his direction until 1972. At the age of seventy, he could therefore look back on a thoroughly successful career. His music was performed with great success.<\/p>\n<p>So why was Walter Furrer forgotten after his death in 1978? Unjustly forgotten, according to his daughter Beatrice Wolf-Furrer, who stated in 2014 that he was no longer present in the public consciousness, \"although Walter Furrer made a significant contribution to Swiss music of the 20th century\". Since then, the doctor of literature has researched in libraries, archives and music circles, founded the \"F\u00f6rderverein Komponist Walter Furrer\" in Bern and has now published this richly illustrated 70-page biographical outline. In a short space, she outlines her father's life and highlights the main stages of his creative work, without glossing over the fact that his difficult character made him an outsider even during his lifetime. The documentary could provide an impetus to rediscover Furrer's works.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/11_crit_buch_Klaey.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Beatrice Wolf-Furrer: Walter Furrer - an unjustly forgotten Swiss composer. Biographical outline, M &amp; S No. 2506, 70 p., Fr. 28.00, M\u00fcller &amp; Schade, Bern 2018 <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Her father, the composer Walter Furrer, was \"unjustly forgotten\". Beatrice Wolf-Furrer is now presenting material that could pave the way for his rediscovery. <\/strong><\/p>","protected":false},"author":1,"featured_media":6026,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[],"class_list":["post-6025","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen"],"acf":{"author":"Walter Kl\u00e4y"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Biografische Skizze - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2019\/10\/biografische-skizze\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biografische Skizze - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"\u00abZu Unrecht vergessen\u00bb, sei ihr Vater, der Komponist Walter Furrer. Nun legt Beatrice Wolf-Furrer Material vor, das einer Wiederentdeckung den Weg bereiten k\u00f6nnte.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2019\/10\/biografische-skizze\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-30T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-13T12:23:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Furrer_angesetzt.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"414\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/10\\\/biografische-skizze#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/10\\\/biografische-skizze\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Biografische Skizze\",\"datePublished\":\"2019-10-30T23:00:00+00:00\",\"dateModified\":\"2024-08-13T12:23:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/10\\\/biografische-skizze\"},\"wordCount\":309,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/10\\\/biografische-skizze#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Furrer_angesetzt.jpg\",\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/10\\\/biografische-skizze\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2019\\\/10\\\/biografische-skizze\",\"name\":\"Biografische Skizze - 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