{"id":6312,"date":"2015-10-21T00:00:00","date_gmt":"2015-10-20T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/musikgeschichte-der-schweiz\/"},"modified":"2025-01-02T15:27:27","modified_gmt":"2025-01-02T14:27:27","slug":"musikgeschichte-der-schweiz","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz","title":{"rendered":"Music history of Switzerland"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/St._Gallen_Kathedrale_St._Gallus_6.jpg\" alt=\"\" width=\"554\" height=\"380\" \/><figcaption class=\"wp-caption-text\">Cathedral\/abbey church, St. Gallen. Photo: Zairon<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Angelo Garovi - organist, historian, musicologist, long-time radio editor, state archivist and university professor - regretted the lack of a recent history of Swiss music for years until he set about writing it himself. Initially, he planned an anthology similar to the <em>Swiss music book<\/em>which Willi Schuh published in 1939 together with twelve collaborators. However, the more the author delved into the subject in all its breadth, from the late Roman water organ in Avenches to Mathias Spohr's recently published anthology <a href=\"\/de\/rezensionen\/tontraeger\/2015\/10_11\/filmmusik.html\">Swiss film music <\/a>the clearer the intention became to model the manuscript on Antoine-Elis\u00e9e Cherbuliez's standard work <em>Switzerland in the history of German music <\/em>(1932) as a single publication. An invitation from the University of Greifswald in north-eastern Germany to spend two semesters as a guest student allowed Garovi to test his concept for a history of music in Switzerland and then to condense the lecture text for the paperback requested by the publisher.<\/p>\n<p>A 160-page booklet was recently published, which provides information in 30 concise chapters about Switzerland's astonishingly diverse contribution to music. An appendix lists around three hundred names of musicians - including hitherto little-known women composers from convents and foreign composers who were inspired to write music by motifs from Swiss folk music or by their stays in Switzerland. In this context, it should be added that Bohuslav Martin\u016f spent the last three years of his life in Switzerland and composed the opera <em>The Greek Passion <\/em>has written.<\/p>\n<p>The selection of further reading testifies to the author's literacy and originality. Arnold Geering's individual publications and essays, which have unjustly fallen into oblivion, are presented in the right light, while Max Peter Baumann's authoritative dissertation <em>Music folklore and music folklorism<\/em>the first scholarly examination of yodeling culture, is missing. These flaws, which also include small, very isolated inaccuracies - the St. Gallen composer and innovator of the alphorn tradition Ferdinand F\u00fcrchtegott Huber is listed as Johann F\u00fcrchtegott, for example - can be rectified in a further edition of this easily readable and useful book and do not detract from the gratitude or recognition for a publication that is second to none.<\/p>\n<p>It shows that new forms of vocal church music were cultivated and promoted in the monastery of St. Gall in the 10th century with the sequence (monophonic setting of the alleluia verse) and tropus (syllabic text arrangement of melismatic chants). The importance of the Council of Basel for polyphonic a cappella music becomes clear to the attentive reader, as works by Dunstable, Dufay and other living composers were performed in the 15th century.<\/p>\n<p>The author, a historian well versed in the sources, is able to fan out the music of everyday citizens from Lucerne account books of the 14th and 15th centuries, while the military music of the time is reflected in the pictorial chronicles of the old Confederates. The reference to the Frenchman Antoine Brumel, musician from Ferrara and organist in Geneva from 1486-1490, is also surprising. The success story of the Geneva Psalter, which was set to music by various church musicians and translated into German in 1573, is also revealed for the first time, as this first Reformed hymnal served as a common house book until the 19th century and is still used today by conservative Old Order Amish in the Midwest of North America.<\/p>\n<p>Among the Baroque composers, Nicolaus Scherrer, the Geneva violinist Gaspard Fritz, who was admired by Handel, and the Lucerne chorister Franz Joseph Leonti Meyer von Schauensee, whose works Leopold Mozart performed in Salzburg, deserve more attention. As a Swiss musical genre of the 19th and 20th centuries, the festival play is mentioned right up to Arthur Honegger, Frank Martin and the compositions of the F\u00eate des vignerons in Vevey, which were created anew from time to time.<\/p>\n<p>Garovi, the son of a composer committed to twelve-tone music, was familiar with contemporary music by nature and also deepened his knowledge of this genre as a radio editor. The chapters on the music of the 20th and 21st centuries - which make up a quarter of the publication - are particularly informative and document that Switzerland is making an important contribution to the music of our time with world-famous composers such as Klaus Huber, Heinz Holliger, but also J\u00fcrg Wyttenbach, Roland Moser, Hans Ulrich Lehmann, Alfred Schweizer, Balz Tr\u00fcmpy, Beat Furrer and many others.<\/p>\n<p>Angelo Garovis <em>Music history of Switzerland <\/em>deserves wide distribution and, translated into English, would be suitable as compulsory reading for the many foreign music students at Swiss music academies.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Gar.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Angelo Garovi, Music History of Switzerland, 160 p., Fr. 19.90, St\u00e4mpfli, Bern 2015, ISBN 978-3-7272-1448-6<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>This comprehensive new publication by Angelo Garovi - historian, musicologist and organist - fills a gap. <\/strong><\/p>","protected":false},"author":1,"featured_media":6313,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[4657,2671,4656],"class_list":["post-6312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-angelo-garovi","tag-musikgeschichte","tag-schweizer-musikgeschichte"],"acf":{"author":"Brigitte Bachmann-Geiser"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Musikgeschichte der Schweiz - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Mit der umfassenden Neuerscheinung von Angelo Garovi \u2013 Historiker, Musikologe und Organist \u2013 wurde eine L\u00fccke geschlossen.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musikgeschichte der Schweiz - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Mit der umfassenden Neuerscheinung von Angelo Garovi \u2013 Historiker, Musikologe und Organist \u2013 wurde eine L\u00fccke geschlossen.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-20T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-02T14:27:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/St._Gallen_Kathedrale_St._Gallus_6.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"380\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Musikgeschichte der Schweiz\",\"datePublished\":\"2015-10-20T23:00:00+00:00\",\"dateModified\":\"2025-01-02T14:27:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz\"},\"wordCount\":728,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/St._Gallen_Kathedrale_St._Gallus_6.jpg\",\"keywords\":[\"Angelo Garovi\",\"Musikgeschichte\",\"Schweizer Musikgeschichte\"],\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz\",\"name\":\"Musikgeschichte der Schweiz - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/St._Gallen_Kathedrale_St._Gallus_6.jpg\",\"datePublished\":\"2015-10-20T23:00:00+00:00\",\"dateModified\":\"2025-01-02T14:27:27+00:00\",\"description\":\"Mit der umfassenden Neuerscheinung von Angelo Garovi \u2013 Historiker, Musikologe und Organist \u2013 wurde eine L\u00fccke geschlossen.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/St._Gallen_Kathedrale_St._Gallus_6.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/St._Gallen_Kathedrale_St._Gallus_6.jpg\",\"width\":554,\"height\":380},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2015\\\/10\\\/musikgeschichte-der-schweiz#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Musikgeschichte der Schweiz\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Music history of Switzerland - Swiss Music Newspaper","description":"This comprehensive new publication by Angelo Garovi - historian, musicologist and organist - fills a gap.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz\/","og_locale":"en_US","og_type":"article","og_title":"Musikgeschichte der Schweiz - Schweizer Musikzeitung","og_description":"Mit der umfassenden Neuerscheinung von Angelo Garovi \u2013 Historiker, Musikologe und Organist \u2013 wurde eine L\u00fccke geschlossen.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2015-10-20T23:00:00+00:00","article_modified_time":"2025-01-02T14:27:27+00:00","og_image":[{"width":554,"height":380,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/St._Gallen_Kathedrale_St._Gallus_6.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Musikzeitung-Redaktion","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Musikgeschichte der Schweiz","datePublished":"2015-10-20T23:00:00+00:00","dateModified":"2025-01-02T14:27:27+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz"},"wordCount":728,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/St._Gallen_Kathedrale_St._Gallus_6.jpg","keywords":["Angelo Garovi","Musikgeschichte","Schweizer Musikgeschichte"],"articleSection":["B\u00fccher","Rezensionen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz","name":"Music history of Switzerland - Swiss Music Newspaper","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/St._Gallen_Kathedrale_St._Gallus_6.jpg","datePublished":"2015-10-20T23:00:00+00:00","dateModified":"2025-01-02T14:27:27+00:00","description":"This comprehensive new publication by Angelo Garovi - historian, musicologist and organist - fills a gap.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/St._Gallen_Kathedrale_St._Gallus_6.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/St._Gallen_Kathedrale_St._Gallus_6.jpg","width":554,"height":380},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2015\/10\/musikgeschichte-der-schweiz#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Musikgeschichte der Schweiz"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Music newspaper editorial office","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=6312"}],"version-history":[{"count":4,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6312\/revisions"}],"predecessor-version":[{"id":61523,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6312\/revisions\/61523"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/6313"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=6312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=6312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=6312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}