{"id":63823,"date":"2025-03-19T14:49:44","date_gmt":"2025-03-19T13:49:44","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=63823"},"modified":"2025-03-20T07:56:11","modified_gmt":"2025-03-20T06:56:11","slug":"schweizer-kunstlieder","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2025\/03\/schweizer-kunstlieder","title":{"rendered":"Rediscovered Swiss art songs"},"content":{"rendered":"<figure id=\"attachment_63841\" aria-describedby=\"caption-attachment-63841\" style=\"width: 960px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63841 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II.jpg\" alt=\"\" width=\"960\" height=\"768\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II.jpg 960w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-300x240.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-768x614.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-15x12.jpg 15w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-219x175.jpg 219w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-438x350.jpg 438w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/Hans_Thoma_-_Abend_in_der_Schweiz_II-920x736.jpg 920w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption id=\"caption-attachment-63841\" class=\"wp-caption-text\">Hans Thoma: Evening in Switzerland II, 1916. source: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hans_Thoma_-_Abend_in_der_Schweiz_II_(1916).jpg\" target=\"_blank\" rel=\"noopener\">wikimedia commons<\/a><\/figcaption><\/figure>\n<p>With their extraordinary CD <em>Songs of the homeland<\/em> from 2019, the renowned Lucerne soprano Regula M\u00fchlemann not only showed courage in her choice of repertoire, she also triggered a new trend (<a href=\"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2021\/06\/mehr-als-einfache-heimatlieder\" target=\"_blank\" rel=\"noopener\">Review by Verena Naegele<\/a>). It is dedicated to the careful selection and revival of partly forgotten works by Swiss composers. Recently, a number of new recordings have appeared that are dedicated to such settings, some of them dialect poems, and thus shed light on the theme of home.<\/p>\n<h3>Swiss Love<\/h3>\n<p>Franziska Heinzen (soprano) and Benjamin Mead (piano) have created the \"New Year's Piece\" for the year 2025 at Zurich Central Library. Under the title <em>Swiss Love. The sorrow and lust of love<\/em> love stories of all shades are presented in a program in which the duo artfully interweaves songs by Lothar Kempter, Johann Carl Eschmann, Yvonne R\u00f6thlisberger and Wilhelm Baumgartner, some of them recorded for the first time, with newly arranged folk songs.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63843 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-1024x1024.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-768x768.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-1536x1536.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-2048x2048.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-800x800.jpg 800w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-920x920.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-1400x1400.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler1.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h3>Hei cho<\/h3>\n<p>The second recording presents under the title <em>Hei cho<\/em> Settings of poems by Josef Reinhart, a well-known educator and writer from the Solothurn region in the first half of the 20th century. They were composed by Richard Flury, Ernst Honegger, Emil Adolf Hoffmann, Walter Lang, Friedrich Niggli, Heinrich Pestalozzi and Karl Schell. Soprano Stephanie B\u00fchlmann - this is not her first dialect work either - has been able to recruit tenor Daniel Behle and pianist Benjamin Engeli, both proven specialists, for this project.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63846 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler2.jpg 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>Forgotten songs, forgotten love<\/h3>\n<p>The third CD focuses on the work of Willy Heinz M\u00fcller, a violinist, conductor and composer from Vienna, who was active in the St.Gallen area until the 1970s and cultivated an international network of contacts. His songs, however, remained undiscovered for almost 100 years until the soprano M\u00e9lanie Adami, his great-granddaughter, finally took the time to study these forgotten works in detail during the coronavirus crisis. Convinced of their quality, she found equally curious fellow musicians in pianist Judith Polgar and baritone \u00c4neas Humm, and together they made the recording entitled <em>Forgotten songs, forgotten love<\/em> to record. The compositions were complemented by works by other composers who had either made a great impression on M\u00fcller or with whom he had a personal relationship, such as Ernst von Dohn\u00e1nyi, Franz Ries or Carl G\u00f6tze.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63847 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-300x273.jpg\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-300x273.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-13x12.jpg 13w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-193x175.jpg 193w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3-385x350.jpg 385w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/03\/03_crit_cd_Geissbuehler3.jpg 736w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>The musical level and recording quality is so high on all three recordings that you occasionally forget that you are not listening to standard or even master repertoire. For example, the fact that Daniel Behle is not a dialect speaker is only noticeable at the beginning. Overall, this feature also contributes to a certain ennobling of the overall sound. And even if there are occasional long stretches, the three recordings nevertheless invite listeners on a domestic voyage of discovery that will also reward a wider audience.<\/p>\n<p><em>Swiss Love. The sorrow and lust of love. Solo Musica SM 477<\/em><\/p>\n<p><em>Hei cho. Dialect songs on poems by Josef Reinhart. Solo Musica SM 464<\/em><\/p>\n<p><em>Forgotten songs, forgotten love. Forgotten Songs by Willy Heinz M\u00fcller. Prospero Classical PROSP 0087<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Three new albums make it clear that there is still much to discover when it comes to piano songs by Swiss composers, whether in dialect or in High German.  <\/p>","protected":false},"author":29,"featured_media":63841,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[4795,4791,3430,4806,4790,4800,4799,4804,4805,3429,4801,4802,2749,4794,4803,4796,4793,4807,4788,2747,4787,4789,2888,4798,4792,4797],"class_list":["post-63823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-aeneas-humm","tag-benjamin-engeli","tag-benjamin-mead","tag-carl-goetze","tag-daniel-behle","tag-emil-adolf-hoffmann","tag-ernst-honegger","tag-ernst-von-dohnanyi","tag-franz-ries","tag-franziska-heinzen","tag-friedrich-niggli","tag-heinrich-pestalozzi","tag-johann-carl-eschmann","tag-judith-polgar","tag-karl-schell","tag-lothar-kempter","tag-melanie-adami","tag-mundartlieder","tag-regula-muehlemann","tag-richard-flury","tag-schweizer-kunstlieder","tag-stephanie-buehlmann","tag-walter-lang","tag-wilhelm-baumgartner","tag-willy-heinz-mueller","tag-yvonne-roethlisberger"],"acf":[],"yoast_head":"<!-- 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