{"id":64703,"date":"2025-05-04T18:48:16","date_gmt":"2025-05-04T16:48:16","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=64703"},"modified":"2025-05-06T15:56:51","modified_gmt":"2025-05-06T13:56:51","slug":"mit-intuitiver-musik-der-welt-zugewandt","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt","title":{"rendered":"Facing the world with intuitive music"},"content":{"rendered":"
\"\"
Postcard from Stockhausen to Michael von Hintzenstern, who was in Boswil at the end of 1976\/beginning of 1977 and had visited Stockhausen on the outward journey. Illustration from the book<\/figcaption><\/figure>\n

Stories that life writes: Thanks to a prize at the International Composition Competition in Boswil, Michael von Hintzenstern was able to embark on his first trip to the West from the GDR in 1976. Not only did he take advantage of the three-month work and study stay in rural Switzerland that came with the prize, but he also changed his itinerary - without permission from the GDR regime, of course: he also went to Cologne to visit the revered \"master\" Karlheinz Stockhausen. Stockhausen's approach to \"intuitive music\" would shape both Hintzenstern and his Ensemble for Intuitive Music Weimar (EFIM) - and ultimately also the richly illustrated and entertaining book Sounds of the moment<\/em>which, among other things, reproduces some handwritten testimonies of the correspondence with Stockhausen.<\/p>\n

The focus is on the history of the ensemble, which was founded in 1980 and consists of four musicians who are as active as they are experimental: Michael von Hintzenstern plays organ and all kinds of synthesizers, Hans Tutschku is the specialist for electro-acoustic and electronic music, the \"jazzman\" Daniel Hoffmann plays horn and trumpet, Matthias von Hintzenstern usually plays the cello, but also makes appearances with sound installations.<\/p>\n

At the beginning, Stockhausen's works take center stage, such as the 15 text compositions for intuitive music in variable instrumentation From the seven days<\/em> (1968) or the well-known Zodiac<\/em> (1974\/75). Increasingly, also due to the fall of the Berlin Wall in 1989, the programs expanded. Tutschku increasingly contributes his experience with French electro-acoustic music, the EFIM seeks out venues far away from concert halls, plays in parks, botanical gardens or in potash mines 670 meters underground. The EFIM can now also accept concert and workshop invitations to 30 countries on 4 continents.<\/p>\n

Anyone who is enthusiastic about experimental music will also be thrilled by this documentary. But it is also worth reading for anyone interested in the cultural history of the GDR. There was a great deal of freedom in music in particular - freedom that the EFIM used in an astonishingly open, intelligent and sympathetic way.<\/p>\n

\"\"<\/p>\n

Michael von Hintzenstern: Kl\u00e4nge des Augenblicks - 44 Jahre Ensemble f\u00fcr intuitive Musik Weimar 1980-2024, 256 p., over 300 illustrations, \u20ac 44.00, Weimar 2024, ISBN 978-3-00-078834-5,
\nhintzenstern.eu<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"

The documentary about the Ensemble for Intuitive Music Weimar shows a piece of the history of contemporary music in the GDR and the relationship to Karlheinz Stockhausen. The International Composition Competition of the K\u00fcnstlerhaus Boswil is not insignificant.<\/p>","protected":false},"author":29,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[4901,2274,4898,4900,4719,1787,4902,4899],"class_list":["post-64703","post","type-post","status-publish","format-standard","hentry","category-buecher-rezensionen","category-rezensionen","tag-daniel-hoffmann","tag-ddr","tag-efim-ensemble-fuer-intuitive-musik-weimar","tag-hans-tutschku","tag-karlheinz-stockhausen","tag-kuenstlerhaus-boswil","tag-matthias-von-hintzenstern","tag-michael-von-hintzenstern"],"acf":[],"yoast_head":"\nMit intuitiver Musik der Welt zugewandt - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Die Dokumentation \u00fcber das Ensemble f\u00fcr intuitive Musik Weimar zeigt ein St\u00fcck Geschichte der zeitgen\u00f6ssischen Musik in der DDR.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mit intuitiver Musik der Welt zugewandt - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die Dokumentation \u00fcber das Ensemble f\u00fcr intuitive Musik Weimar zeigt ein St\u00fcck Geschichte der zeitgen\u00f6ssischen Musik in der DDR.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-04T16:48:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-06T13:56:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"985\" \/>\n\t<meta property=\"og:image:height\" content=\"703\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Mit intuitiver Musik der Welt zugewandt\",\"datePublished\":\"2025-05-04T16:48:16+00:00\",\"dateModified\":\"2025-05-06T13:56:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\"},\"wordCount\":376,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Postkarte-Stockhauses.jpg\",\"keywords\":[\"Daniel Hoffmann\",\"DDR\",\"EFIM \u2013 Ensemble f\u00fcr intuitive Musik Weimar\",\"Hans Tutschku\",\"Karlheinz Stockhausen\",\"K\u00fcnstlerhaus Boswil\",\"Matthias von Hintzenstern\",\"Michael von Hintzenstern\"],\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\",\"name\":\"Mit intuitiver Musik der Welt zugewandt - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Postkarte-Stockhauses.jpg\",\"datePublished\":\"2025-05-04T16:48:16+00:00\",\"dateModified\":\"2025-05-06T13:56:51+00:00\",\"description\":\"Die Dokumentation \u00fcber das Ensemble f\u00fcr intuitive Musik Weimar zeigt ein St\u00fcck Geschichte der zeitgen\u00f6ssischen Musik in der DDR.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Postkarte-Stockhauses.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Postkarte-Stockhauses.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2025\\\/05\\\/mit-intuitiver-musik-der-welt-zugewandt#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Mit intuitiver Musik der Welt zugewandt\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Facing the world with intuitive music - Schweizer Musikzeitung","description":"The documentary about the Ensemble for Intuitive Music Weimar shows a piece of the history of contemporary music in the GDR.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\/","og_locale":"en_US","og_type":"article","og_title":"Mit intuitiver Musik der Welt zugewandt - Schweizer Musikzeitung","og_description":"Die Dokumentation \u00fcber das Ensemble f\u00fcr intuitive Musik Weimar zeigt ein St\u00fcck Geschichte der zeitgen\u00f6ssischen Musik in der DDR.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-05-04T16:48:16+00:00","article_modified_time":"2025-05-06T13:56:51+00:00","og_image":[{"width":985,"height":703,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"pia.schwab","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Mit intuitiver Musik der Welt zugewandt","datePublished":"2025-05-04T16:48:16+00:00","dateModified":"2025-05-06T13:56:51+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt"},"wordCount":376,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg","keywords":["Daniel Hoffmann","DDR","EFIM \u2013 Ensemble f\u00fcr intuitive Musik Weimar","Hans Tutschku","Karlheinz Stockhausen","K\u00fcnstlerhaus Boswil","Matthias von Hintzenstern","Michael von Hintzenstern"],"articleSection":["B\u00fccher","Rezensionen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt","name":"Facing the world with intuitive music - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg","datePublished":"2025-05-04T16:48:16+00:00","dateModified":"2025-05-06T13:56:51+00:00","description":"The documentary about the Ensemble for Intuitive Music Weimar shows a piece of the history of contemporary music in the GDR.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/05\/Postkarte-Stockhauses.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2025\/05\/mit-intuitiver-musik-der-welt-zugewandt#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Mit intuitiver Musik der Welt zugewandt"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/64703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=64703"}],"version-history":[{"count":4,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/64703\/revisions"}],"predecessor-version":[{"id":64709,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/64703\/revisions\/64709"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=64703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=64703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=64703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}