{"id":64747,"date":"2025-05-09T11:12:04","date_gmt":"2025-05-09T09:12:04","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=64747"},"modified":"2025-05-12T08:36:22","modified_gmt":"2025-05-12T06:36:22","slug":"tarantella-mit-veraenderter-solostimme","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme","title":{"rendered":"Tarantella with modified solo part"},"content":{"rendered":"
\"\"
Henri Vieuxtemps 1846. lithograph by C.P. Mazin \/ Source gallica.bnf.fr \/ BnF<\/a><\/figcaption><\/figure>\n

The Belgian violin virtuoso and composer Henri Vieuxtemps worked for six years at the court of Tsar Nicholas I in St. Petersburg. At the beginning of this engagement in 1846, he composed the Morceaux de Salon<\/em> op. 22 for violin and piano, including No. 5 Tarentelle,<\/em> and put it into print. As he also found it suitable for the big stage, he created an orchestral version, which was printed in 1854. Vieuxtemps made considerable changes to the violin part from 1846, changes that had previously only been found in the score.<\/p>\n

New editions (5a) are now available, on the one hand of the version for violin and piano with the solo violin part of the orchestrated version, and on the other hand of the score. The orchestral material is available to borrow - the perfect prerequisite for performing the Tarantella on a larger scale! The preface is exciting and the critical report helps with many questions of detail. The fingerings in the score and the piano reduction are by Vieuxtemps, those in the violin part by the editor.\"\"<\/p>\n

\u00a0<\/strong>Henri Vieuxtemps: Tarantella for violin and orchestra op. 22 no. 5a, first edition published by Olaf Adler; score, OCT-10371, Fr. 40.60; piano version, OCT-10371a, Fr. 29.50; Edition Kunzelmann, Adliswil<\/em><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

The violin part, arranged by Henri Vieuxtemps, is now available with both piano and orchestral accompaniment. <\/p>","protected":false},"author":29,"featured_media":64751,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[4905,4906],"class_list":["post-64747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-henri-vieuxtemps","tag-tarantella"],"acf":[],"yoast_head":"\nTarantella mit ver\u00e4nderter Solostimme - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Die von Henri Vieuxtemps umgearbeitete Violinstimme ist nun mit Klavier- wie auch mit Orchesterbegleitung erh\u00e4ltlich.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tarantella mit ver\u00e4nderter Solostimme - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die von Henri Vieuxtemps umgearbeitete Violinstimme ist nun mit Klavier- wie auch mit Orchesterbegleitung erh\u00e4ltlich.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-09T09:12:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-12T06:36:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/Henri_Vieuxtemps___C_P_Mazin.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1049\" \/>\n\t<meta property=\"og:image:height\" content=\"716\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Tarantella mit ver\u00e4nderter Solostimme\",\"datePublished\":\"2025-05-09T09:12:04+00:00\",\"dateModified\":\"2025-05-12T06:36:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme\"},\"wordCount\":199,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Henri_Vieuxtemps___C_P_Mazin.jpeg\",\"keywords\":[\"Henri Vieuxtemps\",\"Tarantella\"],\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme\",\"name\":\"Tarantella mit ver\u00e4nderter Solostimme - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Henri_Vieuxtemps___C_P_Mazin.jpeg\",\"datePublished\":\"2025-05-09T09:12:04+00:00\",\"dateModified\":\"2025-05-12T06:36:22+00:00\",\"description\":\"Die von Henri Vieuxtemps umgearbeitete Violinstimme ist nun mit Klavier- wie auch mit Orchesterbegleitung erh\u00e4ltlich.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Henri_Vieuxtemps___C_P_Mazin.jpeg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Henri_Vieuxtemps___C_P_Mazin.jpeg\",\"width\":1049,\"height\":716},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2025\\\/05\\\/tarantella-mit-veraenderter-solostimme#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tarantella mit ver\u00e4nderter Solostimme\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Tarantella with modified solo part - Schweizer Musikzeitung","description":"The violin part, arranged by Henri Vieuxtemps, is now available with both piano and orchestral accompaniment.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme\/","og_locale":"en_US","og_type":"article","og_title":"Tarantella mit ver\u00e4nderter Solostimme - Schweizer Musikzeitung","og_description":"Die von Henri Vieuxtemps umgearbeitete Violinstimme ist nun mit Klavier- wie auch mit Orchesterbegleitung erh\u00e4ltlich.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2025-05-09T09:12:04+00:00","article_modified_time":"2025-05-12T06:36:22+00:00","og_image":[{"width":1049,"height":716,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/Henri_Vieuxtemps___C_P_Mazin.jpeg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"pia.schwab","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Tarantella mit ver\u00e4nderter Solostimme","datePublished":"2025-05-09T09:12:04+00:00","dateModified":"2025-05-12T06:36:22+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme"},"wordCount":199,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/Henri_Vieuxtemps___C_P_Mazin.jpeg","keywords":["Henri Vieuxtemps","Tarantella"],"articleSection":["Noten","Rezensionen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme","name":"Tarantella with modified solo part - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/Henri_Vieuxtemps___C_P_Mazin.jpeg","datePublished":"2025-05-09T09:12:04+00:00","dateModified":"2025-05-12T06:36:22+00:00","description":"The violin part, arranged by Henri Vieuxtemps, is now available with both piano and orchestral accompaniment.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/Henri_Vieuxtemps___C_P_Mazin.jpeg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/04\/Henri_Vieuxtemps___C_P_Mazin.jpeg","width":1049,"height":716},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2025\/05\/tarantella-mit-veraenderter-solostimme#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Tarantella mit ver\u00e4nderter Solostimme"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/64747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=64747"}],"version-history":[{"count":1,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/64747\/revisions"}],"predecessor-version":[{"id":64752,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/64747\/revisions\/64752"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/64751"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=64747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=64747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=64747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}