{"id":6511,"date":"2022-12-01T00:00:00","date_gmt":"2022-11-30T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/anspruchsvolle-bearbeitung-bekannter-melodien\/"},"modified":"2024-08-19T10:31:37","modified_gmt":"2024-08-19T08:31:37","slug":"anspruchsvolle-bearbeitung-bekannter-melodien","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien","title":{"rendered":"Sophisticated arrangement of well-known melodies"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/v2osk-eIiz51cVAck-unsplash.jpg\" alt=\"\" width=\"554\" height=\"367\" \/><figcaption class=\"wp-caption-text\">Photo: <a href=\"https:\/\/unsplash.com\/photos\/eIiz51cVAck\" target=\"_blank\" rel=\"noopener\">v2osk\/unsplash.com<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p><em>The Nutcracker<\/em> is the last and most successful work by the Russian composer Peter Tchaikovsky. Based on the story <em>Nutcracker and Mouse King<\/em> by E. T. A. Hoffmann, the work still enjoys great popularity today and is regularly performed, especially in the run-up to Christmas. The present arrangement by flautist Jennifer Seubel uses as its basis the <em>Nutcracker Suite<\/em>in which the composer has summarized the best-known pieces.<\/p>\n<p>The arrangement for two flutes is characterized by a skilful division of the thematic action between the two voices, which creates charming dialogues, as already seen in the <em>Overture<\/em> and in the <em>March<\/em> can be heard.<\/p>\n<p>Since the flute already plays a leading role in the orchestral parts, it was, for example, in the <em>Dance of the reeds <\/em>possible, as the editor writes, \"to take a few bars directly from the original\". The <em>Dance of the sugar fairy<\/em>where both flutes play the celesta solo and share the cadenza. The fast dance <em>Trepak<\/em> is played in thirds and sixths in the outer sections and thus achieves great compactness and intensity. The wind solos in the other dances are also well suited to two flutes, so the well-known flute solo from the <em>Chinese dance <\/em>can be well integrated into a duet. In the <em>Flower waltz <\/em>the familiar opening motifs of horn and clarinet remain in the first flute part, while the string accompaniment has largely been transferred to the second part.<\/p>\n<p>A certain amount of technical skill is required in almost all movements, for example in the semiquaver runs. The entire range of the flute from c' to b\"' (with an ad libitum octave up to c\"\") also appears in the duo arrangement, which is related to the orientation towards the original score. The <em>Nutcracker Suite<\/em> for two flutes is a successful and demanding arrangement of the well-known, catchy melodies, which is suitable for advanced players and, as Jennifer Seubel writes in the foreword, is worth \"accepting the challenges\".<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/12_crit_note_Floete.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Pyotr Ilyich Tchaikovsky: Nutcracker Suite, for two flutes arr. by Jennifer Seubel, full score, BA 10951, \u20ac 19.50, B\u00e4renreiter, Kassel<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Jennifer Seubel has arranged Tchaikovsky's \"Nutcracker Suite\" as a charming dialog for two flutes. <\/strong><\/p>","protected":false},"author":1,"featured_media":6512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[1676,1675,1673,1674],"class_list":["post-6511","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-floete","tag-nussknacker","tag-tschaikowsky","tag-weissbarth"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anspruchsvolle Bearbeitung bekannter Melodien - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anspruchsvolle Bearbeitung bekannter Melodien - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Jennifer Seubel hat Tschaikowskys \u00abNussknacker-Suite\u00bb als reizvollen Dialog f\u00fcr zwei Querfl\u00f6ten bearbeitet.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-30T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-19T08:31:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/v2osk-eIiz51cVAck-unsplash.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"367\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Anspruchsvolle Bearbeitung bekannter Melodien\",\"datePublished\":\"2022-11-30T23:00:00+00:00\",\"dateModified\":\"2024-08-19T08:31:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien\"},\"wordCount\":368,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/v2osk-eIiz51cVAck-unsplash.jpg\",\"keywords\":[\"Fl\u00f6te\",\"Nussknacker\",\"Tschaikowsky\",\"Weissbarth\"],\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien\",\"name\":\"Anspruchsvolle Bearbeitung bekannter Melodien - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/v2osk-eIiz51cVAck-unsplash.jpg\",\"datePublished\":\"2022-11-30T23:00:00+00:00\",\"dateModified\":\"2024-08-19T08:31:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/v2osk-eIiz51cVAck-unsplash.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/v2osk-eIiz51cVAck-unsplash.jpg\",\"width\":554,\"height\":367},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2022\\\/12\\\/anspruchsvolle-bearbeitung-bekannter-melodien#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Anspruchsvolle Bearbeitung bekannter Melodien\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sophisticated arrangement of well-known melodies - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien\/","og_locale":"en_US","og_type":"article","og_title":"Anspruchsvolle Bearbeitung bekannter Melodien - Schweizer Musikzeitung","og_description":"Jennifer Seubel hat Tschaikowskys \u00abNussknacker-Suite\u00bb als reizvollen Dialog f\u00fcr zwei Querfl\u00f6ten bearbeitet.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2022-11-30T23:00:00+00:00","article_modified_time":"2024-08-19T08:31:37+00:00","og_image":[{"width":554,"height":367,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/v2osk-eIiz51cVAck-unsplash.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Musikzeitung-Redaktion","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Anspruchsvolle Bearbeitung bekannter Melodien","datePublished":"2022-11-30T23:00:00+00:00","dateModified":"2024-08-19T08:31:37+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien"},"wordCount":368,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/v2osk-eIiz51cVAck-unsplash.jpg","keywords":["Fl\u00f6te","Nussknacker","Tschaikowsky","Weissbarth"],"articleSection":["Noten","Rezensionen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien","name":"Sophisticated arrangement of well-known melodies - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/v2osk-eIiz51cVAck-unsplash.jpg","datePublished":"2022-11-30T23:00:00+00:00","dateModified":"2024-08-19T08:31:37+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/v2osk-eIiz51cVAck-unsplash.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/v2osk-eIiz51cVAck-unsplash.jpg","width":554,"height":367},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2022\/12\/anspruchsvolle-bearbeitung-bekannter-melodien#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Anspruchsvolle Bearbeitung bekannter Melodien"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Music newspaper editorial office","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=6511"}],"version-history":[{"count":2,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6511\/revisions"}],"predecessor-version":[{"id":56870,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/6511\/revisions\/56870"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/6512"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=6511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=6511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=6511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}