{"id":6825,"date":"2020-05-26T00:00:00","date_gmt":"2020-05-25T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/reizvoller-mikrokosmos\/"},"modified":"2024-09-05T11:25:26","modified_gmt":"2024-09-05T09:25:26","slug":"reizvoller-mikrokosmos","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2020\/05\/reizvoller-mikrokosmos","title":{"rendered":"Charming microcosm"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/alvison-hunter-Xy-R2WRwzPY-unsplash.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Photo: <a href=\"https:\/\/unsplash.com\/photos\/Xy-R2WRwzPY\" target=\"_blank\" rel=\"noopener\">Alvison Hunter \/ unsplash.com<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Should B\u00e9la Bart\u00f3k's famous pedagogical piano literature also be played on the guitar? It is somehow obvious and yet not an easy undertaking. While the left and right hands interact on the piano keyboard but each have their own independent movements, the notes on the guitar are usually only played by four fingers of a single hand, the left hand. This requires a great deal of fine motor skills in order to bring out a groovy seven-eighth rhythm and the melody above it equally smoothly.<\/p>\n<p>Now Siegfried Steink\u00f6gler has taken over the <em>Microcosm<\/em> Bart\u00f3k's monumental collection of over 150 short pieces, 16 of which are arranged for solo guitar. They contain everything that makes up the quality of Bart\u00f3k's teaching literature: pleasing, often folkloristic melodies, attractive rhythms, major\/minor harmonies offset with sharp chromaticism, contrapuntal two-part writing. It is also always surprising how attractive parallel octaves can sound when used effectively in composition.<\/p>\n<p>The Austrian guitarist, composer and editor remains as faithful to the original as possible. But what appears very simple in the piano notation looks terribly complicated in the guitar notation - and it is! Fingerings, position markings and string numbers clutter up the music, but help the guitarist to find her way around the fretboard. For example, an accompanying ostinato has to be fingered very differently in the course of a piece, depending on the position of the upper voice, and additional playing indications are useful here.<\/p>\n<p>Back in 2017, Steinkogler had already published Bart\u00f3k's collection <em>For children<\/em> but for two guitars instead of just one and with a different aim: to introduce Bart\u00f3k's music to young players. With the <em>Microcosm <\/em>he takes a different approach: \"With several conceivable guitaristic solutions, I have often dispensed with a simplified version in favor of a more sophisticated but detailed one,\" he writes in the preface. Bart\u00f3k's miniatures are certainly worthy of the high demands placed on their execution.\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/06_crit_note_Gitarre_Bartok.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>B\u00e9la Bart\u00f3k: Mikrokosmos, 16 pieces for guitar arranged by Siegfried Steinkogler, UE 38060, \u20ac 14.95, Universal Edition, Vienna\u00a0 <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>In his arrangement of B\u00e9la Bart\u00f3k's comprehensive piano collection for guitar, Siegfried Steinkogler has remained as close as possible to the original. The versions are therefore demanding. <\/strong><\/p>","protected":false},"author":1,"featured_media":6826,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6825","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Werner Joos"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reizvoller Mikrokosmos - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2020\/05\/reizvoller-mikrokosmos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reizvoller Mikrokosmos - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Bei seiner Bearbeitung von B\u00e9la Bart\u00f3ks umfassender Klaviersammlung f\u00fcr Gitarre ist Siegfried Steinkogler m\u00f6glichst nah am Original geblieben. Die Fassungen sind daher anspruchsvoll.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2020\/05\/reizvoller-mikrokosmos\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-25T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-05T09:25:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/alvison-hunter-Xy-R2WRwzPY-unsplash.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"369\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2020\\\/05\\\/reizvoller-mikrokosmos#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2020\\\/05\\\/reizvoller-mikrokosmos\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Reizvoller Mikrokosmos\",\"datePublished\":\"2020-05-25T23:00:00+00:00\",\"dateModified\":\"2024-09-05T09:25:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2020\\\/05\\\/reizvoller-mikrokosmos\"},\"wordCount\":350,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2020\\\/05\\\/reizvoller-mikrokosmos#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/alvison-hunter-Xy-R2WRwzPY-unsplash.jpg\",\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2020\\\/05\\\/reizvoller-mikrokosmos\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2020\\\/05\\\/reizvoller-mikrokosmos\",\"name\":\"Reizvoller Mikrokosmos - 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