{"id":68278,"date":"2025-10-22T15:24:27","date_gmt":"2025-10-22T13:24:27","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=68278"},"modified":"2025-10-15T16:02:02","modified_gmt":"2025-10-15T14:02:02","slug":"jose-tomas","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2025\/10\/jose-tomas","title":{"rendered":"A collection of transcriptions"},"content":{"rendered":"<figure id=\"attachment_68280\" aria-describedby=\"caption-attachment-68280\" style=\"width: 1233px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-68280 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl.jpg\" alt=\"\" width=\"1233\" height=\"1015\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl.jpg 1215w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl-300x247.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl-1024x843.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl-768x632.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl-15x12.jpg 15w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl-213x175.jpg 213w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl-425x350.jpg 425w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl-972x800.jpg 972w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/100877absdl-920x757.jpg 920w\" sizes=\"auto, (max-width: 1233px) 100vw, 1233px\" \/><figcaption id=\"caption-attachment-68280\" class=\"wp-caption-text\">Guitar and fruit bowl. Painting by Juan Gris, 1917. source: <a href=\"https:\/\/artvee.com\/dl\/guitar-and-fruit-bowl-on-a-table-guitar-and-fruit-bowl#00\" target=\"_blank\" rel=\"noopener\">Artvee<\/a><\/figcaption><\/figure>\n<p>The well-known guitarist David Russell described Jos\u00e9 Tom\u00e1s (1934-2001) from the Spanish coastal town of Alicante as the most influential guitar teacher of the late 20th century. Tom\u00e1s was not only a gifted guitarist and teacher, but also a diligent arranger of Renaissance, Baroque and other music. Pedro Jes\u00fas G\u00f3mez, like Russell a former student of Tom\u00e1s, has now published a carefully compiled collection of transcriptions by the Iberian maestro with Editions Chanterelle.<\/p>\n<p>The first focus is on 16th and 17th century lute music, with John Dowland featuring particularly prominently. With Couperin and Purcell it is then the harpsichord, with Bach's E minor suite BWV 996 the legendary lute piano, which is played on the guitar strings. From Haydn to the 20th century, there is arranged piano music by \"classics\" of the guitar repertoire such as Alb\u00e9niz and Granados, but also by other greats of the (late) Romantic period such as Tchaikovsky and Ravel.<\/p>\n<p>Tom\u00e1s played mainly on an eight-string Ramirez guitar made especially for him, with which he could also play the low notes of a polychoral Renaissance or Baroque lute. His arrangements were also tailored to this instrument. Editor G\u00f3mez meticulously documents deviations from Tom\u00e1s' manuscripts. In most of the pieces, one string is retuned (F sharp instead of G, D instead of E, even G instead of A). There are practically no gaps in the fingerings. The commentary is in English and Spanish. Anyone who enjoys interpreting lute and piano music on the guitar will be well served by this anthology.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-68279 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/10_crit_note_Joos-227x300.jpg\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/10_crit_note_Joos-227x300.jpg 227w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/10_crit_note_Joos-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/10_crit_note_Joos-133x175.jpg 133w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/10_crit_note_Joos-265x350.jpg 265w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/10_crit_note_Joos-300x396.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/10\/10_crit_note_Joos.jpg 491w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/><\/p>\n<p><em>The Jos\u00e9 Tom\u00e1s Guitar Anthology<strong>,<\/strong> Arrangements for Guitar solo by Jos\u00e9 Tom\u00e1s, ed. by Pedro Jes\u00fas G\u00f3mez, ECH 2725, \u20ac 22.50, Editions Chanterelle (Schott), Mainz<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>The famous guitarist Jos\u00e9 Tom\u00e1s has arranged a lot of lute and piano music for himself. Here is a selection, arranged for standard instruments.  <\/p>","protected":false},"author":29,"featured_media":68280,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[5371],"class_list":["post-68278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-jose-tomas"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Eine Sammlung von Transkriptionen - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Der ber\u00fchmte Gitarrist Jos\u00e9 Tom\u00e1s hat viel Lauten- und Klaviermusik f\u00fcr sich bearbeitet. 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