{"id":6913,"date":"2019-10-31T00:00:00","date_gmt":"2019-10-30T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/airs-varies-des-ungarischen-knaben\/"},"modified":"2024-09-05T12:45:08","modified_gmt":"2024-09-05T10:45:08","slug":"airs-varies-des-ungarischen-knaben","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2019\/10\/airs-varies-des-ungarischen-knaben","title":{"rendered":"Airs vari\u00e9s of the \"Hungarian boy\""},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Menzel_1853_Joseph_Joachim_vergr.jpg\" alt=\"\" width=\"554\" height=\"441\" \/><figcaption class=\"wp-caption-text\">Joseph Joachim in 1853, at the age of 22. Drawing by Adolph von Menzel \/ wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>From the age of 16 to 21, Joseph Joachim toured Europe extensively as a violin virtuoso and composed solo variations with orchestra from Hungarian verbunkos and Scottish songs. The <em>London Evening Standard <\/em>compared Joachim with Paganini's successor Camillo Sivori. H. W. Ernst wrote: \"... the Scottish Fantasy ... is suitable for demonstrating the excellent quality of style, mechanics and expression which this violinist is said to possess.\" In the <em>Morning Post <\/em>was written: \"Mr. Joachim mastered the difficulties of the piece ... with a skill that borders on magic.\"<\/p>\n<p>Joachim prevented the distribution of these works, which he regarded as a guarantee of success for his tours. The autograph was discovered in 1989 in the library of the University of Lodz (Poland), where it had been removed from Berlin in 1943. - It is now finally in print! The simple themes are continuously diminished, with runs of thirds, octaves, chromaticism, arpeggios, leaps, staccatos and unaccompanied cadenzas to moto-perpetuo endings - a challenge for young virtuosos.<\/p>\n<p>The detailed German and English preface by Katharina Uhde, the internationally active violinist and musicologist, contains valuable information on the performance practice of the time, including that of Ferdinand David (1810-1873) and Joachim himself: Bow strokes, double stops, portamento, vibrato and rubato. The critical commentaries demonstrate great editorial care. Incidentally, Katharina Uhde privately has orchestral material for her concertos - just like the young Joachim!<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/11_crit_note_Violine_Joachim.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Joseph Joachim: Fantasie \u00fcber Ungarische Motive, Fantasie \u00fcber Irische (Schottische) Motive for violin and orchestra, edited by Katharina Uhde, piano reduction and violin part, BA 7898-90, \u20ac 26.95, B\u00e4renreiter, Kassel <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Mendelssohn called Joseph Joachim the \"Hungarian boy\". His fantasies on Hungarian and Irish themes are virtuoso.<\/strong><\/p>","protected":false},"author":1,"featured_media":6914,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6913","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Walter Amadeus Ammann"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Airs vari\u00e9s des \u00abungarischen Knaben\u00bb - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2019\/10\/airs-varies-des-ungarischen-knaben\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Airs vari\u00e9s des \u00abungarischen Knaben\u00bb - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Mendelssohn nannte Joseph Joachim den \u00abungarischen Knaben\u00bb. 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