{"id":6929,"date":"2019-09-04T00:00:00","date_gmt":"2019-09-03T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/lange-vernachlaessigte-originalfassung\/"},"modified":"2024-09-05T14:30:43","modified_gmt":"2024-09-05T12:30:43","slug":"lange-vernachlaessigte-originalfassung","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2019\/09\/lange-vernachlaessigte-originalfassung","title":{"rendered":"Long neglected original version"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Dvorak_1868.jpg\" alt=\"\" width=\"554\" height=\"458\" \/><figcaption class=\"wp-caption-text\">Anton\u00edn Dvo\u0159\u00e1k 1868 Photo: Anonymous photo from the Dvo\u0159\u00e1k Museum in Prague \/ wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>When one thinks of Dvo\u0159\u00e1k's solo concertos, it is surely first and foremost his brilliant<br \/>\nCello Concerto op. 104, \"the perfect concerto ever\", according to the pianist (!) Rudolf Buchbinder. His only piano concerto in G minor op. 33 is rarely heard in our concert halls. What are the reasons for this?<\/p>\n<p>At the time, Dvo\u0159\u00e1k already had some experience as a composer in the field of chamber music and symphonies. However, his very own tonal language is only partially revealed in the three movements of the work. Borrowings from masters such as Beethoven, Chopin, Wagner and Brahms are still unmistakable. This is particularly the case in the first movement, while the slow second movement already reveals very personal traits. However, what has repeatedly prevented many pianists from including this concerto in their repertoire is probably the unwieldy, uncomfortable piano writing, which sounds enchanting in places but does not allow for virtuoso showmanship.<\/p>\n<p>For this reason, around 100 years ago, the Czech piano teacher Vil\u00e9m Kurz felt compelled to thoroughly revise the solo part. For decades, only his version seems to have been played. One of the first pianists to champion the original version was none other than Sviatoslav Richter. He played the concerto quite frequently and even recorded it in 1976 with the Bavarian State Orchestra (under Carlos Kleiber!).<\/p>\n<p>Robbert van Steijn recently republished this original version by B\u00e4renreiter-Verlag, both the piano reduction and the score. The preface provides all kinds of enlightening information about the complicated history of the work's reception, and Ivo Kah\u00e1nek adds some very useful tips on interpretation and fingering.<\/p>\n<p>The growing interest in Dvo\u0159\u00e1k's piano concerto in recent times cannot be overlooked. The new B\u00e4renreiter edition will presumably reinforce this trend. Andr\u00e1s Schiff is probably not wrong when he says: \"Numerous piano concertos of the 19th century, which are part of the repertoire of many pianists - and are played far too often - are no less complicated pianistically, without reaching Dvo\u0159\u00e1k's work in terms of musical expression and compositional skill.\"<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/09_crit_note_Klavier_Dvorak.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Anton\u00edn Dvo\u0159\u00e1k: Concerto in G minor op. 33 for piano and orchestra, Urtext edited by Robbert van Steijn; score, BA 10420, \u20ac 59.00; piano reduction, BA 10420-90, \u20ac 32.50; B\u00e4renreiter, Prague<br \/>\n<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Anton\u00edn Dvo\u0159\u00e1k's only piano concerto has long been performed in an edited version or dropped from the repertoire altogether. Wrongly so!<\/strong><\/p>","protected":false},"author":1,"featured_media":6930,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-6929","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":{"author":"Karl-Andreas Kolly"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lange vernachl\u00e4ssigte Originalfassung - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2019\/09\/lange-vernachlaessigte-originalfassung\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lange vernachl\u00e4ssigte Originalfassung - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Das einzige Klavierkonzert von Anton\u00edn Dvo\u0159\u00e1k wurde lange in einer bearbeiteten Version aufgef\u00fchrt oder fiel ganz aus dem Repertoire. 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