{"id":69312,"date":"2025-11-30T12:07:52","date_gmt":"2025-11-30T11:07:52","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=69312"},"modified":"2025-11-27T12:18:01","modified_gmt":"2025-11-27T11:18:01","slug":"ein-kind-der-70er","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2025\/11\/ein-kind-der-70er","title":{"rendered":"A child of the 70s"},"content":{"rendered":"
\"\"
Barry Guy. Photo: Francesca Pfeffer<\/figcaption><\/figure>\n

This LP almost makes you feel a little nostalgic. The agility of this bass playing, the nimble and at times wild actionism, a gesture of departure as we know it from the London free jazz scene, often tamed by structure that comes from new music. That was the 70s.<\/p>\n

The British double bass player Barry Guy, who has lived in Switzerland with his wife, violinist Maya Homburger, for a long time, has performed in several scenes, including baroque music. He has performed in Donaueschingen several times. And here everything comes together in a unique way. The one-and-a-half LP (with A, B and C sides) has a few surprises in store.<\/p>\n

Only Iannis Xenakis' Theraps<\/em> has become a classic with its bruitistic and playful power. The other four composers, although they are all still alive, have faded somewhat into the background; it is worth rediscovering them. They knew how to use Guy's improvisational and theatrical qualities in a variety of ways: Bernard Rands, for example, with Memo<\/em> or John Anthony Celona with Voicings<\/em>. The voice of the double bass player joins in, whispering and whistling. The Italian Luca Lombardi has composed a political Essay<\/em> with a quote from Paul Dessau, and the South Tyrolean Hubert Stuppner wrote with Expressions<\/em> a rondo for a clown - which is wonderfully illustrated with photos in this LP edition: Here, the bass is playing away with itself from the tape - a fine example of the exuberant vitality that instrumental theater still possessed in those years.<\/p>\n

Is that a thing of the past? In any case, it takes a virtuoso like Barry Guy, who incidentally has also created magnificent score graphics. Anaclasis<\/em> from 2002, the only own and more recent work, realized here with his bass colleague Stefano Scodanibbio, is one of them: it opens up a rich playing field for the two musicians.\"\"<\/p>\n

Barry Guy Plays. Luca Lombardi, Hubert Stuppner, Iannis Xenakis, Bernard Rands, John Anthony Celona and Barry Guy. Barry Guy, double bass. Maya Recordings MLP 2401<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Double bassist Barry Guy brings the instrumental theater of that decade to life with works by Lombardi, Stuppner, Xenakis, Rands and Celona as well as one of his own. 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