{"id":70039,"date":"2026-01-23T09:25:03","date_gmt":"2026-01-23T08:25:03","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=70039"},"modified":"2026-01-23T09:26:00","modified_gmt":"2026-01-23T08:26:00","slug":"music-producing-immer-haeufiger-im-angebot","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/basis\/vms\/2026\/01\/music-producing-immer-haeufiger-im-angebot","title":{"rendered":"Music producing: more and more on offer"},"content":{"rendered":"
\"\"
Students at the Institut Dalcroze in Geneva with music teacher Margaret Harmer (Image: zvg)<\/figcaption><\/figure>\n

\u201e<\/span>Nowadays, it's practically impossible to produce music without a computer,\u201c says Mauro Fiero, music teacher at the Centro Studi Musicali (CSM)<\/a> in Lugano. A fact that is increasingly reflected in the courses offered by VMS music schools. While some run regular one-day introductory courses in Ableton or other DAW (Digital Audio Workstations), others offer group or individual lessons.<\/p>\n

Introduction to synthesis<\/b><\/h3>\n

On Dalcroze Institute in Geneva<\/a> For example, Margaret Harmer has been teaching for ten years\u00a0 <\/span>the subject \u201eCurrent electronic music\u201c (musiques \u00e9lectroniques actuelles) in weekly group lessons for young people. \u201eElectronic music has been around for fifty years,\u201c says the electronic artist and drummer, \u201eso it's very important to teach it.\u201c She does sampling projects with the young people, teaches them about the history of hip hop and techno (among other things) and introduces them to synthesis. They work with GarageBand, Logic, Ableton or Maschine, depending on the students\u201e prior knowledge or wishes. At the end of the school year, the 12 to 17-year-olds produce their own projects, sometimes entire albums. What is particularly important to Margaret Harmer: \u201cI want the young people to develop their very own musical taste.\"<\/p>\n

The musical world of pupils<\/b><\/h3>\n

\u201eIt's a huge field - the computer is an instrument in itself,\u201c says Marc Scheidegger, Head of Division at the Sursee Region Music School<\/a>. He has also been teaching producing to pupils from senior school age for some time, in addition to electric guitar. The offer at the music school came about because the mixing console in his classroom kept coming up - can I record with it? What effects are there? He went to the school management with the idea of teaching the subject of producing separately, developed a subject description with his colleague Mathias Droll and then put together material boxes for the lessons. They each contain a laptop, a tablet, a Zoom recorder and microphones and can now also be used by other music teachers on a low-threshold basis - and in class courses at the school as well as vacation offers. \u201eThe students are very interested in producing,\u201c he says, \u201eIt's their world of music. It was clear to me that we should offer this.\u201c He uses practical examples to address topics from harmony and rhythm. There are also plans to expand on live mixing in the future.<\/p>\n

\"\"<\/p>\n

Courses with waiting list<\/b><\/h3>\n

Do the students practice at home? It's comparable to practicing any other instrument, says Marvin Trummer, keyboardist, producer and teacher at the Zurich Conservatory Music School<\/a> - Some do a lot at home, others don't. He has been teaching a group course with two levels for five semesters, which is free of charge for students who take individual lessons on an instrument at the MKZ. The course has met with great interest and there is a waiting list.\u00a0 <\/span>\u201eI see the lessons as a door opener,\u201c he says, \u201eI would have been very happy about it back then, I only had Chopin ...\u201c. For example, he recreates the drumbeat of a song in class, from recording to editing, to train the ear, or he brings along an analog synthesizer or a tape machine to the delight of the students.<\/p>\n

Producing in PreCollege<\/b><\/h3>\n

Since the 90s, producing has been practiced under different names at the Music School of the City of Basel<\/a> offered. Tomek Kolczynski teaches the young people in individual lessons. Around three quarters of them work with Ableton, others with Logic or Fruity Loops. The students also have the opportunity to prepare for the audio design course at the university in the PreCollege. As part of this preparation, he teaches the basics of synthesis, sampling and live electronics. He also considers it important to show students influential artists from the history of electronic pop and dance music.<\/p>\n

Learning competence<\/b><\/h3>\n

Artificial intelligence doesn't worry him: \u201eIt's not really usable musically yet,\u201c he says. \u201eAnd when the time comes, I'll be looking forward to a new tool.\u201c Marvin Trummer also sees AI as an interesting tool, but it could also become a \u201ecreative killer\u201c. That is why it is not currently an issue in lessons.<\/p>\n

Mauro Fiero emphasizes that competent use of the available tools optimizes the music production process: \u201eThis allows you to concentrate fully on the artistic and creative side of music.\u201c<\/p>\n

_________________<\/p>\n

Brief information on producing at music schools<\/b><\/h3>\n
    \n
  • Courses, individual or group lessons<\/li>\n
  • Equipment: laptops, midi keyboards, DAW<\/li>\n
  • Prerequisite: sometimes parallel to solf\u00e8ge lessons, or lessons on an instrument (e.g. piano, guitar, drums), but not mandatory<\/li>\n
  • Age: usually from about 12 years<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"

    Producing, music & computers, electronic music: more and more young people are taking lessons in subjects that don't just involve traditional instruments. Music teachers from all over Switzerland report on their experiences.<\/p>","protected":false},"author":43676,"featured_media":70042,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[56],"tags":[],"class_list":["post-70039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vms"],"acf":[],"yoast_head":"\nMusic Producing: Immer h\u00e4ufiger im Angebot - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/basis\/vms\/2026\/01\/music-producing-immer-haeufiger-im-angebot\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Music Producing: Immer h\u00e4ufiger im Angebot - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Producing, Musik & Computer, elektronische Musik: Immer mehr Jugendliche nehmen Unterricht in F\u00e4chern, die nicht nur an traditionellen Instrumenten stattfinden. 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