{"id":70384,"date":"2026-01-29T09:00:15","date_gmt":"2026-01-29T08:00:15","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=70384"},"modified":"2026-01-28T17:56:35","modified_gmt":"2026-01-28T16:56:35","slug":"warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/basis\/smr\/2026\/01\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft","title":{"rendered":"Why the halving initiative hits Swiss music life to the core"},"content":{"rendered":"<section class=\"placed focus\">Music is not created in a vacuum. It thrives on resonance, on communication, on publicity. In Switzerland, this public is closely linked to the SRG. It makes Swiss music audible via radio, television and digital platforms - across all genres, language regions and generations. Every year, SRG broadcasts over 42,000 hours of Swiss music, produces almost 1,000 hours of live music and documents concerts, festivals, ensembles and orchestras from all over the country.<\/p>\n<p>These services are not a by-product, but part of a cultural-political mission. Private media cannot - and do not want to - take on this role. They are geared towards click figures, advertising markets and internationally exploitable content. Classical music, jazz, folk music, new music or experimental formats would hardly have a place there. Without SRG, a large part of Swiss music creation would disappear from public perception.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>A stage for everyone - not just for the mainstream<\/strong><\/p>\n<p>The consequences would be particularly drastic for up-and-coming artists. Formats such as SRF 3 Best Talent, RTS Radar or Eurovision Young Musicians offer young musicians their first national stage - often the decisive step towards a professional career. These platforms exist because SRG does not operate on the basis of short-term returns, but instead enables long-term cultural development.<\/p>\n<p>SRG is also key for established ensembles, choirs and orchestras. Concert broadcasts, recordings and portraits create reach far beyond the concert hall. They ensure that music is not only present locally, but nationwide - even in regions where there is hardly any private media.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Culture needs remembrance<\/strong><\/p>\n<p>There is also an aspect that is often overlooked: cultural memory. Hundreds of concert recordings, music documentaries and audiovisual archives are created every year. These recordings are more than just content - they are testimonies to the times. They show what Switzerland sounds like, today and tomorrow. If SRG were halved, this sonic memory would become fragile. Because no one else produces, maintains and makes these collections accessible in comparable breadth and quality.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Film, series - and the music that carries them<\/strong><\/p>\n<p>The halving initiative would not only affect music directly, but also Swiss filmmaking - and therefore production music. Through the Pacte de l'audiovisuel, SRG invests around CHF 34 million a year in independent Swiss films and series. For composers, sound designers, recording studios and musicians, this means hundreds of commissions every year. If this funding disappears, a central market for applied music will collapse - with serious consequences for the entire value chain.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Halving is not a savings program<\/strong><\/p>\n<p>SRG is already making massive savings and is undergoing a far-reaching transformation process. Halving the budget would not be a further efficiency step, but a structural cut. Regional studios would have to close, productions would be centralized and regional and cultural diversity would be lost. The Latin language regions and peripheral areas would be particularly affected - and with them those musical voices that are already struggling for visibility.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>What is at stake<\/strong><\/p>\n<p>The halving initiative is therefore much more than a media policy proposal. It is a cultural policy decision. It is about the question of whether Swiss music will continue to have a national stage - or whether it will fall silent in the shadow of international platforms. Anyone who takes Swiss musical life seriously must consider these consequences.<\/p>\n<\/section>\n<section class=\"placed\">&nbsp;<\/p>\n<p><strong>Order campaign material<\/strong><\/p>\n<p>The Swiss Music Council is campaigning against the SRG halving initiative with the campaign \u00abWhere the music plays\u00bb. Information material, arguments, flyers and stickers can be ordered at: <a href=\"mailto:info@musikrat.ch\">info@musikrat.ch<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Further information and many voices from the Swiss music scene: <a href=\"http:\/\/wodiemusikspielt.ch\">wodiemusikspielt.ch<\/a><\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Switzerland is a musical country. Millions sing, play, listen, attend concerts and festivals. But this vibrant musical landscape depends on visibility. With the so-called SRG halving initiative, the very media stage that has carried, documented and made Swiss music accessible to a wide audience for decades is at stake.<\/p>","protected":false},"author":58047,"featured_media":70385,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,1597],"tags":[],"class_list":["post-70384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-smr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Warum die Halbierungsinitiative das Schweizer Musikleben ins Mark trifft - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/basis\/smr\/2026\/01\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Warum die Halbierungsinitiative das Schweizer Musikleben ins Mark trifft - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die Schweiz ist ein musikalisches Land. Millionen singen, spielen, h\u00f6ren, besuchen Konzerte und Festivals. Doch diese lebendige Musiklandschaft ist auf Sichtbarkeit angewiesen. Mit der sogenannten SRG-Halbierungsinitiative steht genau jene mediale B\u00fchne auf dem Spiel, die Schweizer Musik seit Jahrzehnten tr\u00e4gt, dokumentiert und einem breiten Publikum zug\u00e4nglich macht.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/basis\/smr\/2026\/01\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-29T08:00:15+00:00\" \/>\n<meta name=\"author\" content=\"Jean Damien Humair\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean Damien Humair\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smr\\\/2026\\\/01\\\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smr\\\/2026\\\/01\\\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft\"},\"author\":{\"name\":\"Jean Damien Humair\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/a31b8cba578bde81984ffd46715f51dd\"},\"headline\":\"Warum die Halbierungsinitiative das Schweizer Musikleben ins Mark trifft\",\"datePublished\":\"2026-01-29T08:00:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smr\\\/2026\\\/01\\\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft\"},\"wordCount\":584,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smr\\\/2026\\\/01\\\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/01_Verbaende_SMR_Halbierung_Bild-pdf.jpg\",\"articleSection\":[\"Basis\",\"SMR\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smr\\\/2026\\\/01\\\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/smr\\\/2026\\\/01\\\/warum-die-halbierungsinitiative-das-schweizer-musikleben-ins-mark-trifft\",\"name\":\"Warum die Halbierungsinitiative das Schweizer Musikleben ins Mark trifft - 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