{"id":71902,"date":"2026-03-26T09:00:32","date_gmt":"2026-03-26T08:00:32","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=71902"},"modified":"2026-06-15T10:08:58","modified_gmt":"2026-06-15T08:08:58","slug":"ausgabe-2-2026-focus-haltung","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/smz\/2026\/03\/ausgabe-2-2026-focus-haltung","title":{"rendered":"Issue 2\/2026 - Focus on \u00abAttitude\u00bb"},"content":{"rendered":"<figure id=\"attachment_71904\" aria-describedby=\"caption-attachment-71904\" style=\"width: 2362px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-71904 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26.jpg\" alt=\"\" width=\"2362\" height=\"1688\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26.jpg 1399w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-300x214.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1024x732.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-768x549.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1536x1098.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-2048x1464.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-245x175.jpg 245w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-490x350.jpg 490w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1119x800.jpg 1119w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-920x657.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1400x1001.jpg 1400w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><figcaption id=\"caption-attachment-71904\" class=\"wp-caption-text\">Estelle Revaz being interviewed at the Federal Palace. Photo: Holger Jacob<\/figcaption><\/figure>\n<h3>Table of contents<\/h3>\n<h3><strong>Focus<\/strong><\/h3>\n<p><strong><em>\u00abArtists have become the cultural patrons of society\u00bb<\/em><\/strong><br \/>\n<em>Interview with Estelle Revaz. She is the first professional musician in the National Council, politicizes for the Geneva Social Democrats and at the same time pursues her international career as a cellist.<\/em><\/p>\n<p><strong>The flirt between pop and populism<\/strong><br \/>\nPoliticians like to use catchy musical messages, sometimes against the will of the artists. It becomes populist when someone presents themselves as a rebel and floats on the mainstream.<\/p>\n<p><strong><em>Customs and politics<\/em><\/strong><br \/>\n<em>In central Valais, brass bands are not just about music. For a long time, they also referred to a certain party-political stance, which contributed to their success.<\/em><\/p>\n<p><strong>Music history with white spots<\/strong><br \/>\nThe political stance of the greats of Swiss musical life in the 20th century has by no means been fully investigated. Time and again, inglorious revelations are made, particularly about the years of the Nazi dictatorship. This also applies to Werner Reinhart, a leading patron of the arts.<\/p>\n<p><strong>Chat<\/strong><br \/>\nSilke G\u00e4ng and Fiona Stevens chat about how a cultural institution can show attitude, both internally and externally.<\/p>\n<p><em>(italics = summary in German of the original French article)<\/em><\/p>\n<h3>Critiques<\/h3>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/kategorie\/rezensionen\" target=\"_blank\" rel=\"noopener\">New releases<\/a> <a href=\"https:\/\/www.musikzeitung.ch\/kategorie\/rezensionen\/buecher-rezensionen\" target=\"_blank\" rel=\"noopener\">Books<\/a>, <a href=\"https:\/\/www.musikzeitung.ch\/kategorie\/rezensionen\/tontraeger-rezensionen\" target=\"_blank\" rel=\"noopener\">Sound carrier<\/a>, <a href=\"https:\/\/www.musikzeitung.ch\/kategorie\/rezensionen\/web\" target=\"_blank\" rel=\"noopener\">Websites<\/a>, <a href=\"https:\/\/www.musikzeitung.ch\/kategorie\/rezensionen\/noten-rezensionen\" target=\"_blank\" rel=\"noopener\">Notes,<\/a> <a href=\"https:\/\/www.musikzeitung.ch\/kategorie\/rezensionen\/filme\" target=\"_blank\" rel=\"noopener\">Movies<\/a><\/p>\n<h3><strong>Echo\u00a0<\/strong><\/h3>\n<p><em>There is not enough space in the printed edition for all the texts, so they are listed here and linked to the corresponding online articles. Most of these were published before the printed edition appeared.<\/em><\/p>\n<p><strong>Opening a gateway to the world<\/strong><br \/>\nDaniel Schnyder has always been fascinated by the interfaces between musical styles and traditions far beyond Europe. In the Hirschmann master classes, he shares his insights with the next generation.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/news\/personen\/2026\/03\/100-jahre-caspar-diethelm\" target=\"_blank\" rel=\"noopener\"><strong>100 years of Caspar Diethelm<\/strong><\/a><br \/>\nTo mark the anniversary, pianist Patrizio Mazzola is joining forces with other musicians to commemorate an outstanding artistic personality and his work.<\/p>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/entretien\/2026\/03\/quand-le-classique-decoiffe\" target=\"_blank\" rel=\"noopener\"><strong>Quand le classique d\u00e9coiffe<\/strong><\/a><br \/>\nBouillonnant \u00e9cosyst\u00e8me culturel, la s\u00e9rie M Classics se montre plus audacieuse que jamais avec un virage \u00e0 180\u00b0. Entretien avec son directeur artistique, Mischa Damev.<\/p>\n<p><strong>Hommage musical aux victimes de Crans-Montana<br \/>\n<\/strong>It was at the Rosey Concert Hall in Rolle that a concert was held on January 29 to pay tribute to the victims of the tragedy that occurred in Crans-Montana at the beginning of the year.\u00a0<strong><br \/>\n<\/strong><\/p>\n<p><strong>Curriculum fulfilled?<\/strong><br \/>\nHow are music lessons actually taught at primary level? Bernhard Suter, mentor and lecturer in music didactics at the Zurich University of Teacher Education, conducted a survey.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/die-energie-eines-orchesters\" target=\"_blank\" rel=\"noopener\"><strong>The energy of an orchestra<\/strong><\/a><br \/>\nThe Basel Chamber Orchestra sent a trio to the Tinguely Museum to reflect on sustainability. \u00abUnter Strom\u00bb provided a speed run through music history, lots of questions and few answers.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/03\/pgm-sparen-im-nebel\" target=\"_blank\" rel=\"noopener\"><strong>Saving in the fog<\/strong><\/a><br \/>\nAt the meeting of the Parliamentary Group for Music on March 4, the possible effects of the \u00abrelief package 27\u00bb on the music industry were discussed. The package, which places a burden on music professionals, was put together in great haste with unclear consequences.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/amerika-schwerpunkt-beim-lucerne-festival\" target=\"_blank\" rel=\"noopener\"><strong>Focus on America at the Lucerne Festival<\/strong><\/a><br \/>\nSebastian Nordmann has presented his first summer program. The festival wants to become more relevant, but wants the controversial topic to be understood in purely musical terms.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/jerusalem-im-zentrum\" target=\"_blank\" rel=\"noopener\"><strong>Jerusalem in the center<\/strong><\/a><br \/>\nThe five-day Mizmorim chamber music festival in Basel at the end of January focused on intercultural encounters. Renowned artists and ensembles such as the Gringolts Quartet, clarinettist Reto Bieri and flautist Ariel Zuckermann provided musical excellence.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/03\/die-verzweifelte-lust-an-der-apokalypse\" target=\"_blank\" rel=\"noopener\"><strong>The desperate desire for the apocalypse<\/strong><\/a><br \/>\nThe Zurich Opera House shows<em> Monster's Paradise<\/em>. Together with Elfriede Jelinek, the Austrian Olga Neuwirth has created a highly topical opera in which she unleashes the monsters of the present on each other.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/ein-festival-wird-umgebaut\" target=\"_blank\" rel=\"noopener\"><strong>A festival is rebuilt<\/strong><\/a><br \/>\nThe new Ascona Music Festival was unveiled in Locarno at the end of January. No stone is left unturned: Francesco Piemontesi's artist festival Settimane musicali will become the cultural event \u00abclassicAscona\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Base<\/strong><\/h3>\n<p>Articles and news from the music associations<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/kmhs\" target=\"_blank\" rel=\"noopener\">Konferenz Musikhochschulen Schweiz (KMHS) \/ Conf\u00e9rence des Hautes Ecoles de Musique Suisse (CHEMS)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smr\/\" target=\"_blank\" rel=\"noopener\">Swiss Music Council (SMR) \/ Conseil Suisse de la Musique (CSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smm\/\" target=\"_blank\" rel=\"noopener\">Swissmedmusica (SMM) \/ Association suisse de M\u00e9decine de la Musique (SMM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smg\/\" target=\"_blank\" rel=\"noopener\">Swiss Musicological Society (SMG) \/ Soci\u00e9t\u00e9 Suisse de Musicologie (SSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smv\/\" target=\"_blank\" rel=\"noopener\">Swiss Musicians' Association (SMV) \/ Union Suisse des Artistes Musiciens (USDAM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smpv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Soci\u00e9t\u00e9 Suisse de P\u00e9dagogie Musicale (SSPM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sonart\/\" target=\"_blank\" rel=\"noopener\">SONART - Musicians Switzerland<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sjmw\/\" target=\"_blank\" rel=\"noopener\">Swiss Youth Music Competition Foundation (SJMW)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/arosa-kultur\/\" target=\"_blank\" rel=\"noopener\">Arosa Culture<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/suisa\/\" target=\"_blank\" rel=\"noopener\">SUISA - Cooperative Society of Authors and Publishers of Music<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/vms\/\" target=\"_blank\" rel=\"noopener\">Swiss Association of Music Schools (VMS) \/ Association Suisse des \u00c9coles de Musique (ASEM)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Upright and deaf<br \/>\n<\/strong>Puzzle by Pia Schwab<\/p>\n<p>________________________________________<\/p>\n<p><a href=\"mailto:contact@musikzeitung.ch\"><strong>Order issue for CHF 12.- (+ CHF 2.- shipping costs)<\/strong><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Inhaltsverzeichnis Focus \u00abK\u00fcnstler sind die Kulturm\u00e4zene der Gesellschaft geworden\u00bb Interview mit Estelle Revaz. Sie ist die erste Berufsmusikerin im Nationalrat, politisiert f\u00fcr die Genfer Sozialdemokraten und verfolgt zugleich ihre internationale Karriere als Cellistin. Der Flirt von Pop und Populismus Die Politik bedient sich gern griffiger musikalischer Botschaften, manchmal auch gegen den Willen der K\u00fcnstlerinnen und [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":71904,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[2288,5552,2353,3202,5556,5004,5557,5438,1771,5113,5555,1762,1911,1956],"class_list":["post-71902","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-blasmusik","tag-caspar-diethelm","tag-daniel-schnyder","tag-estelle-revaz","tag-fanfares-valaisannes","tag-fiona-stevens","tag-mischa-damev","tag-musikpolitik","tag-othmar-schoeck","tag-popularmusik","tag-populismus","tag-schulmusik","tag-silke-gaeng","tag-werner-reinhart"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ausgabe 2\/2026 \u2013 Focus \u00abHaltung\u00bb - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Die Ausgabe Nummer 2\/2026 der Schweizer Musikzeitung mit Focus \u00abHaltung\u00bb. 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