{"id":71907,"date":"2026-03-28T11:09:47","date_gmt":"2026-03-28T10:09:47","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=71907"},"modified":"2026-03-25T12:09:44","modified_gmt":"2026-03-25T11:09:44","slug":"wertmueller","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2026\/03\/wertmueller","title":{"rendered":"About the desire to break frames"},"content":{"rendered":"
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Michael Wertm\u00fcller. Excerpt from the book cover<\/figcaption><\/figure>\n

How can one approach such an abundance? Well, the oeuvre of Michael Wertm\u00fcller, a percussionist and composer whose catalog of works reveals an almost manic creative urge, whose scores can hardly be surpassed in opulence and density and who, on top of that, moves between various genres such as jazz, new music including opera, chamber or orchestral music and, finally, rock, mostly of a harder kind.<\/p>\n

Well, the 14 authors of the special volume Michael Wertm\u00fcller, richly illustrated with scores and photos, try. One focus is on the astonishingly extensive opera and music theater oeuvre. In his text, Thomas Meyer deals with Stop,<\/em> which premiered in Lucerne in 2013. He vividly describes the genesis of the politically charged work and describes in detail how the texts by the radical Swiss writer Lukas B\u00e4rfuss and Wertm\u00fcller's no less radical music came together. In her article on the \u00abexperimental opera\u00bb D-I-E<\/em> Barbara Eckle explains, among other things, the concept that goes beyond any traditional framework. A classical string quartet, a female rapper, a garage-hardcore punk band, a classical percussionist and, last but not least, the well-known jazz trio Steamboat Switzerland, with whom Wertm\u00fcller has been collaborating for decades, are used to sometimes deafeningly loud effect. Gabrielle Weber describes this close, mutually stimulating cooperation with many refreshing interview excerpts from band members Dominik Blum, Marino Pliakas and Lucas Niggli.<\/p>\n

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Wertm\u00fcller's musical socialization is also mentioned several times (and certainly with repetition). He grew up in Thun, apparently played the drums tirelessly and then, after studying percussion in Bern and Amsterdam, was offered a position in the renowned Concertgebouw Orchestra. \u00abI saw the future ahead of me, what others
\nwanted a permanent position in the orchestra was a horror for me.\u00bb That says a lot about this unbridled musician and composer.\"\"<\/p>\n

Michael Wertm\u00fcller, Musik-Konzepte Sonderband XI\/2024, edited by Ulrich Tadday, 248 p., \u20ac 44.00, Edition text+kritik, Munich 2024, ISBN 978-3-96707-969-2<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

In 14 contributions, this Text+Kritik special volume explores the work and biography of Michael Wertm\u00fcller. <\/p>","protected":false},"author":29,"featured_media":71915,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[3181],"class_list":["post-71907","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-michael-wertmueller"],"acf":[],"yoast_head":"\n\u00dcber die Lust, Rahmen zu sprengen - 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