{"id":7191,"date":"2018-01-25T00:00:00","date_gmt":"2018-01-24T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/neues-unterrichtsmaterial-fuer-klein-und-gross\/"},"modified":"2024-09-05T19:12:53","modified_gmt":"2024-09-05T17:12:53","slug":"neues-unterrichtsmaterial-fuer-klein-und-gross","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2018\/01\/neues-unterrichtsmaterial-fuer-klein-und-gross","title":{"rendered":"New teaching material for young and old"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/774869_original_R_K_B_by_Rosel-Eckstein_pixelio.de_.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Photo: Rosel Eckstein\/pixelio.de<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>As a reviewer, isn't it nice when you get your hands on a magazine to review that you already rated positively 30 years ago? It has now become part of the magazine series <em>Ready to Play<\/em>which leads piano, string and wind instrumentalists in duo formations to fulfilling music-making. Istv\u00e1n Nagy offers in <em>Introduction to the Great Composers<\/em> with 15 unknown pieces, an overview of baroque to romantic composition. The stimulating variety of characters, rhythms, vocal and agility is great. Some pieces can be played in the 1st position, some require 2nd and 3rd position. The bow divisions are clearly marked.<img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/1_crit_Note_Violine1.jpg\" alt=\"Image \" \/><\/p>\n<\/div>\n<div class=\"text-section\">\n<p>Edition Walhall has published a beautiful Urtext edition of Vivaldi's Violin Concerto in G minor op. 12\/1, sponsored by Suzuki and Galamian, based on the first edition of 1729 by the Dutch publisher Roger &amp; Le C\u00e8ne. It is completely sufficient for study, as hardly any changes of position are necessary in the piece, most of which is in 1st position, and the bowings are almost self-evident. The third pages of the outer movements are attached to the violin part on an additional sheet to avoid turning. The preface gives an exciting account of why Vivaldi refrained from printing Opus 12 after it went to press: pirated copies! The piano part is easy to play and the orchestral material is also available.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/1_crit_Note_Violine2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p>The valuable concertos by Charles-Auguste de B\u00e9riot (1802-1870), head of the violin class at the Brussels Conservatory and founder of the Franco-Belgian violin school, have been given an exemplary new edition by the pedagogue Kurt Sassmannshaus, who worked in Cincinnati. The modern fingerings often take into account the 19th century style with slurred changes of position by the same finger. The bowing indications are perfect. The melodious \"Sc\u00e8ne de Ballet\", rich in rhythmic finesse, should not be missed at the advanced level and the virtuoso, somewhat Hungarian-sounding concerto in A minor is also worth playing.<img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/1_crit_Note_Violine3.jpg\" alt=\"Image \" \/><\/p>\n<\/div>\n<div class=\"text-section\">\n<p><em>Introduction to the Great Composers, for violin and piano, edited by Istv\u00e1n Nagy, BA 10633, \u20ac 11.95, B\u00e4renreiter, Kassel 2016<\/em><\/p>\n<p><em>Antonio Vivaldi: Concerto in G minor op. 12, no. 1 RV 317 for solo violin and string orchestra, edited by Daniel Ivo de Oliveira; score, EW 992, \u20ac 19.80; piano reduction, EW 932, \u20ac 16.80; Edition Walhall, Magdeburg 2016<\/em><\/p>\n<p><em>Charles-Auguste B\u00e9riot: Sc\u00e8ne de Ballet op. 100, arr. for violin and piano, edited by Kurt Sassmannshaus, BA 10695, \u20ac 13.95, B\u00e4renreiter, Kassel 2016<\/em><\/p>\n<p><em>id., Concerto No. 9 in A minor op. 104, arr. for violin and piano, BA 10696, \u20ac 13.95<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Well-known and unknown pieces by famous composers that enliven lessons, in new editions. <\/strong><\/p>","protected":false},"author":1,"featured_media":7192,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Neues 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