{"id":7203,"date":"2017-12-05T00:00:00","date_gmt":"2017-12-04T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/chorsinfonik-der-champions-league\/"},"modified":"2024-09-09T10:40:56","modified_gmt":"2024-09-09T08:40:56","slug":"chorsinfonik-der-champions-league","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2017\/12\/chorsinfonik-der-champions-league","title":{"rendered":"Champions League choral symphony"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Chorsinfonik.jpg\" alt=\"\" width=\"554\" height=\"445\" \/><figcaption class=\"wp-caption-text\">Photo: Karin Schmidt\/pixelio.de<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>As team players, many choir directors are of course also familiar with the Champions League opening music, which <em>Zadok the Priest<\/em> (HWV 258) from the <em>Coronation Anthems <\/em>by George Frideric Handel as the official anthem. In addition to this intense, 6-minute work, B\u00e4renreiter Verlag has now also published <em>The King shall rejoice <\/em>(HWV 260, duration approx. 12 minutes) in the Urtext of the Halle Handel Edition. Handel wrote the festive, richly orchestrated and magnificent four <em>Coronation Anthems<\/em> (total duration approx. 40 minutes) on the occasion of George the Second's coronation in London in 1727. The English musicologist and contemporary Charles Burney once described its overwhelming splendor of sound both aptly and flippantly as the \"great woof-woof style\". It is to be hoped that the other two, less well-known <em>Anthems <\/em>will also soon be published in such a fantastic new edition (orchestral material, piano reduction and score) to provide oratorio choirs with further alternatives to the well-known <em>Messiah<\/em> to give.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/12_crit_Note_Chor1_Haendel.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>With the <em>Missa votiva <\/em>by Bach's contemporary Jan Dismas Zelenka, which is unfortunately performed far too little, has been published by Breitkopf &amp; H\u00e4rtel in another highly recommended Urtext edition. The performance material is based on the scholarly-critical editions of the series <em>The heritage of German music,<\/em> from which the informative preface and critical report are also taken. Zelenka's masses are spectacular masterpieces of Baroque choral literature, which in their colorful variety are in no way inferior to the works of Johann Sebastian Bach. This 70-minute mass with its slim orchestration (2 oboes, strings and basso continuo) is the ideal find for ambitious chamber choirs looking for something special oratorically.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/12_crit_Note_Chor2_Zelenka.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>The famous Great Mass in C minor (KV 427) by Wolfgang Amadeus Mozart undoubtedly fits into a musical-historical line between Bach's Mass in B minor and Beethoven's <em>Missa solemnis.<\/em> It was published this year by Carus-Verlag in an exemplary new edition. Unfortunately, as Mozart's most personal and largest-scale mass, the opus remained unfinished and, as a torso, has posed many puzzles ever since. For this reason, there have been numerous attempts to complete, edit and even recompose the fragment in the course of its reception history.<\/p>\n<p>Now the musicologist Uwe Wolf from Carus-Verlag and the well-known conductor Frieder Bernius have joined forces and created a version that sets new standards in a congenial collaboration between scholarship and practice - something that is unfortunately practiced far too rarely. With great respect for the existing sources, this new edition continues the tradition of the versions by Eder, Beyer and Maunder of not adding any new movements to the torso, be it through the so-called parody method or original compositions, as in the versions by Wilby, Levin or Koopman. Particularly refreshing are the newly added trumpets and timpani in the <em>Credo <\/em>and the reorganization and careful correction of the counterpoint in the <em>Osanna<\/em>. In addition to the complete performance material, there is also an elegant facsimile booklet for better allocation of the additions\/arrangements and an excellent CD recording with the Kammerchor Stuttgart under Bernius (Carus CD 83.284).<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/12_crit_Note_Chor3_Mozart.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>George Frideric Handel: Zadok the priest. Coronation Anthem HWV 258, edited by Stephan Blaut; score BA 10258, \u20ac 14.95; piano reduction BA 10258-90, \u20ac 4.95; B\u00e4renreiter, Kassel 2016<\/em><\/p>\n<p><em>id.: The King shall rejoice; score BA 10259, \u20ac 24.95; piano reduction BA 10259-90, \u20ac 10.95<br \/>\n<\/em><\/p>\n<p><em>Jan Dismas Zelenka: Missa votiva ZWV 18, edited by Reinhold Kubik; score PB 5577, \u20ac 89.00; piano reduction EB 8053, \u20ac 19.90; Breitkopf &amp; H\u00e4rtel, Wiesbaden 2016<\/em><\/p>\n<p><em> Wolfgang Amadeus Mozart: Missa in c KV 427, completed and edited by Frieder Bernius and Uwe Wolf, score CV 51.651\/00, \u20ac 85.00; piano reduction CV 51.651\/03, \u20ac 16.00; facsimile booklet CV 51.651\/02, \u20ac 29.80; Carus, Stuttgart 2017<br \/>\n<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>The \"Coronation Anthems\" by Handel, the \"Missa votiva\" by Zelenka and the Great Mass in C minor by Mozart unfold a great splendor of sound. They are all available in remarkable new editions. <\/strong><\/p>","protected":false},"author":1,"featured_media":7204,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Chorsinfonik der Champions League - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2017\/12\/chorsinfonik-der-champions-league\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chorsinfonik der Champions League - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Grosse Klangpracht entfalten sowohl die \u00abCoronation Anthems\u00bb von H\u00e4ndel, die \u00abMissa votiva\u00bb von Zelenka und die Grosse Messe c-Moll von Mozart. Sie alle liegen in bemerkenswerten Neuausgaben vor.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2017\/12\/chorsinfonik-der-champions-league\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-12-04T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-09T08:40:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Chorsinfonik.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"445\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/12\\\/chorsinfonik-der-champions-league#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/12\\\/chorsinfonik-der-champions-league\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Chorsinfonik der Champions League\",\"datePublished\":\"2017-12-04T23:00:00+00:00\",\"dateModified\":\"2024-09-09T08:40:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/12\\\/chorsinfonik-der-champions-league\"},\"wordCount\":546,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/12\\\/chorsinfonik-der-champions-league#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Chorsinfonik.jpg\",\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/12\\\/chorsinfonik-der-champions-league\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/12\\\/chorsinfonik-der-champions-league\",\"name\":\"Chorsinfonik der Champions League - 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