{"id":72317,"date":"2026-04-03T09:19:45","date_gmt":"2026-04-03T07:19:45","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=72317"},"modified":"2026-04-16T19:26:13","modified_gmt":"2026-04-16T17:26:13","slug":"zwei-neue-werke-von-bach","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2026\/04\/zwei-neue-werke-von-bach","title":{"rendered":"Two \u00abnew\u00bb works by Bach"},"content":{"rendered":"
\"\"
Restored Wender organ in the Protestant church in Arnstadt. In 1703, the 18-year-old Johann Sebastian Bach put the newly built organ into operation. Photo: GFreihalter\/wikimedia commons<\/a><\/figcaption><\/figure>\n

Last November, the media announced the (re-)premiere of two chaconnes as a \u00abworld sensation\u00bb, which musicologist Peter Wollny now attributes to the young Johann Sebastian Bach after years of research and which have therefore also been given two BWV numbers.<\/p>\n

Bach pupil Salomon G\u00fcnther John<\/h3>\n

This edition, published by Breitkopf & H\u00e4rtel as a supplement to the 4th volume of the latest complete edition of the organ works, is impeccable as usual. The preface describes the meticulous, almost \u00abdetective-like\u00bb search for traces of the two works. By means of complicated script comparisons, an anonymous manuscript kept in Brussels could be traced back to the cantor, teacher and organist Salomon G\u00fcnther John, born in 1695, who indicated in a job application in 1727 that he had \u00abinitially attended lessons with the former organist in Arnstadt\u00bb (without giving his name). As it can be assumed from another copy of a work by John (BWV 951) that was certainly written by Bach that he was indeed Bach's pupil during his time in Arnstadt (1703-07), it is also possible to assume Bach's authorship of the two anonymous chaconnes in the Brussels manuscript. (NB: These had previously been attributed to another composer, J. C. Graff, under whose name they were even occasionally performed).<\/p>\n

Style features<\/h3>\n

Wollny further underpins his theory with stylistic comparisons with other early works by Bach, the characteristics of which the Swiss organist Jean-Claude Zehnder described in his seminal work, published as part of the Schola Cantorum Basiliensis Scripta<\/em> published by Schwabe in 2009. In addition, certain figurations are reminiscent of Bach's organ passacaglia BWV 582, which, like BWV 1178, is then continued in a fugue.<\/p>\n

Fascinating evidence<\/h3>\n

As was to be expected, the \u00abpremiere\u00bb triggered further discussions about Bach's authorship. Without being able to go into the various arguments for and against here: The two works, which can also be easily realized on smaller organs, show a composer who has a solid craft, knows how to write with virtuosic joy of playing and occasionally (if not always) lets a personal signature and \u00abgenius\u00bb traits shine through. If this really is the (18 to 22-year-old) Bach, then a further stage in his development as a composer has been opened up here. In any case, the path to this attribution is fascinating!\"\"<\/p>\n

Johann Sebastian Bach:<\/em> Two chaconnes BWV 1178 and 1179,<\/em> (Complete Organ Works, Supplement to Volume 4), edited by Peter Wollny, EB 9648, \u20ac 16.90, Breitkopf & H\u00e4rtel, Wiesbaden\u00a0 \u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Two chaconnes in a Brussels manuscript are attributed to the young Johann Sebastian Bach and bear the BWV numbers 1178 and 1179. <\/p>","protected":false},"author":29,"featured_media":72326,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[5578,5579,5577,5581,2222,1699,5580,5582],"class_list":["post-72317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-bwv-1178","tag-bwv-1179","tag-chaconne","tag-j-c-graff","tag-johann-sebastian-bach","tag-orgel","tag-peter-wollny","tag-salomon-guenther-john"],"acf":[],"yoast_head":"\nZwei \u00ab neue\u00bb Werke von Bach - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Zwei Chaconnen in einem Br\u00fcsseler Manuskript werden dem jungen Johann Sebastian Bach zugeschrieben und tragen die BWV-Nummer 1178 unf 1179.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2026\/04\/zwei-neue-werke-von-bach\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zwei \u00ab neue\u00bb Werke von Bach - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Zwei Chaconnen in einem Br\u00fcsseler Manuskript werden dem jungen Johann Sebastian Bach zugeschrieben und tragen die BWV-Nummer 1178 unf 1179.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2026\/04\/zwei-neue-werke-von-bach\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-03T07:19:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-16T17:26:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/04\/Arnstadt_Bachkirche_Orgel_980_retouched.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"979\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2026\\\/04\\\/zwei-neue-werke-von-bach#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2026\\\/04\\\/zwei-neue-werke-von-bach\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Zwei \u00ab neue\u00bb Werke von Bach\",\"datePublished\":\"2026-04-03T07:19:45+00:00\",\"dateModified\":\"2026-04-16T17:26:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2026\\\/04\\\/zwei-neue-werke-von-bach\"},\"wordCount\":433,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2026\\\/04\\\/zwei-neue-werke-von-bach#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/Arnstadt_Bachkirche_Orgel_980_retouched.jpg\",\"keywords\":[\"BWV 1178\",\"BWV 1179\",\"Chaconne\",\"J. 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