{"id":72361,"date":"2026-04-07T16:11:49","date_gmt":"2026-04-07T14:11:49","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=72361"},"modified":"2026-04-01T16:30:21","modified_gmt":"2026-04-01T14:30:21","slug":"nachhall-und-zukuenfte","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2026\/04\/nachhall-und-zukuenfte","title":{"rendered":"Reverberations and futures"},"content":{"rendered":"
\"\"
Excerpt from the CD cover<\/figcaption><\/figure>\n

They came together through their shared soft spot for k-punk aka Mark Fisher, an English music critic and cultural theorist who died in 2017. And what did pianist Stefan K\u00e4gi and composer Michael Emanuel Bauer make of it? They took Othmar Schoeck's late song cycle Reverberation<\/em>, K\u00e4gi and Bauer looked at it \u00abfrom the spirit of Derrida's hauntology\u00bb and reworked it. The starting point is as unusual as the resulting mix: K\u00e4gi interprets the cycle together with bass-baritone Robert Koller; alongside the original is a textual and musical update, Bauer's \u00abAfterimages\u00bb. Finally, the German experimental musician Gunnar Geisse remixes some of it. The whole thing is given an English title: Schoeck vs. Bauer Or What Futures are you Longing For?<\/em> Where are we?<\/p>\n

The emotional state is sentimental: a return, a reflection is central, as the title Reverberation<\/em> clarified. Schoeck was aware of his position as a late-born, post-romanticist, even to a certain extent as an epigone. And he rediscovered it in the poems of Nikolaus Lenau and Matthias Claudius. Resignation resonates - and then spills over to Bauer, who breaks it in many different ways. Stylistically surprising, there are echoes from the history of music. There are always echoes. This refraction is absolutely necessary, as Koller's tone, who can be such a shrewd mediator, occasionally slips into the sentimental and maudlin in Schoeck. But perhaps this is precisely what belongs in such an assemblage. Afterwards, however, Geisse's remixes seem contrived and not integrated, which are probably intended to represent an echo of the longed-for future.\"\"<\/p>\n

Schoeck vs. Bauer Or What Futures are you Longing For? <\/em>Othmar Schoeck: Nachhall; Michael Emanuel Bauer: Afterimages; remixes by Gunnar Geisse. Robert Koller, bass-baritone; Stefan K\u00e4gi, piano. aDevantgarde records, online only<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Schoeck's song cycle \u00abNachhall\u00bb (\"Reverberation\") receives a textual and musical update by Michael Emanuel Bauer, both of which are remixed. 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