{"id":7279,"date":"2017-03-30T00:00:00","date_gmt":"2017-03-29T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/durchwegs-schoene-blockfloetenlaendler\/"},"modified":"2024-09-09T12:14:50","modified_gmt":"2024-09-09T10:14:50","slug":"durchwegs-schoene-blockfloetenlaendler","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2017\/03\/durchwegs-schoene-blockfloetenlaendler","title":{"rendered":"Beautiful recorder riders throughout"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Haeusermann_Ursin_Ratschko_Trio_2.jpg\" alt=\"\" width=\"554\" height=\"368\" \/><figcaption class=\"wp-caption-text\">Eidg. Moos chapel: Ruedi H\u00e4usermann, Herwig Ursin, Jan Ratschko. Photo: Ernst Spycher<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Even the title of this issue, <em>Eleven partly very beautiful recorder players<\/em>reveals it: Here, traditional customs are viewed with a wink. You could have guessed this from the composer's name: Ruedi H\u00e4usermann is part of the L\u00e4ndlerkapelle Eidgen\u00f6ssisch Moos, which is known for shaking up local traditions - if need be with pendulum yodeling, bell tamping or juchzer automaton.<\/p>\n<p>Ruedi H\u00e4usermann's L\u00e4ndler were written for soprano recorder plus another instrument in C (such as violin or a second recorder) and supplemented with chord symbols. Formally, their three- or four-part form with complicated repetitions already places some demands on the player. The L\u00e4ndler show melodic ingenuity; the bouncy cheerfulness can be accompanied by melancholy, and H\u00e4usermann also likes to leave the I-IV-V boundaries often used in folk music. Metrically, there are equally challenging moments, for example in <em>E New Old<\/em>which was composed as a Zwiefacher.<\/p>\n<p>The enclosed CD was recorded by the Eidg. Moos band with recorder, bass clarinet and accordion. It testifies to the joy and wit of playing, even if not exactly to classical training on the instrument; slight uncoordinatedness on the recorder, unusual trill stops or intonationally close to the Alphorn-Fa must be ignored. The phrasing could be more clearly supported dynamically. On the other hand, it is nice that the recorder part on the CD has been melodically altered by nuances. And the play-along version in what is described as a \"pleasantly slow tempo\" and simpler form is particularly praiseworthy.<\/p>\n<p>So the title can be changed: Eleven consistently beautiful L\u00e4ndler. \"Recommended by the Confederation\", as it says on the very last cover page.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/04_Critiques_n_Blockfloete.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Ruedi H\u00e4usermann: Elf zum teilweise sehr sch\u00f6ne Blockfl\u00f6tenl\u00e4ndler, with drawings by Giuseppe Reichmuth and CD, G. H. 15007, Fr. 24.80, Hug Musikverlage, Zurich 2016 <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Ruedi H\u00e4usermann from the Eidg. Moos band has composed folk music with a double bottom.  <\/strong><\/p>","protected":false},"author":1,"featured_media":7280,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[2630,2932,3007],"class_list":["post-7279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-blockfloete","tag-laendler","tag-ruedi-haeusermann"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Durchwegs sch\u00f6ne Blockfl\u00f6tenl\u00e4ndler - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Ruedi H\u00e4usermann von der Kapelle Eidg. Moos hat Volksmusik mit doppeltem Boden komponiert.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2017\/03\/durchwegs-schoene-blockfloetenlaendler\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Durchwegs sch\u00f6ne Blockfl\u00f6tenl\u00e4ndler - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Ruedi H\u00e4usermann von der Kapelle Eidg. Moos hat Volksmusik mit doppeltem Boden komponiert.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2017\/03\/durchwegs-schoene-blockfloetenlaendler\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-03-29T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-09T10:14:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Haeusermann_Ursin_Ratschko_Trio_2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"368\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/03\\\/durchwegs-schoene-blockfloetenlaendler#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/03\\\/durchwegs-schoene-blockfloetenlaendler\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Durchwegs sch\u00f6ne Blockfl\u00f6tenl\u00e4ndler\",\"datePublished\":\"2017-03-29T23:00:00+00:00\",\"dateModified\":\"2024-09-09T10:14:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/03\\\/durchwegs-schoene-blockfloetenlaendler\"},\"wordCount\":332,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/03\\\/durchwegs-schoene-blockfloetenlaendler#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Haeusermann_Ursin_Ratschko_Trio_2.jpg\",\"keywords\":[\"Blockfl\u00f6te\",\"L\u00e4ndler\",\"Ruedi H\u00e4usermann\"],\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/03\\\/durchwegs-schoene-blockfloetenlaendler\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/03\\\/durchwegs-schoene-blockfloetenlaendler\",\"name\":\"Durchwegs sch\u00f6ne Blockfl\u00f6tenl\u00e4ndler - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/03\\\/durchwegs-schoene-blockfloetenlaendler#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2017\\\/03\\\/durchwegs-schoene-blockfloetenlaendler#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Haeusermann_Ursin_Ratschko_Trio_2.jpg\",\"datePublished\":\"2017-03-29T23:00:00+00:00\",\"dateModified\":\"2024-09-09T10:14:50+00:00\",\"description\":\"Ruedi H\u00e4usermann von der Kapelle Eidg. 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