{"id":73307,"date":"2026-05-19T09:20:05","date_gmt":"2026-05-19T07:20:05","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=73307"},"modified":"2026-05-19T09:20:05","modified_gmt":"2026-05-19T07:20:05","slug":"portraetkonzert-von-bettina-skrzypczak-in-muenchen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/news\/2026\/05\/portraetkonzert-von-bettina-skrzypczak-in-muenchen","title":{"rendered":"Portrait concert by Bettina Skrzypczak in Munich"},"content":{"rendered":"<figure id=\"attachment_73308\" aria-describedby=\"caption-attachment-73308\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-73308\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/05\/3_Echo_portraetkonzert_Skrzypczak.jpg\" alt=\"\" width=\"1010\" height=\"534\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/05\/3_Echo_portraetkonzert_Skrzypczak.jpg 1010w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/05\/3_Echo_portraetkonzert_Skrzypczak-300x159.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/05\/3_Echo_portraetkonzert_Skrzypczak-768x406.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/05\/3_Echo_portraetkonzert_Skrzypczak-18x10.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/05\/3_Echo_portraetkonzert_Skrzypczak-331x175.jpg 331w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/05\/3_Echo_portraetkonzert_Skrzypczak-662x350.jpg 662w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/05\/3_Echo_portraetkonzert_Skrzypczak-920x486.jpg 920w\" sizes=\"auto, (max-width: 1010px) 100vw, 1010px\" \/><figcaption id=\"caption-attachment-73308\" class=\"wp-caption-text\">World premiere of Bettina Skrzypczak's \u00ab<em>A Dialogue between the Soul and Body\u00bb<\/em> on May 5, 2026 at the Bavarian Academy of Fine Arts in Munich. Photo: BAdSK<\/figcaption><\/figure>\n<p>Compositions from the last 25 years provided a lively insight into her rich chamber music oeuvre. The program included five works: the much-played flute solo <em>Mouvement<\/em> from 1999, the spiky-virtuoso <em>Sc\u00e8ne I<\/em> for violin and violoncello, the piano solo <em>Daphne's song<\/em>, composed in 2002 for Massimiliano Damerini and the Venice Biennale, premiered at the Bern Music Festival 2023 <em>Canzona ad astra<\/em> for baritone, clarinet and violoncello on text fragments by the astronomer Johannes Kepler, as well as a world premiere, <em>A Dialogue between the Soul and Body<\/em>, a composition commissioned by the Academy.<\/p>\n<p>The new work is based on a text by the English baroque poet and politician Andrew Marvell, who describes the contradictions between body and soul as a conflict-ridden togetherness and opposition with no way out. A timelessly topical subject, not only for today's psychologists. The text inspired the composer to create a declamatory, gestural duet in the form of speech and counter-speech, with the interlocking voices supported by the five instruments in a lively commentary. With Maud Niklas (soprano), Robert Koller (baritone) and the musicians of the Munich ensemble der\/gelbe\/klang under the direction of Peter Hirsch, the work was a great success with the audience.<\/p>\n<p>In a half-hour conversation with composer and academy member Nikolaus Brass, Bettina Skrzypczak also had the opportunity to talk at length about her works and her artistic views.<\/p>\n<p><a href=\"https:\/\/www.badsk.de\/veranstaltungen\/2026\/komponieren-im-zeichen-der-verantwortung-%E2%80%93-portraitkonzert-bettina-skrzypczak\" target=\"_blank\" rel=\"noopener\">Link to the event<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>At the invitation of the Bavarian Academy of Fine Arts, Bettina Skrzypczak presented herself at the Munich Residenz with a portrait concert under the motto \u00abComposing under the sign of responsibility\u00bb. <\/p>","protected":false},"author":23,"featured_media":73308,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[27,1624],"tags":[5652,5258],"class_list":["post-73307","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-personen","tag-bayerische-akademie-der-schoenen-kuenste","tag-bettina-skrzypczak"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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