{"id":73834,"date":"2026-06-12T17:47:42","date_gmt":"2026-06-12T15:47:42","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=73834"},"modified":"2026-06-12T17:20:31","modified_gmt":"2026-06-12T15:20:31","slug":"teenager-ravel-am-klavier","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2026\/06\/teenager-ravel-am-klavier","title":{"rendered":"Teenager Ravel at the piano"},"content":{"rendered":"
\"\"
Charles-Wilfrid de B\u00e9riot's piano class at the Conservatoire de Paris in 1895, with twenty-year-old Maurice Ravel on the far left. Photo: Eug\u00e8ne Pirou \/ wikimedia commons<\/a><\/figcaption><\/figure>\n

\u00abNous ne savons rien sur l'origine de cette pi\u00e8ce qui constitue la premi\u00e8re composition de Ravel pour le piano.\u00bb Arbie Orenstein wrote this in the preface to the first edition of the S\u00e9r\u00e9nade grotesque<\/em>, published by Salabert in 1975 to mark the centenary of Ravel's birth. The prominent Ravel scholar, whose monograph on the great composer is still probably the measure of all things, was not only the discoverer of the autograph, which had long been considered lost. He also arranged the premiere in the same year.<\/p>\n

Fifty years later, Andreas Pernpeintner has now republished the short piano piece with Henle. The differences to the French first edition are minor. In Pernpeintner's foreword, however, we learn some fascinating details about how Ravel himself judged this work, which he had written almost as a teenager. Apparently he never kept it completely under lock and key.<\/p>\n

The S\u00e9r\u00e9nade grotesque<\/em> is characterized by strong contrasts between percussive passages (\u00abtr\u00e8s rude, pizzicatissimo\u00bb) on the one hand and longer cantilenas (\u00abtr\u00e8s sentimental\u00bb) on the other. The numerous echoes of Spanish guitar music are not the only thing that makes the far more famous Alborada del gracioso<\/em> from the Miroirs<\/em> (Arbie Orenstein even felt like she was Scarbo <\/em>recalls). As in these later masterpieces, the piano writing here also lives from orchestral associations. Although it is not overly demanding, the S\u00e9r\u00e9nade <\/em>has its pianistic pitfalls. In order to overcome these obstacles as elegantly as possible, the French pianist C\u00e9dric Tiberghien has contributed some fingerings that are really very practicable.<\/p>\n

All in all, a worthwhile new edition! For Ravel fans anyway. But also for anyone who would like to look over the shoulder of a young genius as he develops.\"\"<\/p>\n

Maurice Ravel: S\u00e9r\u00e9nade grotesque, edited by Andreas Pernpeintner, HN 1590, \u20ac 8.00, G. Henle, Munich<\/em><\/p>","protected":false},"excerpt":{"rendered":"

The \u00abS\u00e9r\u00e9nade grotesque\u00bb, written by the very young Maurice Ravel, foreshadows characteristics of later works. <\/p>","protected":false},"author":29,"featured_media":73835,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[5697,1587,4180],"class_list":["post-73834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-andreas-pernpeintner","tag-klavier","tag-maurice-ravel"],"acf":[],"yoast_head":"\nTeenager Ravel am Klavier - Schweizer Musikzeitung<\/title>\n<meta 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