{"id":73889,"date":"2026-06-13T15:18:44","date_gmt":"2026-06-13T13:18:44","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=73889"},"modified":"2026-06-12T15:37:23","modified_gmt":"2026-06-12T13:37:23","slug":"zweistimmig-durch-die-zeiten","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2026\/06\/zweistimmig-durch-die-zeiten","title":{"rendered":"Two voices through the ages"},"content":{"rendered":"<figure id=\"attachment_73894\" aria-describedby=\"caption-attachment-73894\" style=\"width: 1080px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-73894 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168.jpg\" alt=\"\" width=\"1080\" height=\"912\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168.jpg 1080w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168-300x253.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168-1024x865.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168-768x649.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168-14x12.jpg 14w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168-207x175.jpg 207w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168-414x350.jpg 414w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168-947x800.jpg 947w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/MM_23_000-00_1168-920x777.jpg 920w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><figcaption id=\"caption-attachment-73894\" class=\"wp-caption-text\">Sini Simonen and Alexandre Foster. Photo: zVg<\/figcaption><\/figure>\n<p>Top performances usually go hand in hand with specialization. But violinist Sini Simonen and cellist Alexandre Foster are taking a different approach. They have opted for a combination of neoclassical sounds, two-part motets by Orlando di Lasso and contemporary sounds from different countries, each with its own style.<\/p>\n<p>Variety is thus ensured. But Foster and Simonen achieve much more. In their foray through the ages, they discover various gems, which they present with more than just polish. Maurice Ravel's <em>Sonata<\/em> for violin and cello takes center stage. Roman Brotbeck rightly points out in the booklet that it \u00absometimes sounds like a string quartet\u00bb. In addition to the astonishing sonority, the brilliant four-movement homage to Claude Debussy, who died in 1918, impresses with its elegance, polyphonic density and rhythmic finesse, which sound like modern B\u00e9la Bart\u00f3k.<\/p>\n<h3>Moser and Winkelman<\/h3>\n<p>Switzerland resonates in the subtext: Alexandre Foster teaches as a cello professor at the Basel Music Academy. Bohuslav Martin<em>\u016f<\/em>s <em>Duo II<\/em> was written near Basel, when the composer was a guest of Maja and Paul Sacher. Works by Roland Moser and Helena Winkelman also contribute to this wonderfully entertaining production: Moser's <em>Three dedications<\/em> are highly concentrated studies in which semitones, flageolet worlds and natural tones leave special sound impressions. In her early work <em>Rondo with a Janus head<\/em> already foreshadows what characterizes Basel-based Helena Winkelman to this day: a polystylistic openness with lively folk music and some jazz rhythms. Winkelman's lively <em>Rondo<\/em> is rightly written at the end of a CD on which Simonen and Foster hit the tone of the very different music at every point. We can only recommend it: Please listen in one go!<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-73892 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-1024x1024.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-768x768.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-800x800.jpg 800w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-920x920.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/06\/03_crit_cd_Moeller.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Bicinia. Works by Orlandi di Lasso, Bohuslav Martin\u016f, Maurice Ravel, Helena Winkelman, Roland Moser, Gy\u00f6rgy Ligeti, Kaija Saariaho. Sini Simonen, violin; Alexandre Foster, cello. Claves Records CD 3134<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Under the title \u00abBicinia\u00bb, Sini Simonen, violin, and Alexandre Foster, cello, explore compositions for two voices, sometimes sounding like a quartet.<\/p>","protected":false},"author":29,"featured_media":73894,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[5711,2063,2347,5713,2542,4180,5712,2040,5710],"class_list":["post-73889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-alexandre-foster","tag-bohuslav-martinu","tag-gyoergy-ligeti","tag-helena-winkelman","tag-kaija-saariaho","tag-maurice-ravel","tag-orlandi-di-lasso","tag-roland-moser","tag-sini-simonen"],"acf":[],"yoast_head":"<!-- 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