{"id":74351,"date":"2026-07-15T12:17:15","date_gmt":"2026-07-15T10:17:15","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=74351"},"modified":"2026-07-15T12:04:18","modified_gmt":"2026-07-15T10:04:18","slug":"bilanz-des-festivals-fuer-neue-musik-forum-wallis-2026","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/service\/2026\/07\/bilanz-des-festivals-fuer-neue-musik-forum-wallis-2026","title":{"rendered":"Review of the Forum Wallis 2026 Festival of New Music"},"content":{"rendered":"<figure id=\"attachment_74354\" aria-describedby=\"caption-attachment-74354\" style=\"width: 1482px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-74354 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch.jpg\" alt=\"\" width=\"1482\" height=\"1066\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch.jpg 1482w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-300x216.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-1024x737.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-768x552.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-243x175.jpg 243w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-487x350.jpg 487w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-1112x800.jpg 1112w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-920x662.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/ppj-fiesch-1400x1007.jpg 1400w\" sizes=\"(max-width: 1482px) 100vw, 1482px\" \/><figcaption id=\"caption-attachment-74354\" class=\"wp-caption-text\">Proyecto Piano Joven during a group sing-along in Fiesch. Photo: Forum Wallis<\/figcaption><\/figure>\n<p>At the festival\u2019s 20th-anniversary edition, music by 95 composers from over 40 countries was performed, 16 of whom were from Valais. Forty works were performed in Switzerland for the first time, and 13 works had their world premieres. Ninety-five percent of the pieces were no more than four years old.<\/p>\n<p>Given the size and distance of the venues, the concerts were better attended than expected. The audience was delighted and grateful for the quality, attention to detail, originality, and uncompromising approach, as well as for the emotional depth and freshness of the program. Planning for the 2027 edition of the festival is already underway.<\/p>\n<p>Forum Wallis is an international festival for new music founded in 2006 and organized by IGNM-VS, the local chapter of the International Society for Contemporary Music (ISCM). Its board of directors is composed of internationally active musicians and composers from Valais: Manuel Mengis, Hans-Peter Pfammatter, Ulrike Mayer-Spohn, and Javier Hagen.<\/p>\n<p>Since its founding, Forum Wallis has co-produced over 350 world premieres and presented works by more than 500 composers from around the world, including Stockhausen\u2019s <em>Helicopter string quartet<\/em> together with the Arditti Quartet, Andr\u00e9 Richard, and Air Glaciers, Holliger's <em>Alb-Chehr<\/em> and Cod.Acts <em>Pendulum Choir<\/em>.<\/p>\n<h3>Five Hours of String Quartet<\/h3>\n<p>The 2026 edition of the festival kicked off on the afternoon of Corpus Christi at the M\u00fcnstiger Church in Goms. The German Minguet Quartet performed Morton Feldman\u2019s String Quartet No. 2, the longest work ever composed in this genre\u2014a plea for slowing down, patience, and perseverance.<\/p>\n<p>With a running time of about 5 hours, the Minguets opted for a mid-tempo interpretation. The piece delicately wove its way through time, dissolving conventional perceptions of time. It is remarkable that more than 60 people attended the concert over its entire duration in a village of 300 residents.<\/p>\n<h3>Two groups improvise<\/h3>\n<figure id=\"attachment_74356\" aria-describedby=\"caption-attachment-74356\" style=\"width: 2048px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-74356 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04.jpg\" alt=\"\" width=\"2048\" height=\"1365\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-1024x683.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-600x400.jpg 600w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-768x512.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-1536x1024.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-525x350.jpg 525w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-1200x800.jpg 1200w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-impro02-04-920x613.jpg 920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><figcaption id=\"caption-attachment-74356\" class=\"wp-caption-text\">Erb\/Mayas\/L\u00e4ng in the M\u00fcnstig parish church. Photo: Forum Wallis<\/figcaption><\/figure>\n<p>On June 5 and 6, also in M\u00fcnster, two top ensembles from the Swiss and European improvisation scene performed: Voutchkova\/Strahl\/Mengis\/Pfammatter and Erb\/Mayas\/L\u00e4ng. Both evenings enchanted the audience with their chamber-music-like intimacy and the palpable closeness and rapport among the musicians.<\/p>\n<h3>Transformed Poetry<\/h3>\n<figure id=\"attachment_74358\" aria-describedby=\"caption-attachment-74358\" style=\"width: 2048px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-74358 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03.jpg\" alt=\"\" width=\"2048\" height=\"1539\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03.jpg 1331w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-300x225.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-1024x770.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-768x577.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-1536x1154.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-16x12.jpg 16w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-233x175.jpg 233w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-466x350.jpg 466w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-1065x800.jpg 1065w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-920x691.jpg 920w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-umsnjip-tabuenca-03-1400x1052.jpg 1400w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><figcaption id=\"caption-attachment-74358\" class=\"wp-caption-text\">Luis Tabuenca at MEbU \u2014 \u00abUp close, we\u2019re running wild.\u00bb Photo: Forum Wallis<\/figcaption><\/figure>\n<p>On Sunday, June 7, all the cycles from the poetry collection were featured throughout the day <em>In the close-up we run wild<\/em> by Rolf Hermann, to be heard at \u00abM\u00fcnster Earport\u00bb MEbU, the art space for contemporary music in Goms. The new music duo UMS\u2019nJIP and Luis Tabuenca, winner of the 2026 Reina Sofia Composition Prize, transformed the four poetry cycles<em>\u00a0In the St\u00f6rgarten, Stolen Windows, Neophytes\u00a0<\/em>and<em>\u00a0one\u00a0<\/em>into intimate song cycles.<\/p>\n<h3>Teenagers Play Piano Music with Live Electronics<\/h3>\n<figure id=\"attachment_74359\" aria-describedby=\"caption-attachment-74359\" style=\"width: 1280px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-74359 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ.jpg\" alt=\"\" width=\"1280\" height=\"737\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ.jpg 1280w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ-300x173.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ-1024x590.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ-768x442.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ-18x10.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ-304x175.jpg 304w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ-608x350.jpg 608w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/PPJ-920x530.jpg 920w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><figcaption id=\"caption-attachment-74359\" class=\"wp-caption-text\">Proyecto Piano Joven Sevilla. Photo: Forum Wallis<\/figcaption><\/figure>\n<p>Under the Adventurous Sounds label, the Proyecto Piano Joven (PPJ) from Seville\u2014a project for young pianists that has been in existence for 20 years\u2014performed in Switzerland for the first time. Adventurous Sounds is an educational program series organized by Forum Wallis that introduces children and young people to contemporary music in a playful way.<\/p>\n<p>At the conservatories in Geneva and Sion, the PPJ presented a total of nine works for piano and live electronics, all written specifically for them by renowned Spanish-speaking composers. Under the direction of Ignacio Torner, the teenagers performed a full program that, in terms of both composition and interpretation, was in no way inferior to that of a professional ensemble.<\/p>\n<h3>Folk Music from the Upper Valais and Bolivia<\/h3>\n<figure id=\"attachment_74360\" aria-describedby=\"caption-attachment-74360\" style=\"width: 2048px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-74360 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez.jpg\" alt=\"\" width=\"2048\" height=\"1097\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-300x161.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-1024x549.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-768x411.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-1536x823.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-18x10.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-327x175.jpg 327w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-653x350.jpg 653w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-1494x800.jpg 1494w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/vlc-arnez-920x493.jpg 920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><figcaption id=\"caption-attachment-74360\" class=\"wp-caption-text\">The Upper Valais Folk Song Choir and Juan Arnez touring the villages of Upper Valais. Photo: Forum Wallis<\/figcaption><\/figure>\n<p>From June 26 to 28, the Upper Valais Folk Song Choir toured Saas, the L\u00f6tschental, and the Goms region together with Bolivian folk musician Juan Arnez. Here, too, in addition to dialect favorites sung together with the audience, innovation was a theme: new songs in the folk style by Stefan Ruppen, Manuela Lehner-Mutter, and Valentin Bregy, alongside five premieres in the Bolivian folk style by Juan Arnez.<\/p>\n<h3>Ars Electronica<\/h3>\n<figure id=\"attachment_74361\" aria-describedby=\"caption-attachment-74361\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-74361 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05.jpg\" alt=\"\" width=\"1400\" height=\"969\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-300x208.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-1024x709.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-768x532.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-1536x1064.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-253x175.jpg 253w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-506x350.jpg 506w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-1155x800.jpg 1155w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/07\/fw26-aefw-05-920x637.jpg 920w\" sizes=\"(max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-74361\" class=\"wp-caption-text\">The Ars Electronica Forum Wallis 2026 Selection Concerts at MEbU. Photo: Forum Wallis<\/figcaption><\/figure>\n<p>On July 3 and 4, the festival at MEbU concluded with the final two concerts of the Ars Electronica Forum Wallis 2026 Selection Concerts. The first two concerts in the series had taken place at the same venue at the start of the festival. The program featured 32 pieces, and 17 others were on the \u201cHighly Commended\u201d list. Twenty-nine Swiss premieres were performed, along with three world premieres (Lund-Jensen, Duchenne, Otani).<\/p>\n<p>More than a dozen composers traveled to the concerts from China, the United States, Germany, France, and Ireland. The four concerts provided a welcome opportunity for lively exchanges, not only within the music community but also with the local population, who turned out in large numbers to attend the concerts.<\/p>\n<p>Noteworthy\u2014and a topic of discussion particularly relevant to insiders\u2014was the interpretive approach at the MEbU-Akusmonium: live diffusion. The layout of the MEbU-Akusmonium is not a standard configuration, but a deliberately asymmetrical one, designed specifically for this space by Simone Conforti of IRCAM in Paris and intended to be played live.<\/p>","protected":false},"excerpt":{"rendered":"<p>From June 4 to July 4, 17 concerts took place in Geneva, Sion, the Saas and L\u00f6tschental valleys, and as far as M\u00fcnster in the Goms. For the first time, the Goms served as the festival\u2019s actual epicenter.<\/p>","protected":false},"author":29,"featured_media":74354,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[4219,30],"tags":[5765,5764,1941,2008],"class_list":["post-74351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-auffuehrungen-service","category-service","tag-muenster-earport-mebu","tag-festival-fuer-neue-musik-forum-wallis","tag-forum-wallis","tag-ignm-vs"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bilanz des Festivals f\u00fcr Neue Musik Forum Wallis 2026 - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Bilanz des Festivals f\u00fcr Neue Musik Forum Wallis 2026: Vom 4. 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